Posts Tagged ‘titus andronicus’

Titus Andronicus @ The Horseshoe Tavern, July 14, 2010

July 15th, 2010 | By: Guest Contributor

Titus Andronicus

Midway through their Wednesday headlining set, Titus Andronicus frontman and lead singer Patrick Stickles stopped playing his guitar, to address the rowdy crowd assembled in front of him. “We’d like to thank you,” he began, “For choosing us for your New Jersey rock experience tonight.” A simple gesture for sure, but one that came across as incredibly gracious, given the context of the night. While dozens were packing into the Horseshoe to see the band named after a William Shakespeare tragedy perform, across town, fellow New Jersey punk band The Gaslight Anthem  were also playing at Sound Academy. The latter have grown into something of a household name, thanks to their songs being played on rock radio stations, and having played large festivals such as Vans Warped Tour and Lollapalooza. Meanwhile Titus Andronicus – who are rounded out by bassist Ian Graetzer, Amy Klein on guitar and violin, David Robbins on guitar and a American flag-draped keyboard, and Eric Harm on the drums and back-up vocals – have managed to fly under the radar, unless you are a big fan of bands such as Neutral Milk Hotel, The Pogues, or even The Hold Steady, or are the type of person that reads Pitchfork reviews just for the numerical rating (their debut album, The Airing of Grievances, received a respectable 8.5 out of 10)

Even though both bands call the Garden State home, that’s really where the comparisons end. Titus Andronicus don’t write your typical verse-chorus-verse punk songs that are contained between two and four minutes, they write sprawling epic narratives about that last to upwards of fifteen minutes, often building to powerful finishes. They also aren’t a band that are afraid of ambition. Take for example the band’s most recent album, The Monitor, which is loosely based on the American Civil War. The song “A More Perfect Union”, which they opened with, even goes as far as to sample a recording of an address by Abe Lincoln. Stickles’ howling voice, which at any given time sounds like a cross between Conor Oberst, The Hold Steady’s Craig Finn, and (yes, it must be said) Bruce Springsteen, is the perfect vehicle for the band’s rallying cries against conformity, suburban malaise, and fears of the future. Another highlight was “No Future Part Three: Escape from No Future”, which somehow manages to take the line “You will always be a loser”, and turn it into a cathartic sing-a-long.

The show wasn’t all seriousness though – the band also broke out a rousing cover of Weezer’s “The Sweater Song” that had the entire audience chiming in. When they finished, a cheering crowd brought them back out for one more song, something that Sickles commented, “We don’t do very often.” Underrated, but never unappreciated. That’s the Titus Andronicus way.

For more,
MySpace:
http://www.myspace.com/titusandronicus

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Max’s Alternative Summer Hits Of 2009

June 6th, 2009 | By: Guest Contributor

Instead of: Black Eyed Peas’ “Boom Boom Pow”
Try: Thunderheist’s “Sweet 16 (Mansion Remix)”

When I first heard the Black Eyed Peas’ first single off their upcoming third album, I could not believe my ears how godawful it was. In fact, “Boom Boom Pow” may quite possibly be the worst thing that the members of BEP have produced, whether it be their solo material or as a collective. No small feat considering we are dealing with individuals that have given the world such gems as “I Got It From My Mama”, “Big Girls Don’t Cry” and “My Humps”. For something slightly trashy, but with a catchy beat that’s sharp enough to draw blood, go with Toronto’s electro-rap duo du jour Thunderheist’s “Sweet 16″ instead (the original or the remix by hot Toronto DJ duo Mansion are both recommended). Added bonus is that frontwoman Isis would totally kick Fergie’s ass and can actually deliver a clever line (C’mon Fergie, the best you can do is “I’m so 3008, you so 2000 and late?” You sound like a 5 year-old who just learned how to rhyme).

Instead of: Green Day’s “Know Your Enemy”
Try: Titus Andronicus’ “Upon Viewing Brueghel’s “Landscape With The Fall Of Icarus”

Listen: I’m not going to blame you or think any less of you, if you went out and purchased the new Green Day album the day it came out. I’m bigger than that. Hell, you cannot deny the impact these guys had on pop-punk in the 90s back when they were writing catchy songs about weed, being in the minority and um…masturbation. And if you can think of any song that’s been played at more graduation ceremonies than “Good Riddance (Time of Your Life)” – and one iconic sitcom finale – than I’d love to hear it. Plus, what other band from the 90s can you name that managed to reinvent themselves as successfully as Billie Joe and the boys did with 2004′s American Idiot? But its 2009, Bush is no longer in the White House, and its pretty hard to maintain your “raging against the machine” rebel status, when your new “hit” (which at best, is a diminished rehash of “American Idiot”) debuted at the NCAA men’s basketball finals. Instead try this track from New Jersey’s highly-literate quartet Titus Andronicus, whose song is named after a work by famous Flemish artist Brueghel, whose landscape paintings dealt with the rituals of village life, social commentary, and humankind’s indifference to suffering. Now that’s fucking punk.

Instead of: Lady GaGa’s “Poker Face”
Try: Peaches’ “Billionaire”

What with the hair, shiny costumes and retro-style music videos that seem like they were filmed in a Parisian cabaret circa the 1950s, perhaps Lady GaGa has more in common with, say Madonna, than raunchy Canadian shock-rocker Peaches (whose “Diddle My Skittle” contains perhaps the most thinly-veiled sexual innuendo that has ever appeared in a song by a Canadian). But while Madge has been awfully quiet on the musical front lately (she’s too busy being turned down by adoption agencies or banging Guy Ritchie or something), Peaches just released her “don’t call it a comeback” comeback album I Feel Cream. In “Billionaire”, the singer provides slinky come-ons over a squelching electronic beat provided by Simian Mobile Disco, like she never went away. When she promises to “fuck you like a billionaire”, there’s no doubt in your mind that she can’t do it either. Lady GaGa, are you taking notes?

Update: I just did a Google search and Madonna is not banging Guy Ritchie. She is in fact, banging this guy. I apologize for the confusion.

Instead of: T.I.’s (feat. Justin Timberlake) “Dead and Gone”
Try: Classified (feat. Joel Plaskett) “One Track Mind”

Please insert a joke about T.I. going to prison here.

Instead of: Soulja Boy’s “Kiss Me Thru The Phone”
Try: Major Lazer’s “Hold The Line (feat. Mr Lexx & Santigold)”

According to his profile on the Mad Decent website, Major Lazer is a “”Jamaican commando who lost his arm in the secret Zombie War of 1984. The US military rescued him and repurposed experimental lazers as prosthetic limbs. Since then Major Lazer has been a hired renegade soldier for a rogue government operating in secrecy underneath the watch of M5 and the CIA.” Psych! Its actually the new side project from taste-making Philly DJ Diplo and his producer friend Switch, with help from a laundry list of their globe-trotting friends including Santigold, Blaqstarr, M.I.A. and a host of other artists who you’ve never heard of. “Hold The Line” is a bizzonkers (yes, I did just use that word) tune that is equal parts surf-rock, reggae and dancehall, and something that you definitely won’t hear on commercial radio anytime soon. Still its dial-tone hook is much better than the other phone-related song (sorry, that was a weak connection but it had to be done), Soulja Boy’s limp attempt at a sensitive song for the ladies, which will be sure to be one of the top-selling ringtones this summer (cause really that’s what its all about these days in the face of this recession…ringtone sales). For me, its done what I thought was impossible – make me wish his other song was still being played on the radio…what was it called again? Something about “Superman-ing that hoe” and that really stupid dance that went with it? Hold on, it’ll come to me…

Instead of: Beyonce’s “Halo”
Try: Grizzly Bear’s “Two Weeks”

Because it wouldn’t be summer without another really sappy power ballad from Beyonce. There’s no real connection between these two sons, other than the former Destiny’s Child ringleader now resides in New York City, and the guys from Grizzly Bear are from the mecca of every other Pitchfork-endorsed, buzzed-about (check out the story in this month’s SPIN, white boy indie-pop band of the past five years, Brooklyn, NY. The main difference? These guys have got the musical skills to pay the bills. To quote Natalie Portman in this movie, “You gotta hear this one song – it’ll change your life; I swear.” She was talking about The Shins, but how much do you want to bet that Zach Braff is already writing a movie so that he can use this song on the soundtrack? Oh, and Beyonce? Tell that husband of yours to stop hanging out with Chris Martin and get his ass in the studio to finish The Blueprint 3. I’ll be here waiting.

Instead of: U2′s “Get On Your Boots”
Try: Bob Dylan’s “Beyond Here Lies Nothing”

Hmm…I’ll take “Stadium Bands That Don’t Know When To Throw In The Towel” for $400, please Alex. When did U2 go from being the band that wrote “Sunday Bloody Sunday”, a stirring anti-violence, anti-hate anthem for the ages, to Bono singing something about “sexy boots”? Was this somewhere around the time when Bono decided that he could singlehandedly save the world himself? Does anybody else miss the Joshua Tree-era U2, back when they were still relevant? Senor Dylan has nineteen years on Bono – not to mention nineteen more studio albums on U2 – yet the man is still hanging out with supermodels, got remixed by Mark Ronson, he hosted a pretty awesome radio show (Bob Dylan’s Theme Time Radio Hour) and is still cranking out New Orleans blues-influenced albums, with odes to the ladies and living in the middle of nowhere. He’s like the dirty joke-cracking, womanizer older uncle you never had. Check out the video for this song by Australian director Nash Edgerton here.

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Let’s Chat/Review: Titus Andronicus

April 20th, 2009 | By: Guest Contributor

Titus Andronicus

Titus Andronicus

Five men walk upon the dimly lit stage at Toronto’s Horseshoe Tavern. All moving with a sense of purpose, they pick up their instruments. While they fiddle with their guitars and check their tuning, the audience impatiently waits for the music. The feedback from the amplifiers and the testing of the bass drum signal that they are almost ready, and with that the bearded front man looks back on the other members. The members nod their heads to the silent timing. One, two, three, four. What follows is 40 minutes of nihilistic, philosophical indie rock which leaves the audience slightly deaf but wanting more. Many in the crowd wonder who is this band, with their references to Albert Camus, the New Testament, and Seinfeld. The five young men hailing from Glen Rock, New Jersey, are Titus Andronicus, named after William Shakespeare’s not-so-famous play, and they can put on one hell of a show.

Standing on stage, Patrick Stickles, Ian O’Neil, Andrew Cedermark, Eric Harm and Ian Graetzer look fresh out of college. The members, while looking passive before beginning their set, change once the first chord is struck. The main vocalist Stickles, who also plays guitar, harmonica and keyboards, frantically moves across the stage, switching instruments quickly while never losing a beat. He is joined with O’Neil and Cedermark, both of which play guitar and provide backing vocals. With Graetzer on bass and Harm on drums, the five leave the audience with a ringing in their ears which will not go away for some time. However, once the distorted guitars start, even they are dwarfed by Stickles’ frantic, exasperated screams which sound like a louder, angrier version of Conor Oberst. The band plays almost nonstop, pausing only to pick up their bottles of Labatt Blue and Budweiser off of the ground. They do love their beer.

***

Currently signed to XL Records, Titus Andronicus formed in 2005. Stickles, the primary songwriter, wrote most of the songs off of the first full length record on 2008′s An Airing of Grievances while he was still in high school. It is an understatement that Stickles is a great lyricist, as the album received great reviews from publications such as Pitchfork and Rolling Stone Magazine.

Stickles met the first members of the band from his hometown and surrounding areas. However, Titus Andronicus is like a constantly evolving organism. Having gone through many different members, only two of the members from their record still remain on the band, creator Stickles and bassist Graetzer. When asked about the constantly changing line-up, Stickles said that due to college, many members are lost as they cannot tour, so new members are continuously replacing those who cannot play.

On tracks from their CD, such as self-titled track Titus Andronicus, Stickles’ lyrics show his apathetic and nihilistic attitude towards the world. You cannot help but feel for him when he describes what appears to be his, and most other peoples, worst nightmare, saying “They’ll be no more cigarettes/ no more having sex/ no more drinking till you fall on the floor”, and then proceeds to finish up the song by chanting the words “Your life is over.”

Throughout the CD, it is clear that the songs are a product of Stickles’ constrained and shallow environment. “In America, we judge people on their possessions,” he tells the audience during his set, “so go and buy our merchandise.” While he was joking, his dissent for society’s norms and values are clear in his lyrics, and his songs are a direct challenge to this system of beliefs. “I’ve found that once you kind of get to understand the meaninglessness of the universe, if you will, it gives you a greater freedom to impose meaning on your universe,” he said in a recent interview with Eye Weekly. Is he blunt in his explanation? Absolutely, but after listening to An Airing of Grievances, what else would you expect?

***

I had been trying to get an interview with the band all week. An email to their publicists produced no results so I had given up hope of talking with the band. Sitting at the bar after their set, I noticed a brown haired, heavily bearded man smoking outside on the patio. It was the same beard which vented its frustrations and existential views on the audience only minutes before. I knew I had to talk to him; it was too good of a chance to pass up. Ditching the friends I came with, I went outside. “Great set tonight. I was wondering if I could get a quick interview.” He looked at me, and did not respond right away. So I used my back-up plan, “I’ll buy you a drink.”

Twenty minutes later, Stickles, O’Neil and Cedermark are beside me smoking cigarettes and drinking bottles of Labatt 50 beer. I had never interviewed a band before, but I was surprisingly not nervous. Maybe it was their friendliness, or maybe it was the five beers I just drank, but it was as if I was talking to regular people, not three musicians from New Jersey.

I soon learned that Titus Andronicus are regular people. The talk ranged from random thoughts, debates about writing and technology, and the packaging on Canadian cigarettes.

Sitting outside, Stickles, in a black hooded jacket and rolling a cigarette, said that this is their first time in Canada. He spoke of the recent touring the band had just finished, which included time in Europe. They visited the U.K, France, the Netherlands, and “spent a wild week in Germany.” Cedermark explained that with touring, there are ups and downs. Some days are good, some are bad. Surprisingly, he said that the worst part was “not being able to recycle…and using too much gasoline.” However, Stickles countered by saying that being on tour is great. In his mind, he is doing what he loves, so there is nothing to complain about. “Everything about it is good. The whole deal is great.” It is clear in his answer that Stickles is passionate about music, and loves being able to make a living writing and performing.

While all the members are touring almost full-time, they do have other careers. Cedermark is a substitute teacher and O’Neil is a freelance graphic designer. However, they admit that they have not worked at those jobs in quite a while, as when they are able to get a brief respite from touring, they try to catch up on the relationships which they have been putting off.

After talking for about a half-hour, shots of whiskey are drunk, beers are finished, and the line between journalist and subject begin to get blurred. The band begins to ask me questions. It starts off with basic ones, about where I go to school, what I like to do, what living in Toronto is like. However, they begin to ask me to settle disputes for them. Cedermark tells me that he would like me to settle an ongoing debate between the group. He then goes into an explanation of the fall of the newspaper, and wonders what my thoughts are. Stickles, rolling another cigarette, proclaims that “newspaper is dead, and the computer is the box they are going to bury it in.” However, they seem genuinely interested in my answer, and it is only when O’Neil tells Cedermark to stop asking me questions are we able to get back on track.

The time on the patio is cut short thanks to Bert and Ernie, two drunken homeless men who stumble up and began talking to the band. After borrowing cigarettes and beer from O’Neil, the two explained how they were brothers (despite the fact that one was black and one was white), and that they are the famed brothers Bert and Ernie from the television show Sesame Street. After hearing this, Stickles laughs and says “I don’t know if this guy’s got the eyebrows to be Bert.”

Ten minutes later they go inside and I tell them that I had to go, as I saw my two friends by the bar and felt bad for ditching them, especially because it was one of their birthdays. They wish me good luck and O’Neil grabs me and gives me a bear hug. I promise to come and see them when they return to Canada, which according to them may happen sometime this September.

***

The members of Titus Andronicus know what they want in life. They want to be able to play music, drink good beer and whiskey, and have a good time. So far, they are achieving this and thriving. Whether they are reading existential literature, writing about how life is meaningless, or singing in front of hundreds of fans, Titus Andronicus are just trying to enjoy all that they have achieved.

For more Titus Andronicus,
MySpace: http://www.myspace.com/titusandronicus
Website: http://www.titusandronicus.net/

By Danny Viola

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