Posts Tagged ‘the rural alberta advantage’

Canadian Music Week Round-Up: Saturday

March 22nd, 2010 | By: admin

The Wooden Sky @ Horseshoe (Photo Credit: Jerry Vo)

Joel Plaskett @ Mod Club

As part of the Canadian Music Week festivities this year, Sirius Satellite Radio put on a showcase billed as “Sirius Songwriters Cafe” at the Mod Club, which was recorded in its entirety for a future broadcast. The lineup was certainly a diverse one, including The Tea Party’s former frontman Jeff Martin performing solo, and late-Nineties Canadian rock radio favourites Default and The Trews. For myself, and countless others I expect braving the miserable, miserable weather and lengthy lineup at the Mod Club, there was only one act that mattered – a performance from The Nova Scotian Bard himself, Joel Plaskett.

I’m not sure whose decision it was to put Plaskett on first, but if it bothered the congenial singer-songwriter, than he certainly wasn’t showing it. Dressed casually in a t-shirt, vest and jeans, and grinning from ear to ear, he greeted the audience with a cheerful, “Hey Mod Club, how are you all doing?”. Accompanied by Peter Elkas on guitar, Plaskett played an abridged five-song set that included the Polaris Prize-nominated Three sing-along ”Through & Through & Through”, and fan favourite ”Nowhere With You”.

The least enviable job of the night had to belong to the female host from Sirius, who came onstage afterwards to say that due to a tight schedule we weren’t getting anymore songs from Joel, which promptly resulted in some enthusiastic booing from the filled-to-capacity Mod Club crowd. Nonetheless, even with a short set, Plaskett managed to prove why he cleaned up at the East Coast Music Awards several weeks ago (six awards!) and why he’s considered one of the best singer-songwriters in Canada today. Yet despite all his success, Plaskett has managed to remain incredibly humble – must be an East Coast thing.

Oh, and for fans wanting more Plaskett? He’ll be in Toronto next weekend for two shows at Lee’s Palace with his old band Thrush Hermit. Tickets for the Saturday show are sold out, but if you look around, you should still be able to get tickets for Sunday’s performance.

MySpace (Joel Plaskett): http://www.myspace.com/joelplaskett1

- MM

The Rural Alberta Advantage @ The Royal York Hotel

The Independent Music Awards, or “Indies” for short, is quite possibly the most bizarre annual Canadian music awards night ever. What other “awards show” can you name where you can see drunk music industry-types, 14-year-old Marianas Trench fan girls, and performances from actual talented bands, all in the giant ballroom of a swanky hotel? That’s what I thought. Last year, I caught Crystal Castles at the Indies after rushing over from the Bloc Party show at Kool Haus, and this year I caught another massively underrated (though in a completely different way) band, The Rural Alberta Advantage.

Taking the stage behind a giant video screen to perhaps one of the strangest crowds they’ve ever performed in front of, the Toronto indie rock three-piece of Paul Banwatt, Amy Cole and Nils Edenloff played about three quarters of their 2008 debut album, Hometowns, which was re-released on Saddle Creek just last year. The band drew their namesake and lyrical inspiration from Edenloff’s experiences growing up in Alberta, and write songs about small town malaise, heartbreak, the Rockies, and working in the oil fields. Live, the band transitioned effortlessly between uproariously frenetic barn-burners (“The Deathbridge In Lethbridge”) and slower, plaintive songs (“In the Summertime”).

Banwatt’s (who appeared earlier to present an award with Woodhands bandmate Dan Werb) powerful drumming, Edenloff’s rough, almost folksy-sounding vocals, and Cole’s (whose black Brigitte Bardot-esque dress nicely balanced out her male bandmates’ t-shirts and jeans) sweet backing melodies – they all mesh together to create songs that might not always be pretty, but damn if they aren’t catchy as hell. The RAA, who were featured earlier this week in a pre-SXSW article in the Toronto Star, are just one of those bands that you wish nothing but the best for. I can’t wait to see what these three have in store for 2010.

MySpace (The Rural Alberta Advantage): http://www.myspace.com/theraa

- MM

Yukon Blonde @ Horseshoe

Bucketfuls of rain poured all across Toronto, and I’m not sure if it was because of this that the Horseshoe wreaked of smelly wet feet or what. Nevertheless, it was definitely the place to be for CMW. The bill couldn’t look any better. First on the line-up is Yukon Blonde from British Columbia. Aesthetically, they look like the rugged guys you see hanging around Queen and Bathurst – with greasy, unwashed hair, donned in clothes torn in the wrong places. But musically, man, do these guys know their stuff. They opened with a song called “Rather Be” followed by “Brides” from their self-titled album released early last month. But what really got everyone hooked is their song “Wind Blows”. Even today, it continues to play in my head like a welcomed music worm. The clever wordplay in the chorus, “Wind blows/ Can you hear the wind blow?/ Listen to the raindrop/ Outside of my window,” certainly sticks without fail. Yukon Blonde sure knows how to make a pleasant lasting impression.

MySpace (Yukon Blonde): http://www.myspace.com/yukonblondeband

- CG

The Balconies @ Horseshoe

I must say, The Balconies is one good-looking band. Singer-guitarist Jacquie Neville is the master of mesmerizing the crowd with her intense rock’n’roll stage presence. Performing songs from their self-titled album, released last September, and a couple of new tunes, The Balconies had the crowd spell-bound. They ended with “Serious Bedtime” which resulted in everyone mouthing along the song’s words of mystery, If you do it in the dark, in the dark, no one sees it/ If you do it in the dark, in the dark, it comes easy“. Energy is one thing the band never ceases to lack and whether you’re a fan or not you can’t help but be impressed by this up-and-coming force of (pop-rock) nature.

MySpace (The Balconies): http://www.myspace.com/thebalconies

- CG

The Wooden Sky @ Horseshoe

Coming back from their tour around Canada and the United States, The Wooden Sky played a much louder, turbulently-active set than I’ve ever seen. Amidst the guitar-flailing and emotion-filled singing, they played songs mostly from their album If I Don’t Come You’ll Know I’m Gone released last summer.  Obviously glad to be back home again, The Wooden Sky performed incredibly in front of the people who love them best – their Toronto fans. Frontman Gavin Gardiner didn’t hold anything back that night, not even his shirt by the end of it. After seeing them four times in the past year alone, I think it’s suffice to say that The Wooden Sky never ever ever disappoints.

MySpace (The Wooden Sky): http://www.myspace.com/thewoodensky

- CG

***

MM – Max Mertens, CG – Carmel Garvez

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The Singing Lamb’s 12 Days of Lists – Day 5: Christine’s Top 10 Albums of 2009

December 17th, 2009 | By: Guest Contributor

anni rossi

Anni Rossi

I’m not a serious music critic and probably never will be. I think with my heart, so here’s what my heart liked this year:

1. Andrew Bird – Noble Beast

I once heard Andrew Bird mention how, for him, music is just another language to communicate in.  The notion is ever so present on Noble Beast; Bird successfully blends the music and the words together in a magical way, combines them to make your body and brain dive in complex sensations.  Noble Beast makes me want to live in Andrew Bird’s brain, among the giant rodents and whistled G chords.  Another masterpiece by Mr. Bird, nothing less.

2. Neko Case – Middle Cyclone

I spent so much time trying to find the right words to describe Middle Cyclone. All that comes to mind is “Wow”. Neko Case’s latest solo effort is every bit as passionate and brilliant as the critically acclaimed Fox Confessor Brings the Flood and does not disappoint. It’s a more layered album that carries you through a vast range of emotions, from the sweetness of the title track to the exhilarating feel of “This Tornado Loves You”.

3. St. Vincent – Actor

Annie Clark’s movie-like second LP is grandiose.  Grandiose in the proper, literal meaning of the word, of course.  If sometimes a bit over the top, Actor is an impressive collection of songs. The dramatic trumpets, the voice layering and the ever so violent guitars leaves you breathless with images of Victorian drama filled with blood, prince charmings and dark eyed nemeses.

4. Camera Obscura – My Maudlin Career

“No need to convince me that you’re a catch, I bought my ticket I’m sold at last” Obviously. My Maudlin Career is Camera Obscura at their best and Tracyanne Campbell’s lyrics at their wittiest. The arrangements on the album take their vintage pop to another level with the syrupy trumpets of “Honey in the Sun” and vividness of “French Navy”. What more can I say, this album makes me feel all fuzzy inside. (In the best way possible)

5. Language-Arts – Where were you in the wild?

They (“they” being the team of experts in my head) say that every year you should have one of those definite “wow” moments. Language-Arts were my “wow” moment of Oh-Nine. Every track sounds new and exciting. It was like a breath of fresh air in a gloomy month of October. The vocals are quirky and the music reminds of old Why? albums and Dylan at the same time. It’s stunning. The album was self-released by the Vancouver band and is their first full length. I can’t wait to hear more.

6. M Ward – Hold Time

In addition to Monsters of Folk’s wonderful first album, M Ward found some time to treat us to some of his blissful/gloomy guitar folk. With collaborations with Jason Lytle, Lucinda Williams and the “she” of She and Him Zooey Deschanel, Hold Time made me sway with a cheesy grin on my face. With songs like “Shangri-la” and “For Beginners” taking you back to 2006’s critic favourite Post-War and fully showcasing Ward’s deep vocals, Hold Time never gets old.

7. Anni Rossi – Rockwell

When the man who discovered Scout Niblett sends another of his protégé into the music world, you have to open your ears and take in the sounds. I saw Anni Rossi open for Camera Obscura and Noah and the Whale earlier this year and I was blown away.  Most of the songs on this album consist of voice and viola and the simplicity of it all gets you all hooked up (cue Broken Social Scene). Oh, and she covers Ace of Base’s “Living in Danger”. She’s quickly been labelled as the “next Regina”, but don’t let the people fool you, Anni Rossi is considerably different from everyone’s favourite Russian girl. See her Handheld Shows sessions here and here.

8. Iron and Wine – Around The Well (B-Sides and Rarities)

Sam Beam found his way to the very center of my heart this fall (so did Sarah Harmer but that’s another story and I couldn’t find a good enough reason to put her in my top something of 2009, everything seemed too far-fetched). This two disc collection of b-sides and rarities is perfect, if only for “Communion Cups and Someone’s Coat”.  It suits the hard-core Sam Beam fan and the Iron and Wine newbie.

9. Amy Millan – Masters of The Burial

Beautiful covers, simple melodies and great lyrics. What more can you ask for, really? Mandolin. But that’s also on there. “Ghosts weren’t meant for bleeding”; your honor, I rest my case.

10. The Rural Alberta Advantage – Hometowns

Technically this is allowed, right? The RAA’s formerly self-released debut album was re-released on Omaha, Nebraska label Saddle Creek and I’ll admit it, I was a bit late on the RAA ship. I blame it on teenage drinking and my reluctance toward everything Albertan. I don’t think I need to say how great and refreshing The RAA are, but I’ll mention it for good measure, The Rural Alberta Advantage are the next big thing.

***

Honorable mentions go to Jenn Grant for Echoes, Arts and Crafts newcomers Still Life Still with Girls Come Too (yes I really did like the album, and not only for the clever title), Dirty Projectors, Ohbijou with the beautiful Beacons and the always wonderful Julie Doiron with I Can Wonder What You Did With Your Day. There was also a great number of fantastic francophone albums this year, but that’s the subject of another post (hint hint). Be sure to watch out for The Luyas’ new album, due out some time in early 2010. Alright, bye bye 00’, hello 10’. I’m ready. (Someone please wake Fiona Apple up, I’ve been wishing for a new album since 2006, I’m about to move on with my life now.)

Zut Alors, 2009
Christine

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M for Montréal is here!

November 18th, 2009 | By: Guest Contributor

M for Montreal

M for Montreal

M for Montreal’s fourth edition showcases some of Montréal’s finest acts and still mix brilliantly the anglo and franco music scenes from all around Canada. That’s the beauty of this event, it brings everyone together! The other good thing about M is that you can actually attend all the shows. It’s made for you to see all these bands (unlike Pop Montreal, for instance). Even if on some nights the showcases are at different places, there’s enough time to bike or walk from the Cabaret Juste Pour Rire on Saint-Laurent down to the Metropolis on Sainte-Catherine or the Café Campus. You even have time to grab some Schwartz on the way or enjoy the greatest vegetarian food at Paradis Végétarien on Saint-Denis and Mont-Royal (or, you know, get some poutine at la banquise on Rachel). So I planned your weekend for you:

Tomorrow November 19th catch Final Flash, The Luyas, Miracle Fortress, The Rural Alberta Advantage, You Say Party! We Say Die! and Think About Life at Cabaret Juste Pour Rire, tickets are 17,75$ at the door. It all starts at 8 :30 and you can dance through the night with the Think About Life DJ set and « surprise guests » after the show. I can’t hide how freakin excited I am for this show. If you can only attend one showcase during M for Montréal, that’s the one.

On Friday November 20th, start the day right (if you have the three day pass, that is) with the M pour Martini cocktail with Mark Berube and The Few and Elisapie Isaac. The cocktail doubles as The Dears’ Valérie Jodoin Keaton’s Backstage book launch. Then head to the Cabaret for Two Hours Traffic, Silly Kissers, DD/MM/YYYY, Parlovr, Silver Starling and Le Matos. The M for Mystery afterparty will be a DJ set by Cadence Weapon and « very very special guests ».

On Saturday November 21st, it’s time to put these high school french classes to good use. The sélection franco showcase starts at 3 with Caracol followed by Québec’s Feist, Marie-Pierre Arthur. You can also catch Automelodi, latest hyped band and telus ad singers La Patère Rose, Géraldine (Don’t miss her! You won’t regret it. She’s the next Duchess Says of stage chaos, I swear) and pop duo Orange Orange. Later that night catch the M pour Metropolis show at the Metropolis (duh…) with Malajube, Melissa Auf der Maur, Champion and this year’s Polaris Music Prize winners Fucked Up. If you’re not tired from dancing around yet, there’s the M for Midnight afterparty at the SAT (don’t forget to RSVP to nightlife magazine beforehand).

The three day pass is insanely cheap (60$) and it gives you access to all the showcases, the M pour Martini cocktail, the panels, the afterparties AND M pour Metropolis. Careful though, there are only 150 available. Train and cheap bus tickets are still available for you Toronto people! I checked that for you because The Lamb always has your back. More information about ticket prices and schedules at http://mpourmontreal.com/EN/index.php.

Have a good weekend now!

Zut Alors,

Christine

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The Singing Lamb Tuesday Twelve: Vol. I

September 8th, 2009 | By: Guest Contributor

Shad

Shad

Welcome to the first edition of what I hope to make a regular weekly feature on the Lamb; the Tuesday Twelve, twelve new songs that you need to hear immediately, with no adherence to genres (this week we have everything from dancehall reggae to Canadian hip-hop to scuzzy blues rock), themes, or nationalities of the artists/bands.  What I’ll be doing is searching through the blogosphere (yes, that does include Pitchfork and Hype Machine), podcasts, magazines, radio stations, my own personal iTunes, to bring you the coolest new tracks that’ll make you want to sing, make you want to dance, make you want to cry (maybe even all three at the same time).  As always, feel free to comment if you liked (or disliked) a track I recommended, and tell me about the songs that you think I should hear.  Enjoy!

Ghostface Killah & MF DOOM – “Chinatown Wars (Oh No Remix)”

This just in: Wu-Tang still ain’t nothing to fuck with. On this track – written as the theme song for the latest in the Grand Theft Auto video game series – Ghost (who from the likes of this track, and his recent appearance on MSTRKRFT’s “Word Up”, is having a timely career revival) spits battle raps like a true veteran, over a bubbling beat cooked up by Oh No and fake blood-in-the-streets news broadcasts. MF DOOM is no slouch on this track either, as he raps about twisting some unfortunate soul’s limbs “like pilates” – nice to see that the man who has a affinity for hiding behind a mask can rhyme about more than food and NSFW Adult Swim cartoons.  If you’re maintaining any beefs with anyone at the moment, you need this song on your iPod.

Shad feat. Dallas Green and TLO – “…in the Black of Night (Freestyle)”

See folks, this is what happens when you gather a bunch of awesome artists, throw them in tour buses, and get them to play all across North America during the summer:  you get awesome collaborations like this one between Calgary rapper Shad, Alexisonfire crooner Dallas Green, and his DJ TLO.  Recorded during a late night on the punk rock carnival that is the Vans Warped Tour, Shad spits some clever rhymes about touring, recording and of course, Wu-Tang.  Show of hands, who would like to see guest rappers on the next Alexis album?  That’s what I thought.  Credit to EXCLAIM! for this one.

The Rural Alberta Advantage – “Don’t Haunt This Place”

It seems that every other week, we are hearing about the next big indie rock band that hail from Toronto.  Here’s the truth: a lot of the hype about these new bands is bullshit.  Not to dump on the city’s incredibly rich and diverse music scene, but many of these indie rock bands are just boring, generic imitations of better bands before them.  Fortunately for us, The Rural Alberta Advantage (also known by the space-saving acronym, The RAA), aren’t one of those bands.  Consisting of  lead singer and guitarist Nil Endenloff, keyboardist and backup singer Amy Cole, and drummer Paul Banwatt (you know him as the drummer from Woodhands), the band has seen their stock steadily rising, which has so far culminated in being signed to indie powerhouse label Saddle Creek, re-releasing their stellar debut folk-rock album Hometowns, and a (by all accounts) huge recent hometown show at the Horseshoe this past July.  Expect big things from this trio in the near future.

Joel Plaskett – “Through & Through & Through”

Returning home for the first time in eight months, only to find that I had become a stranger in the eyes who people who I had once considered friends. Working in the kitchens of a summer camp that was plunged into swine flu paranoia, after several campers showed signs and were quickly quarantined.  The godawful summer weather that Nova Scotia experienced throughout all of July, which is only now beginning to look up in August.  Yet, for all the terrible (and terribly boring) stuff that I’ve gone through the past two months, the song that will always remind me of summer ’09 is this breezy, upbeat tune from Nova Scotian guitar troubadour Plaskett.  And if there’s a pop song this summer that had better (or more Nova Scotian for that matter) lyrics than, “You be April Stevens, I’ll be April Wine /You be Israel, I will be Palestine”, than I’ve yet to hear it. Could Plaskett’s recent ambitious triple-album, Three, finally be enough for voters to give him his first – and very deserved – Polaris Prize?  Only time will tell…

Apostle Of Hustle – “Eazy Speaks”

Recently Apostle Of Hustle’s frontman Andrew Whiteman told CBC Radio 3 that this song – named after the infamous rapper Eazy E – was inspired by a rock spray-painted with the words “Eazy speaks” that the band saw in rural Quebec while on route to a show in Prince Edward Island.   Myself, I think its a fantastic thought:  what if dead musicians could give us advice from beyond the grave?  Michael Jackson would then be able to inform us of the pitfalls of facial reconstruction surgery (sorry, too soon?), Elvis would tell us to stay away from Vegas and over-eating in general, and Kurt Cobain would advise us to never, ever, <i>ever</i> trust anyone named Courtney Love.  In this case, it would seem that Eazy told Apostle Of Hustle to “keep your friends close and your enemies closer” and write a catchy, riff-filled number like this one.

Major Lazer feat. T.O.K. and Ms. Thing – “Bruk Out”

Bawdy sex raps!  Pitch-tweaked vocals! Off-the-wall futuristic Jamaican dancehall reggae!  It can only mean one thing: globetrotting DJ extraordinaire Diplo and his fellow co-conspirator, the producer Switch, are back with a whole new bag of tricks.  I’ve recommended Major Lazer – Diplo and Switch’s latest project featuring a slew of guest vocalists that you’ve never heard of (and some that you have) – to you before, but if you haven’t picked up their album Guns Don’t Kill People…Lazers Do, you should make that a priority.  Just in time for summer house parties, comes the duo’s blunt-smoking, skirt-chasing (sample line from this song: “I met Jill/She was a stripper/She said she wanted to undo my zipper”) love letter to Kingston’s dancehall and reggae scene.  Plus, you know you’ve made it when GQ magazine features you and recommends Red Bull and vodka as the “appropriate companion drug”.  This is some next-level shit right here folks.

Grizzly Bear vs. Lil Wayne – “2 Weeks ’til Prom (The Soundmen Mashup)”

Strangest mashup album ever?  New York City outfit The Soundmen recently released a three-song EP, which mashes songs from indie rock darlings-of-the-moment Grizzly Bear and the always bizarre, but usually entertaining Lil Wayne.  The title of this album? Vecktaflyest.  Perfect.  Listen to this one for yourself and decide whether its a trainwreck or not, but anything that manages to pair “Two Weeks” and “Prom Queen” together is worth a listen at least once in my books.  Download the album and read more over at Paste here.

Wale feat. Peter, Bjorn & John – “Nothing To Worry About”

Everything about this track screams “official hipster summer anthem”.  The newest single from Sweden’s biggest pop music export since ABBA, the whistling, Grey’s Anatomy-endorsed trio Peter, Bjorn and John?  Check.  Behind raps from Washington, D.C.’s next-great-hope, Wale, who so far in his career, has free-styled over Justice, managed to find a use for Lady Gaga’s sex-cyborg “singing”, and released an excellent Seinfield-themed mixtape? Check.  On a hot new mixtape called Back To The Future, produced and mixed by 9th Wonder and Nick Catchdubs, available online for the very agreeable price of free?  Check.  For all the hype surrounding Wale, there’s no denying the man has serious skills on the microphone.  We’re still waiting for his hotly-anticipated debut full-length, Attention: Deficit, which is scheduled to be out September 22nd, but this ought to be enough to tide us over until then.

Jay-Z feat. Rihanna & Kanye West – “Run This Town”

Is there anybody worse in the musical world than Mr. Shawn Carter, aka Jay-Z, when it comes to this “retiring” business?  The man’s put out two albums (the critically-maligned Kingdom Come and the much better American Gangster) after he said he was leaving the game for good, and on the not-so-subtle release date of September 11th, we can expect the third. The Blueprint III has rumoured to have been in the works for quite some time, and now some of the new songs are starting to leak, much to the delight of serious fans who consider this album to be akin to the rap equivalent of the Holy Grail.  This one has Jay rhyming like he’s just getting into his prime, a nice poppy hook from Rihanna (the role she was born to play), and some hot lines from Kanye, who also produced the album.  This album’s going to be a monster.

K-OS feat. Emily Haines & Murray Lightburn – “Uptown Girl”

Replace Jay-Z with a soulful K-OS doing his best Michael Jackson impression, Metric’s mistress Emily Haines filling in for Rihanna, and The Dears’ frontman Murray Lightburn providing Kanye-worthy backup vocals (okay, that one’s a bit of a stretch), and you basically have the Canadian version of “Run This Town”.  While this is the second single from K-OS’ latest record, Yes!, it serves as an excellent showcase for all three artists on the track, who are arguably at the peaks of their careers. Lightburn and The Dears just put out their well-received fourth album, Missiles.  Haines and her boy in Metric also have a hot new album, and have been playing summer festivals here there and everywhere, not to mention an upcoming show at Toronto’s legendary Massey Hall in October.  As for K-OS, he’s been playing packed shows from coast-to-coast and this new album should solidify his reputation as one of the country’s best rappers.

Arctic Monkeys – “Crying Lightning”

They got us to put on our dancing shoes, taught us that “D Is For Dangerous”, and still think you look pretty damn good on the dancefloor.  Yes kids, that’s right: everyone’s favourite Sheffield garage-rockers, the Arctic Monkeys, are back and once again preparing for world domination…I mean, a world tour.  This one is in support of their upcoming third album, entitled Humbug, which is being produced by Queens of the Stone Age head honcho Josh Homme, and is scheduled to be in stores on August 25th.  You can listen to the new single, “Crying Lightning”, over at the Monkeys’ MySpace here.  The Toronto stop on the tour is September 28th at the Sound Academy and if you don’t have a ticket, well…tough luck.

The Dead Weather – “Treat Me Like Your Mother (Diplo Remix)”

Unless you’ve been living under a rock the past few months, you probably know already that this is Jack White’s new band.  And if you know anything about me, or the type of music I usually listen to (you’ve read this far, haven’t you?), than you know its impossible for me to remain unbiased about The Dead Weather.  I’ve been a fan of Jack, and a true believer that anything he touches turns to gold, ever since my father brought home The White Stripes’ White Blood Cells several years ago.   As frontman for the Stripes (and of course, later The Raconteurs), he’s a true Guitar Hero, and is hopefully destined to go down in musical history as the Robert Plant or Bob Dylan of our generation.  And can you blame White for getting Alison Mosshart to play a Nico-esque muse to his Andy Warhol?  As the female half of The Kills, Mosshart is gorgeous, and has the pipes to match her looks.  Throw in Dean Fertita of Queens of the Stone Age and a Raconteur (Jack Lawrence), and you have yourself one hell of a band.  Download Diplo’s remix of Horehound’s first single for free over at RCD LBL.com.

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The Rural Alberta Advantage @ Horseshoe – July 30, 2009

July 31st, 2009 | By: Jeff Jewiss

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Let’s Chat: The Wilderness of Manitoba

July 28th, 2009 | By: Guest Contributor

The Wilderness of Manitoba

The Wilderness of Manitoba

The Singing Lamb: You have a new drummer! So you’ve moved from a four piece to a five piece?

Everyone: Yeah!

But he doesn’t sing, so it’s still four part harmonies.

Will: Yes. We can do four part shows but when we have him it’s nice! It adds kick!

Awesome! Well let’s start with the name of the band. Where did that come from?

Scott: A friend of mine is doing her masters in curatorial studies; she was in New York and she went out to do her masters in Vancouver and curated an instillation called The Wilderness of Manitoba which was coming to Toronto last summer. They were casting dudes to sit in this bubble and they needed to have long hair and they needed to be generally gaunt and the whole premise was them sitting inside of this bubble, going about their daily life for eight hours as images are being projected on the outside so people would walk by and juxtapose the images of the wilderness against the bubble. Anyway, she was looking for people and she asked us if we’d be interested in sitting in this bubble and I really liked the name so…

Will: And Scott, the way we live together and all that because we play in another band, would see me and we’d be sitting there in the backyard and I’d have my shirt off and maybe in boxers and he’d be like, “Hey, if you want to sit in boxers with your shirt off and just go about your daily life, you can be part of an art project and get paid to sit in a bubble and put forth an eight hour shift and go about your day!”

So The Wilderness of Manitoba is actually a meeting of art and commerce?

Will: I guess so; in that sense. Scott was saying ‘This is an Art Instillation’ would also a great band name because we’re always dicking around with great band names. And my dad actually went to the University of Manitoba, I’ve always wanted to go there, I wore his winter jacket for years…I had a lot of weird connections to it which I’ve never been to! So…

Scott: My interpretation was the ability to go about your daily life and get paid for it!

Very nice! So did you create the music to match the name or did you pick the name to match music that was like already there?

Will: We didn’t have a name before we had music.

But you had music.

Will: We had music but that sort of progression was kind of effortless because we were doing different kinds of songs and stuff like that, we were just messing around with different band names and that one just kind of worked; it just kind of clicked effortlessly with what we were doing; him and I were already doing some things that were not part of Provincial Parks.

Which is your other band! Which ones here are in that band?

Stefan: Scott and Will; and they were just not part of that theme.

Scott: Wilderness of Manitoba actually came first before we decided to change our names to Provincial Parks from Howl because Howl sucked.

So there’s a theme going…

Will: Scott and I had a running competition when we started out. I was like, “Okay I just recorded some shit downstairs, now it’s your turn, you go write a song!”

Scott: That’s kind of how we did it; it was a song-writing competition. We just realized we were writing songs that didn’t have a home and so we decided to just make a band for this.

So who’s the songwriter for this project?

Will: Now it’s everybody but that time, it was Scott and I because they weren’t in the band yet.

Right; and so in what order did people get brought in?

Scott: Well we had seen Melissa play her solo stuff and then we wanted that voice!

Well I don’t blame you!

Melissa: They robbed my voice!

And then Stefan came to you…

Stefan: I met them at the Rock Lottery!

And what is the Rock Lottery for people who don’t know?

Scott: Oh, best fucking day of the entire world!

Will: It’s where they basically compile 20-25 people from in Toronto, from different bands and you all pick a name out a hat in the morning…

And they create five different bands to play five different songs!

Will: Yeah, they put all the 1s together, all the 2s…And they rehearse in a space together and perform it later that night at Sneaky Dee’s!

That’s how you met Stefan! And so you guys became friends, then bandmates and you’re also housemates!

Stefan: Yes!

So who are housemates here?

Will: Scott and …and now Stefan!

Melissa: Not me!

And Pete, who’s also in Provincial Parks!

Will: It’s like a community!

Yeah, and speaking of community, you have your whole full-grown community here with…

Everyone: The Delaware House!

Yes, which is the name of this house! And what is it?

Will: It’s for bands to come and use as anything they want whether it be a rehearsal or a set up for a show or just to getaway!

And how many people can you fit in there?

Will: Anywhere from 30-50.

Which is about how many people are here tonight! But anyway, you guys have a new album coming out!

Melissa: Yeah, August 21st!

What’s it called?

Melissa: Hymns of Love and Spirits!

And you’re putting the release show together by yourself?

Will: We are; we just thought of all the venues in Toronto and we decided to release it out of our barn because we recorded it here.

Scott: Some of our favourite bands have played here and want play again so we’re going to have them play again because we love them.

And so when is that?

Scott: August 21st with Snowblink and Maylee Todd, so far!

So you have the new record coming out and it’s a six song EP and then the plan for it is to do a house show tour, I hear!

Scott: The first week of September, I think the 30th, we’re playing Wavelength in Toronto, with Maylee actually which is completely random and then we’re driving east and we’re going to do a series of shows as far as we can go and then get back before we have to work the next week!

So obviously there’s this community, grass roots, acoustic, basically real qualities is really important to you not only in the music that you’re creating because I think it shows in the songs that you write and it’s reflected in the music but also in the way that you’re approaching running your band.

Scott: I think we’ve met a lot of people just through the house and through the bands where we now have the opportunity to network with other houses who do similar things in other communities and that is the brilliant thing. Like, now we can tour fucking cheap because we can bring a tent and a guitar…

Stefan: And it’s fun, it’s not like people come and drink it’s not like going to a bar to see just one band and leave.

Will: I think we’d all rather play to 30 people in a room than 30 people in a giant bar.

But yet, you have a big show coming up!

Will: We do, but only in our hometown!

Scott: Before we get to the big show, the whole idea of this is fostering relationships and getting sort of in touch with people who, for a lack of a better work, really give a shit about the process rather than the “I’m just going to go out tonight and I don’t really care about the music going on.” This is 100% on the music and you notice that with the people coming here.

Well the people coming to your house are the people who’s intentions are on the music being played rather than the event itself and being seen.

Scott: That was the whole intention of the place when it started a year ago. I mean great songs are great songs on acoustic guitar, regardless of how they are performed on a big stage.

If you can strip down a song to its basic elements and it’s still successful then that’s how you know it’s a great song.

Will: Exactly.

Scott: And we realized that there were a lot of people around us who wrote great songs and how do we showcase their abilities?

Will: And often I would love to hear that song that way, let’s ask them to play our house and that’s how the big show came around too, because The RAA played our house and they did a stripped down thing and they really enjoyed their time…

And so they’re bringing you to the big times! And the big show is when?

Scott: Next week, the 30th at the Horseshoe! It’s The RAA CD re-release show with us and Hooded Fang!

So there’s obviously a connection between you and the music you’re playing and the kind of music they’re playing like even the names.

Will: Regionalism!

It’s very Canadian and Canada can be kind of unforgiving to tour because there’s ten hour stretches between the major cities and so when you can break it down and put in a house show that’s sort of the saving grace and that’s what makes it friendly and that’s what you guys are doing.

Scott: The name similarity was actually considered when we came up with the name.

Because The RAA came first?

Scott: Oh, totally. We knew them and have seen them play many times.

So would you say it’s a kind of homage?

Stefan: Well we thought it wouldn’t matter because we never thought we’d get this far!

Will: You know why? Because he writes a lot of songs that kind of pertain to his heritage; we don’t really write songs that relate to Manitoba. I believe in a lot things in artwork just signifiers; if you see something it should feel a certain way, it doesn’t necessarily have to make literal sense. So we don’t actually write songs about Manitoba. Yes, we have a lot of songs that are nature-based but I think it’s more of a Canadian theme.

It may be more just wilderness than Manitoba?

Will: It’s not geographically limited, that’s all I’m saying!

And so people can catch you at your CD release and they can catch you at the Horseshoe and then they can look you up at MySpace! So finally, if you were all singing animals, what would you be?

Stefan: A dodo! I like The Dodos and I just thought dodo because I thought it was a singing bird but maybe it’s not…

Will: I want be a singing cheetah because then I can also run really fast!

Melissa: I want be a singing reebok so I can outrun will!

Will: You can’t outrun cheetahs!

Scott: I’ve always liked Caribou…

So you’d be a singing caribou?

Scott: I think so!

For more Wilderness of Manitoba,
MySpace: http://www.myspace.com/thewildernessofmanitoba

Don’t forget to catch the Wilderness of Manitoba at the Horseshoe tomorrow night and on August 21st for their CD release party!

Interview By Lauren Schreiber

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