Posts Tagged ‘the dodos’

The Singing Lamb’s 12 Days of Lists – Day 10: Melody’s Favourite Shows of 2009

December 22nd, 2009 | By: Melody Lau

As much as I make a big fuss about writing year-end lists and the joys of compiling your favourites of the year, I actually find it to be a very difficult thing to do. Part of the reason why I found it hard this year was the vast amount of good music I’ve listened to; narrowing down my very favourites became more difficult than choosing which chef to root for on Top Chef (admit it, you kind of liked everyone in the final four). And once that’s decided, the writing process just gets trickier because now that you’ve chosen the best you really want to make sure you can get it across to the readers just how much you loved these albums, shows, bands, etc.

The following 9 shows (yes, I’m going with the oh-so-witty approach of doing ‘Top 9’ lists this year) were the ones that truly blew me away, gave me the chills, and left me wanting more.

1. The Dirty Projectors, TuneYards @ Opera House – November 14

The Dirty Projectors on record hadn’t impressed me much before and it wasn’t till I saw them at Lee’s back in July that I was officially converted into intense Dirty Projectors fandom. Following said show, I had their latest album Bitte Orca on heavy rotation and it seemed like every other word that came out of my mouth was “I love the Dirty Projectors!” So not only was this show at the Opera House one of my most anticipated shows of the year but also the one that delivered the most. Opening for the Brooklyn art-rockers was Montreal’s TuneYards, an act of whom I had been beating myself up for missing since May of this year. Not only did TuneYards front woman Merrill Garbus steal the show but she left me speechless, literally with my jaw down and staring at the stage in complete awe. Garbus’ use of looping vocals and instruments built an incredible room of sound that just blew everyone away, sending the crowd into a paralyzed state of disbelief or in a crazed state of dancing. The Dirty Projectors were equally as mind-blowing, giving yet another amazing performance of unbelievably flawless vocals (delivered by Angel Deradoorian, Haley Dekle and Amber Coffman – hailed as the Mariah Careys of indie-rock) and some of the tightest, most astonishing musicianship today. Can’t appreciate a band like the Dirty Projectors? See them live; almost guaranteed to convert even the coldest of indie hearts. Hands-down, the best show of 2009 from the best pairing of artists.

2. Broken Social Scene @ Harbourfront – July 11

I think it’s apparent from my list last year of best shows that I’m a fan of Broken Social Scene. Always was, always will be. So it really shouldn’t be shocking that my favourite Toronto collective is back on this list this year. Unfortunately I had missed BSS at Harbourfront back in 2004 but thanks to the cancelation of this year’s Olympic Island festival (regularly held by the folks of BSS), the band returned to the Sirius Satellite Radio Stage for a free show…yes, free. Needless to say, the place was packed, all the way to the edge of the water; I’m sure if people were desperate enough, they’d be watching the show on a boat. But it wasn’t because this was a packed show or because it was free that won me over; the spectacle of a Broken Social Scene show that wins me over every time is the band itself. And in this instance, we were all treated to a reunion of the lead female vocalists (Amy Millan, Emily Haines and Leslie Feist) and what ensued was clearly the best performance the band has given in a very long time. Hearing from several members days, weeks, even months after the show, they knew it was a magical moment that night and the most important thing is that everyone had fun. And what’s a show without an equal amount of great musicianship and fun. (video by staff photographer, Stephanie Luong)

3. Yeah Yeah Yeahs @ Kool Haus – August 5

Okay I’ll admit, Karen O is my idol and I kind of worship the Yeah Yeah Yeahs. So yes, I’ve been waiting for this show for many, many years. But don’t get me wrong, if this show sucked, it wouldn’t have made this list. The Yeah Yeah Yeahs are known for their highly energetic performances and that is exactly what I got. Lead singer Karen O is one of the most entertaining musicians I’ve ever seen onstage, running frantically around (in her signature Christian Joy costume), even lending the mic to the audience during “Cheated Hearts”. One thing I remembered thinking throughout the night was “Man, she just doesn’t stop smiling. I love it!” Underneath the wild leather jackets, capes and makeup, regardless of where you are in the venue, you can see the sincerity in Karen O’s face. Guitarist Nick Zinner still remains to be one of the best guitarists I’ve ever seen and even though Karen O takes centre stage, Zinner and drummer Brian Chase were the musical gems of the night. Albeit it was at a venue I’m not crazy about but for the Yeah Yeah Yeahs, I’d even trek to the Sound Academy. On a sidenote, I went to this show injured; that’s how much of a fan I am of this band. I went with a busted ankle and left limping (for several weeks, actually).

4. Everything All The Time, The Magic, The Balconies @ Horseshoe – August 26

Could that line-up be any more awesome? Three of my favourite local acts under one roof, I’d kill to see this line-up again and again. As much as big extravaganzas at the Kool Haus or Harbourfront were amazing, a show like this one, celebrating the release of Everything All The Time’s EP, was just equally as incredible. It almost goes without saying anymore that I love the Balconies and both live and on record, they consistently blow me away. This show marked the first time I finally got to see them live and they didn’t disappoint. Strong dynamics and vocals between brother-sister duo Steve and Jacquie Neville, backed by the drumming talents of Liam Jaeger, it is almost alarming how talented these guys are for such a young band. I think Bob Battams of It’s Not the Band I Hate Its Their Fans says it best: “Their debut album encapsulates a brave form of ambition that most bands save up for their third or fourth album. This means that, in theory, their third or fourth album is going to be the greatest thing ever.” The Magic, another band I’ve consistently watched throughout the year, is just packed with a ridiculous roster of talent and onstage, they’re a band that I want to see more of every time. Everything All The Time has seriously become on of my favourite bands of the year. Their unique brand of electro-pop meets Diana Ross is infectious and nothing makes me happier than listening to the band’s EP. From playing a headlining show at the Horseshoe to opening for Thunderheist at the Mod Club, EATT never disappoints.

5. Think About Life @ everywhere – throughout the year.

I’m breaking the rules for this one. Think About Life is quite possibly one of the most exciting, most exhilarating and most fun bands I’ve seen in years. These guys are just so phenomenal live that I couldn’t pick out one specific show of theirs I fell in love with because to be honest, I fall in love with them every time I see them. From confetti to balloons, these guys pull out all the tricks live but it doesn’t come off as cliché, in fact it heightens every performance to a new level and you really just feel like you’re part of the party. If you go to a Think About Life show and you don’t dance, you have no soul. Okay, that’s a little harsh – you have a soul; there’s definitely something wrong with you though. How does one not dance to Think About Life? I need some serious answers.

6. No Shame 100 feat. Green Go, Ruby Coast, Pick A Piper, The Skeletons Four @ Horseshoe – September 18

This show was literally one of the best parties of the year. Great music, great people, an amazing and lovely promoter – what more can you ask for? Green Go was, without a doubt, the band of the year for me. I had voted Green Go number one for my list of ‘Hottest Bands in Canada ’09’ for i(heart)music but seeing as how they somehow didn’t make it on the list, here’s my little blurb about them:

“Rarely do I discover a band that I can watch and listen to over and over again without getting sick of but Green Go definitely has a spot on that list. Having seen them seven times in 2009, I’m still left wanting more as the band just gets better with each performance. With the release of their debut album, Borders and a slew of tour dates everywhere across the country, this was clearly the year of Green Go. Simply put, the hottest Canadian band of ’09 – and deservingly so.”

7. Timber Timbre, Emma McKenna @ Church of Redeemer – July 17

I’m a big fan of church shows and you couldn’t get more perfect than having Timber Timbre play at the Church of Redeemer this year. The entire evening was a subdued, relaxed affair and even though energetic shows can be fun and exciting, I find shows like this one equally as exciting and enjoyable. Taylor Kirk’s hauntingly beautiful voice, backed up by a band which included Forest City Lovers violinist Mika Posen filled the room remarkably well. Every song crept around the church in a slow, almost mesmerizing manner. It’s almost impossible for me to Timber Timbre in any other type of atmosphere anymore.

8. Beirut, The Dodos @ Phoenix – July 9

This was my first time seeing Beirut and The Dodos and since this was a last minute opportunity to see both bands, I almost died of excitement. I almost prefer the Dodos live as opposed to on record because seeing the dynamics and musicianship of lead singer Meric Long is great. As for Beirut, I’m still pretty speechless from their live performance. Just watch the video below and tell me you’re not in love with Zac Condon. (You can’t do it!)

9. The Singing Lamb Launch Party feat. Hexes & Ohs, The Winter Gloves, Green Go, Sports The Band, Maylee Todd @ Tranzac – January 10

You didn’t think I’d forget this one, did you?

***

Honourable mentions to: Parlovr, Diamond Rings, Bruce Peninsula, The Happiness Project, Ruby Jean & The Thoughtful Bees, The Rural Alberta Advantage, Thunderheist, Jenn Grant, Katie Stelmanis, The Ruby Suns, Julie Doiron, Ume, Woodhands, and Olenka & The Autumn Lovers.

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Review: The Dodos and The Ruby Suns @ Lee’s Palace – October 17, 2009

October 23rd, 2009 | By: Leah Robinson

The Dodos

The Dodos

“What kind of sound would a Dodo make anyway?” I mused whilst standing in the pit at Lee’s Palace, listening to some interesting renditions of bird-song from a couple in front of me. While most of us—natural historians aside—will never be able to fully imagine the call of that extinct flightless bird that is The Dodos’ namesake, it’s shows like Saturday night that confirm what is so consistently good about The Dodos’ sound.

Although it is often tempting to skip show openers in favour of grabbing a bite to eat or exploring record stores nearby, my ears are almost always rewarded for being at shows on time. And The Ruby Suns were no exception to this rule. Hailing from New Zealand, this group of Kiwis charmed the audience with their groovy baselines and innovative percussion. At times there were 4 or 5 people rapping on something or other, building infectious ocean-inspired melodies that made feet tap and hips sway almost involuntarily. Having, for some reason, previously associated the name Ruby Suns with softer, twee melodies, this upbeat performance was a welcome surprise. From bantering about their relationship with Australia to paying homage to the largest kauri tree in New Zealand (Tāne Mahuta), the Ruby Suns whole-heartedly succeeded in warming up the night for the anticipated headliner. The audience unfortunately weren’t as into the band’s set as they’d hope (they assured the audience several times that it was okay to dance along but no one followed…except for The Singing Lamb and I) but the odd person would be twice as enthusiastic, sufficing for those who were too shy. Oh and Amee, I love your tiger shirt.

Myspace: http://www.myspace.com/therubysuns

Feeling a bit restless from the espressos that were dancing in my bloodstream caused a move from the periphery (which is, because of the layout of Lee’s, still a good place to be) to the pit as the place filled up. San Francisco, percussion-heavy indie-rockers The Dodos played an energetic set to an appreciative crowd made up of people who were already obvious fans of their music. Joined by newly added third member Keaton Snyder on vibraphones, the band’s sound was definitely fuller and believe it or not, more energetic than before. Drawing heavily from their newest release, Time to Die, the band played renditions of “Troll Nacht” and single, “Fables” that were true to the recording. The former made for a truly unique moment of the night, where all the lights in the venue were turned off and all three members donned colourful lights, attached to their hands, bringing focus to just that as they played the song. Being a fan of their slightly older material, it was really good to hear tracks like “Red and Purple” to finish off the encore. A consistent, pleasing performance is what The Dodos delivered…enough to keep all toes tapping, regardless of the amount of caffeine consumed beforehand.

Myspace: http://www.myspace.com/thedodos

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Beirut @ Phoenix – July 9, 2009

July 10th, 2009 | By: Melody Lau

Photo Credit: Ryan O'Shaughnessy

Photo Credit: Ryan O'Shaughnessy

“A hot show is a good show!”

As Zach Condon and company walked back onstage for a three-song encore which featured the crowd favourite “Nantes”, bassist Paul Collins couldn’t have said it better. It was a hot show and yes, chances are if you were standing amongst the hundreds of fans on the floor of the Phoenix Theatre, you were sweaty to some extent, but damn it, it was a good show.

Playing alongside Beirut at the Phoenix on Thursday night were San Francisco’s The Dodos, who brought along a full set of new songs from their upcoming album Time to Die. Energetic, enthusiastic and refreshing, the Dodos’ set was albeit short but fantastic. Their lack of old material in their set did confuse some and made it more of a stand-and-observe experience but many seemed to embrace the new tracks with smiles and mild dancing. The briefness of the set did leave one wanting more though; for a more enriching live experience of the Dodos one must check them out when they return to Toronto in October at Lee’s.

By the time the Dodos finished, the venue was packed. Chattering of anticipation was at a high, which became the issue once the band came onstage. As a side note to the show itself, which was phenomenal and I will get to in a second, the chit chat was the low point of the night. Folks – we came to hear Beirut; not to hear about your latest work problems or your relationship issues. Its common courtesy to keep your mouth shut while the band is playing. But given the fact that this show took place at the Phoenix, it was almost expected, but still annoying. I’m sorry, but shut the fuck up.

Back to the show…

The second Zach Condon walked onstage, the venue erupted. Condon possesses a presence and maturity beyond his actual age (the man is only 23 years-old) and it shows with every movement onstage, from his modest smiles to his transcending hand swoops, counting the beats as if he was orchestrating the whole band. The former feature, the smiles, made the show that much more enjoyable as Condon rarely let that smile fade throughout the set. It’s nice to see a musician like him, who gets misconstrued often as a serious person smile and generally just look like he’s having a good time on stage. Even though the frustrations of being a short girl in a crowd got to me at moments, that earnest smile made it worth while.

Crowd pleasers, “A Sunday Smile” and the aforementioned “Nantes” drew some of the loudest applause and sing-a-longs, as everyone swayed back and forth to the joyous, grandiose spectacle. Hearing Beirut live breathes not new but just a more vivacious life into every song and the live energy projected by the band is too infectious for words. Even if Beirut doesn’t sound like a band you’d dance to, feet were a-tapping and bodies were moving to every beat. Chit-chat aside, this was a near-perfect show. So good, I was almost unable to return to Beirut on record afterwards. But until next time, I guess I have to rely on the records…and YouTube.

For more Beirut,
MySpace: http://www.myspace.com/beruit
Website: http://www.beirutband.com/

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