Posts Tagged ‘the dears’

The Dears Play October Residency at the Garrison

July 22nd, 2010 | By: Melody Lau

Note: Not the current line up of the Dears.

Wondering what Montreal indie rockers The Dears have been up to since 2008′s Missiles? Well come October the band will be back in Toronto for a three-night residency at the Garrison (October 13-15), hopefully with new songs in tow! The band has also recently performed a residency in Mexico City and had announced back in April a new line up that consists of main members Murray Lightburn and Natalia Yanchak as well as returning members Patrick Krief, Roberto Arquilla, Rob Benvie, and Jeff Luciani. Guests for all three shows are TBA as are ticket prices but they will go sale this Friday at Rotate This, Soundscapes & www.ticketweb.ca.

For More,
MySpace:
http://www.myspace.com/thedears

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The Singing Lamb Tuesday Twelve: Vol. I

September 8th, 2009 | By: Guest Contributor

Shad

Shad

Welcome to the first edition of what I hope to make a regular weekly feature on the Lamb; the Tuesday Twelve, twelve new songs that you need to hear immediately, with no adherence to genres (this week we have everything from dancehall reggae to Canadian hip-hop to scuzzy blues rock), themes, or nationalities of the artists/bands.  What I’ll be doing is searching through the blogosphere (yes, that does include Pitchfork and Hype Machine), podcasts, magazines, radio stations, my own personal iTunes, to bring you the coolest new tracks that’ll make you want to sing, make you want to dance, make you want to cry (maybe even all three at the same time).  As always, feel free to comment if you liked (or disliked) a track I recommended, and tell me about the songs that you think I should hear.  Enjoy!

Ghostface Killah & MF DOOM – “Chinatown Wars (Oh No Remix)”

This just in: Wu-Tang still ain’t nothing to fuck with. On this track – written as the theme song for the latest in the Grand Theft Auto video game series – Ghost (who from the likes of this track, and his recent appearance on MSTRKRFT’s “Word Up”, is having a timely career revival) spits battle raps like a true veteran, over a bubbling beat cooked up by Oh No and fake blood-in-the-streets news broadcasts. MF DOOM is no slouch on this track either, as he raps about twisting some unfortunate soul’s limbs “like pilates” – nice to see that the man who has a affinity for hiding behind a mask can rhyme about more than food and NSFW Adult Swim cartoons.  If you’re maintaining any beefs with anyone at the moment, you need this song on your iPod.

Shad feat. Dallas Green and TLO – “…in the Black of Night (Freestyle)”

See folks, this is what happens when you gather a bunch of awesome artists, throw them in tour buses, and get them to play all across North America during the summer:  you get awesome collaborations like this one between Calgary rapper Shad, Alexisonfire crooner Dallas Green, and his DJ TLO.  Recorded during a late night on the punk rock carnival that is the Vans Warped Tour, Shad spits some clever rhymes about touring, recording and of course, Wu-Tang.  Show of hands, who would like to see guest rappers on the next Alexis album?  That’s what I thought.  Credit to EXCLAIM! for this one.

The Rural Alberta Advantage – “Don’t Haunt This Place”

It seems that every other week, we are hearing about the next big indie rock band that hail from Toronto.  Here’s the truth: a lot of the hype about these new bands is bullshit.  Not to dump on the city’s incredibly rich and diverse music scene, but many of these indie rock bands are just boring, generic imitations of better bands before them.  Fortunately for us, The Rural Alberta Advantage (also known by the space-saving acronym, The RAA), aren’t one of those bands.  Consisting of  lead singer and guitarist Nil Endenloff, keyboardist and backup singer Amy Cole, and drummer Paul Banwatt (you know him as the drummer from Woodhands), the band has seen their stock steadily rising, which has so far culminated in being signed to indie powerhouse label Saddle Creek, re-releasing their stellar debut folk-rock album Hometowns, and a (by all accounts) huge recent hometown show at the Horseshoe this past July.  Expect big things from this trio in the near future.

Joel Plaskett – “Through & Through & Through”

Returning home for the first time in eight months, only to find that I had become a stranger in the eyes who people who I had once considered friends. Working in the kitchens of a summer camp that was plunged into swine flu paranoia, after several campers showed signs and were quickly quarantined.  The godawful summer weather that Nova Scotia experienced throughout all of July, which is only now beginning to look up in August.  Yet, for all the terrible (and terribly boring) stuff that I’ve gone through the past two months, the song that will always remind me of summer ’09 is this breezy, upbeat tune from Nova Scotian guitar troubadour Plaskett.  And if there’s a pop song this summer that had better (or more Nova Scotian for that matter) lyrics than, “You be April Stevens, I’ll be April Wine /You be Israel, I will be Palestine”, than I’ve yet to hear it. Could Plaskett’s recent ambitious triple-album, Three, finally be enough for voters to give him his first – and very deserved – Polaris Prize?  Only time will tell…

Apostle Of Hustle – “Eazy Speaks”

Recently Apostle Of Hustle’s frontman Andrew Whiteman told CBC Radio 3 that this song – named after the infamous rapper Eazy E – was inspired by a rock spray-painted with the words “Eazy speaks” that the band saw in rural Quebec while on route to a show in Prince Edward Island.   Myself, I think its a fantastic thought:  what if dead musicians could give us advice from beyond the grave?  Michael Jackson would then be able to inform us of the pitfalls of facial reconstruction surgery (sorry, too soon?), Elvis would tell us to stay away from Vegas and over-eating in general, and Kurt Cobain would advise us to never, ever, <i>ever</i> trust anyone named Courtney Love.  In this case, it would seem that Eazy told Apostle Of Hustle to “keep your friends close and your enemies closer” and write a catchy, riff-filled number like this one.

Major Lazer feat. T.O.K. and Ms. Thing – “Bruk Out”

Bawdy sex raps!  Pitch-tweaked vocals! Off-the-wall futuristic Jamaican dancehall reggae!  It can only mean one thing: globetrotting DJ extraordinaire Diplo and his fellow co-conspirator, the producer Switch, are back with a whole new bag of tricks.  I’ve recommended Major Lazer – Diplo and Switch’s latest project featuring a slew of guest vocalists that you’ve never heard of (and some that you have) – to you before, but if you haven’t picked up their album Guns Don’t Kill People…Lazers Do, you should make that a priority.  Just in time for summer house parties, comes the duo’s blunt-smoking, skirt-chasing (sample line from this song: “I met Jill/She was a stripper/She said she wanted to undo my zipper”) love letter to Kingston’s dancehall and reggae scene.  Plus, you know you’ve made it when GQ magazine features you and recommends Red Bull and vodka as the “appropriate companion drug”.  This is some next-level shit right here folks.

Grizzly Bear vs. Lil Wayne – “2 Weeks ’til Prom (The Soundmen Mashup)”

Strangest mashup album ever?  New York City outfit The Soundmen recently released a three-song EP, which mashes songs from indie rock darlings-of-the-moment Grizzly Bear and the always bizarre, but usually entertaining Lil Wayne.  The title of this album? Vecktaflyest.  Perfect.  Listen to this one for yourself and decide whether its a trainwreck or not, but anything that manages to pair “Two Weeks” and “Prom Queen” together is worth a listen at least once in my books.  Download the album and read more over at Paste here.

Wale feat. Peter, Bjorn & John – “Nothing To Worry About”

Everything about this track screams “official hipster summer anthem”.  The newest single from Sweden’s biggest pop music export since ABBA, the whistling, Grey’s Anatomy-endorsed trio Peter, Bjorn and John?  Check.  Behind raps from Washington, D.C.’s next-great-hope, Wale, who so far in his career, has free-styled over Justice, managed to find a use for Lady Gaga’s sex-cyborg “singing”, and released an excellent Seinfield-themed mixtape? Check.  On a hot new mixtape called Back To The Future, produced and mixed by 9th Wonder and Nick Catchdubs, available online for the very agreeable price of free?  Check.  For all the hype surrounding Wale, there’s no denying the man has serious skills on the microphone.  We’re still waiting for his hotly-anticipated debut full-length, Attention: Deficit, which is scheduled to be out September 22nd, but this ought to be enough to tide us over until then.

Jay-Z feat. Rihanna & Kanye West – “Run This Town”

Is there anybody worse in the musical world than Mr. Shawn Carter, aka Jay-Z, when it comes to this “retiring” business?  The man’s put out two albums (the critically-maligned Kingdom Come and the much better American Gangster) after he said he was leaving the game for good, and on the not-so-subtle release date of September 11th, we can expect the third. The Blueprint III has rumoured to have been in the works for quite some time, and now some of the new songs are starting to leak, much to the delight of serious fans who consider this album to be akin to the rap equivalent of the Holy Grail.  This one has Jay rhyming like he’s just getting into his prime, a nice poppy hook from Rihanna (the role she was born to play), and some hot lines from Kanye, who also produced the album.  This album’s going to be a monster.

K-OS feat. Emily Haines & Murray Lightburn – “Uptown Girl”

Replace Jay-Z with a soulful K-OS doing his best Michael Jackson impression, Metric’s mistress Emily Haines filling in for Rihanna, and The Dears’ frontman Murray Lightburn providing Kanye-worthy backup vocals (okay, that one’s a bit of a stretch), and you basically have the Canadian version of “Run This Town”.  While this is the second single from K-OS’ latest record, Yes!, it serves as an excellent showcase for all three artists on the track, who are arguably at the peaks of their careers. Lightburn and The Dears just put out their well-received fourth album, Missiles.  Haines and her boy in Metric also have a hot new album, and have been playing summer festivals here there and everywhere, not to mention an upcoming show at Toronto’s legendary Massey Hall in October.  As for K-OS, he’s been playing packed shows from coast-to-coast and this new album should solidify his reputation as one of the country’s best rappers.

Arctic Monkeys – “Crying Lightning”

They got us to put on our dancing shoes, taught us that “D Is For Dangerous”, and still think you look pretty damn good on the dancefloor.  Yes kids, that’s right: everyone’s favourite Sheffield garage-rockers, the Arctic Monkeys, are back and once again preparing for world domination…I mean, a world tour.  This one is in support of their upcoming third album, entitled Humbug, which is being produced by Queens of the Stone Age head honcho Josh Homme, and is scheduled to be in stores on August 25th.  You can listen to the new single, “Crying Lightning”, over at the Monkeys’ MySpace here.  The Toronto stop on the tour is September 28th at the Sound Academy and if you don’t have a ticket, well…tough luck.

The Dead Weather – “Treat Me Like Your Mother (Diplo Remix)”

Unless you’ve been living under a rock the past few months, you probably know already that this is Jack White’s new band.  And if you know anything about me, or the type of music I usually listen to (you’ve read this far, haven’t you?), than you know its impossible for me to remain unbiased about The Dead Weather.  I’ve been a fan of Jack, and a true believer that anything he touches turns to gold, ever since my father brought home The White Stripes’ White Blood Cells several years ago.   As frontman for the Stripes (and of course, later The Raconteurs), he’s a true Guitar Hero, and is hopefully destined to go down in musical history as the Robert Plant or Bob Dylan of our generation.  And can you blame White for getting Alison Mosshart to play a Nico-esque muse to his Andy Warhol?  As the female half of The Kills, Mosshart is gorgeous, and has the pipes to match her looks.  Throw in Dean Fertita of Queens of the Stone Age and a Raconteur (Jack Lawrence), and you have yourself one hell of a band.  Download Diplo’s remix of Horehound’s first single for free over at RCD LBL.com.

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The Dears @ Harbourfront Centre – July 26, 2009

July 27th, 2009 | By: Jeff Jewiss

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The Dears @ Mod Club – April 30, 2009

May 3rd, 2009 | By: Jeff Jewiss

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The Dears, Lioness @ The Mod Club – April 30, 2009

May 2nd, 2009 | By: Melody Lau

Every time I see The Dears live, I can only describe it with two words – consistent and dramatic.

The night started off with Toronto trio Lioness. Due to public transportation issues though, I only caught half their set. Regardless, they played a solid (half) set of songs from their debut EP. Sound-wise, lead singer Vanessa Fischer was drowned out and muffled at times, but her strong, evocative voice was still able to ring through the venue with power. The only odd thing about the set would be its strange 7:30 pm time slot, seeing as the band’s dark melodies and infectious rhythms are more suited for midnight sets or at least something after dinner (pending that you eat dinner later than 7:30 pm; I do). These guys are definitely worth checking out live though – they’re energetic, fun and a captivating live act.

The Dears literally snuck up afterwards as lead singer Murray Lightburn began the set walking through the anxious crowd; some of which were unaware of Lightburn’s presence till he paced closer to the stage, with a single spotlight shining on his leather jacket.

Immediately after Lightburn’s dramatic entrance, with the slow-gripping grand “Saviour”, the band, already assembled onstage, busted into the catchy sing-along single, “Money Babies.” The band played mostly new material from their latest release, Missiles, with a handful of older tunes such as crowd pleasers, “Whites Only Party”, “Lost in the Plot” and coming back for an encore of “22: The Death of All the Romance”.

Drama aside off-stage, the current line-up (featuring all new members besides Lightburn and wife, Natalia Yanchak) appears to be happier than I’ve ever seen the band before (Lightburn does smile, folks). The band as a whole is much tighter than the last time I saw them (when the new line-up was still relatively fresh) and a strong dynamic has definitely been built. This is what I meant by consistency; regardless of line-up changes the Dears always pull it together fantastically in their live performance. Not even a stolen tour bus stopped them from putting on a good show.

At one point, Lightburn addressed the crowd, telling them that the Dears “will always be there for you if you’re there for us.” He’s aware of the statement’s cliche but another thing that makes the Dears great live is that they are a little melodramatic at times, but are able to hone it into a refined solid rock show that isn’t cliche at all. Most of the band is often emotionless, leaving Lightburn to be the spectacle that he knows the audience loves; there’s more emotion in his face than the rest of the band combined – and I mean that in a good way; this man knows how to rock.

Rarely do I ever say anything bad about The Dears live and honestly, I still don’t have anything bad to say about them. I would’ve liked to have seen Yanchak sing lead more as she has a beautiful yet highly underrated voice but seeing as she only sings lead in two songs, there’s not much that can be done on that front. Hopefully in the future, she will become more prominent in the vocal department.

Set list (via. ‘For the Records’): Click here.

For more of the Dears:
MySpace: http://www.myspace.com/thedears
Website: http://www.thedears.org/news/

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News Update!

April 23rd, 2009 | By: Melody Lau

Rah Rah

Rah Rah

As Max already said recently, we’re finally done with school (for now), so we have finally reached a school-free season of music, festivals and sunshine! That last one is still pending; Mother Nature, it’s up to you. Here’s what I’ve missed out on in the past few days.

Saskatchewan natives, Library Voices have a new track from their upcoming LP now streaming on their MySpace. Click here to listen. Also look out for a potential Toronto show from these guys in July; we’ll keep you posted.

Speaking of Saskatchewan indie-pop darlings, Rah Rah have recently announced two date in Toronto. They will be at the Boat on May 11th and El Mocambo on May 12th. Definitely go and check them out.

King Khan & The Shrines have a new video out for “Land of the Freak”. For a download of the track and the video, click here. Make sure to catch them at the Phoenix on May 12th. Tickets are still available for $15.00, and this show is 19+. In case you miss out though, King Khan & BBQ Show will be part of this year’s NXNE. More details of that TBA.

Camera Obscura also have a new video for “French Navy”, from their new album, My Maudlin Career.Watch here. Catch them live at Lee’s on June 27th; tickets are still available for $23.50.

Islands recently covered BeckClick here to stream their take on “Cyanide Breath Mint”.

Holy Fuck are offering a free download of a previously unreleased track entitled “Jungles” on their website right now. Go here to download!

Also offering a free, unreleased track are The DearsClick here to go to Natalia Yanchak’s blog and download“Halfmast”!

Great Bloomers are featured on i(heart)musicRead more here and watch out for an interview here on the Lamb early next week!

Other Show Announcements:
Au Revoir Simone @ Lee’s (May 21st, $12.00, 19+)
Friendly Fires @ Lee’s (August 10th, 19+)
Kid Koala @ Lee’s (May 7th)
The Juan Maclean, The Field @ Tattoo Rock Parlour (June 18, 19+)
Cracker @ Lee’s (June 23rd, $23.50, 19+)
Slim Twig (CD Release for Comtempt!) @ Horseshoe (May 29th, $10.00, 19+)
Blind Pilot @ El Mocambo (June 12th, $10.50, 19+)
Adam Freeland, Alex Metric @ Wrongbar (May 5, 19+)
M83 @ Phoenix (July 17th)
Phoenix, Amazing Baby @ Phoenix (June 15th, $22.50, 19+)
Miike Snow @ Drake Hotel (May 20th, 19+)
Sunset Rubdown @ Lee’s (July 10th, 19+)
Emma-Lee @ Drake Hotel (April 25th, 19+)
Telepathe, Teengirl Fantasy @ El Mocambo (June 4th, 19+)
The Paper Chase @ Drake Hotel (June 29, $11.00, 19+)

Also, according to ‘For the Records’Neko Case will return to Toronto for a show at Massey Hall this summer, so no worries to those who missed out last weekend!

That’s all for now. Hope you all enjoy a fantastic weekend!

Musically,
Melody

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Let’s Chat: The Dears

April 21st, 2009 | By: Melody Lau

The Dears

The Dears

The Singing Lamb: It was recently posted on the band’s website that you guys have “begun to crack open a case of new tunes,” – would you like to elaborate on that? Do you plan on immediately recording any of these tunes when you return from the tour?

Natalia Yanchak: Murray goes through phases of writing songs and not writing songs. He’s just entered another song writing phase and when that happens its kind of manic: the music just comes and comes and he works as fast as he can to record everything that comes into his head. Its almost trance like; he is so completely preoccupied with music he sometimes forgets to eat and sleep. You just don’t fuck around with that kind of inspiration. We will probably continue to write on the road, maybe try some things at sound checks and when we get back focus a lot on new songs.

When you’re finished “presenting Missiles” to everyone, how will you look back at that era of The Dears? What about that phase in the Dears’ career will stand out the most to you?

The Dears is an evolution: always changing, progressing, moving forward. So I can’t compare what’s happened in the past to things that came before or after because they are both essentially unique. I was watching Lethal Weapon 4 yesterday and Joe Pesci gives Mel Gibson the advice regarding the death of his pet frog: “…you guys are my friends, not better friends than Froggie, just different.” It’s kind of like that.

The Dears have been around for nearly 10 years now – how would you describe the growth you’ve experienced personally and musically through those years?

The Dears started almost 15 years ago and I joined them in 1998. The most remarkable thing has definitely been the coming of the digital era. When we started trying to get people excited about End of a Hollywood Bedtime Story, there were no MP3s, no iPods, no digital press kits or EPKs. We had to PRINT OUT our band photos. Myspace and YouTube didn’t exist. Laptops were still a novelty and too expensive; Garage Band and iTunes weren’t around. I’m making myself sound really old but really all this stuff came up really fast, and totally upset the label-based music industry. It’s made things a lot easier for bands – including The Dears – and returned power to the musicians which is how it should be. I feel like all this digital revolution shit enabled musicians to a point of band saturation…which could be dangerous.

I think that for The Dears it has been liberating for us to be so focused on music, on art rather than business. And although the business side of things definitely effects us, the creation and communication of art is what drives us. It puts everything we do into perspective. It definitely put last year’s band meltdown into perspective. I feel grateful for everything we have, for coming up during an industrial revolution (of sorts), and still standing tall, proud and definite after all this time.

You were quite heavily involved in the world of journalism once, writing for Vice and Chart, and interning at Paper Magazine. What were the most important things you learned about yourself as a writer through those jobs? Any fond memories of working for those magazines? Favourite and least favourite articles you’ve written?

As a music writer I came to an epiphany: I had to choose between the music and the writing, that I could not have both. Judge not lest ye be judged, basically. So I chose The Dears. I love both music and writing, and I was kind of inspired to start my blog once I realised that there were other non-fictiony things to write about, and a place where I could share them.

When I was at Paper I had to write a story on The Detroit Grand Pubahs for the print edition. I remember leaving in this narrative part about how I thought the guy I was on the phone with was basically taking a dump during the interview. Of course it was edited out but afterwards I wondered what my editor was thinking. He must have thought I was a total amateur. I thought it was hilarious: the interview was pretty boring and unexpectedly low-key for a group that made jokey, in your face electro hip-hop.

I also had lots of fun writing record reviews for Vice. That was the total opposite: anything goes. Back then, shit talking was meant to be funny…the attitude was basically: “I’m gonna put as much effort into my review as you put into making this shitty album.” Now some reviewers/websites condone it, living by the pretension of it. But this dichotomy it exactly why I had to get out…it conflicted me and made me a smaller person.

How do you feel about the gradual demise of the music magazine medium of late (with Chart and Blender both gone) and the increase in music journalism online through blogs and whatnot?

It’s a little sad, because it’s the end of an era. But I also am into the decentralization of music media: this kind of goes back to what I was saying before about the saturation of music. I mean, it is saturation or just multi-party democratization? Like you musically don’t have to choose Republican or Democrat anymore (Universal, EMI or Sony/BMG); you can go Marxist-Leninist, Bloc Pot, Bloc Quebecois, NDP, Green Party, Libertarian, Librarian, Reform, Communist, Dictatorist, whatever! You choose. Listen to whatever you want. The fine line with music is that in the past, the big label mentality is that individuals were encouraged to buy into an identity: I am a country fan. I like Billy Ray Cyrus and Garth Brooks. I wear a cowboy hat. This is who I am. This is me. But now you can do whatever. You can go any direction, or in several directions, and still be part of a bigger cultural community. The final stage that I am dying for is the death of commercial radio, the death of Top 40 and the bullshit value of chart success.

Do you read any of those music blogs nowadays – the Pitchforks and the Stereogums?

One thing that frustrates me about the go-to music blogs is that their opinions have become predictable. I still read them, but doesn’t mean I have to respect them. My big faves are Perez Hilton and Pitchfork. Their music tastes are absolutely loathsome but I gotta get the dirt from somewhere. I also like reading The Onions’ A.V. Club, and respect their opinion a littlemore. I especially enjoy a column called “The Hater” and their Tolerability Index. I guess I kind of prefer cultural websites/blogs to music exclusive ones. For this reason I also am into locally written blogs. My top 2 are Midnight Poutine and The Heart Attack Club. I just started reading/listening atSaid the Gramophone so the jury’s still out on that one.

And finally, if you were a singing animal, what would you be?

I saw this photo of a lemur recently and was touched by its colouring and no-nonsense “hang in there” attitude. So add a microphone and it’s like looking into a mirror!

For more Dears,
MySpace: http://www.myspace.com/thedears
Website: http://www.thedears.org/news/

Also, the band will be at the Mod Club next Thursday (April 30th) with guests, Lioness. Tickets are still available for $20.00; this show is 19+.

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News Update!

April 6th, 2009 | By: Melody Lau

Rock Plaza Central

Rock Plaza Central

Here’s a tidal wave of news for you today!

Wondering what ever happened to Toronto’s Rock Plaza Central since the 2006 release of Are We Not Horses? Well the band has officially signed to Paper Bag Records and will be putting out a new album on May 28th (in Canada, June 16th in the U.S.) Tour dates will be announced soon; we’ll keep you posted!

“Sexy Back” Cover
MySpace
Website

Show Announcements:
Apostle of Hustle @ The Music Gallery (May 29th, $25.50, ALL-AGES)
Emma-Lee, Peter Katz @ The Drake Hotel (April 25th, $10.00, 19+)
D-Sisive, DL Incognito, Abdominal, Fundament & DJ Law @ El Mocambo (May 7th, $12.00, 19+)
Arietta (CD Release), Serb Superb, Cancel Winter, The Junction @ Horseshoe (May 7th, $7.00, 19+)

For those checking out A Camp at the Mod Club on June 1st, you’ll be glad to hear that local favourite, Gentleman Reg will be opening for the Swedish rockers. This show is 19+ and tickets are still available for $15.00!

Also, for those who have opted for The Dears show at the Mod Club on April 30th, as opposed to Green Go’s CD release at Wrongbar, you’re in luck as Toronto’s Lioness will be opening for the Montreal rockers.

The annual Pitter Patter Festival is back this year on May 28-31. Here’s a peek at the line up! So far, exciting acts include Dog Day, Great Bloomers, Whale Tooth, Megan Hamilton and the Volunteer Canola, Gravity Wave, Pick A Piper, The Guest Bedroom and many more!

Watch This/Listen To That!
Pitchfork TV: Kevin Drew and Feist – The Water, Making Movies
Pitchfork TV: Screening Arcade Fire’s Mirroir Noir (ONE WEEK ONLY)
Art in the Age Presents Bishop Allen “True or False”
Ear Pwr’s “Super Animal Brothers III”
Exclaim! TV’s Garageland interview with Thunderheist
A Camp’s “Stronger Than Jesus”
Akron/Family’s “River”
Phoenix on Saturday Night Live last week

Also, make sure to tune in to Saturday Night Live this Saturday as the Yeah Yeah Yeahs will be the musical guests (host will be Zac Efron…) – will be kick-ass!

In “What the fuck?” news, what the fuck is this?!

Looking for something to do this Friday? Well shimmy your way over to The Rivoli for the CD release of The Paint Movement, also featuring Fox Jaws, Make Your Exit and Provincial Parks. It’ll set you back $8.00 – cheaper than a movie and definitely much more entertaining than whatever the SilverCity near you is playing. So be there!

Happy listening!

Musically,
Melody

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Music Videos?

March 1st, 2009 | By: Melody Lau

The Dears

The Dears

Let’s face it; if you want to watch decent music videos these days, we have to resort to the internet. TV channels have withered down their selection of playlists to a mere 10, maybe 15 mainstream, top 40 hits – 50% of which has permanently been taken up by Miley Cyrus and the *Jonas Brothers.

For a while there, I still had a glimmer of hope at the end of each week when I would tune into Muchmusic’sThe Wedge; all TV-watching indie-lover’s hour of music video heaven, but now God knows what **horrific time it’s been pushed back to as it was continually pushed back in programming by the hour.

Today, I decided to browse the MuchAxs video playlists (out of sheer boredom…and potentially to watchAmerica’s Best Dance Crew – don’t judge me, it’s a good show!) and noticed some new videos that I hadn’t seen elsewhere. Here’s a little list:

The Dears – “Disclaimer”
This video is for the Montreal band’s stunning opener on their most recent release, Missiles. “Disclaimer”, directed by Geoff McLean, shows the band performing (in their usual intense seriousness) with simultaneous imagery of missiles and destruction. Beautiful and powerful, videos like this are still one of the reasons why The Dears are such an amazing band.

Winter Gloves – “Let Me Drive”
Directed by Benjamin Weinstein, The Winter Gloves’ video for “Let Me Drive” (from their debut album, About A Girl) follows a flipbook method, sort of similar to Land of Talk’s video for “Speak to Me Bones” two years ago, only with several flip books rather than just one pile of paper. Entertaining and visually lots of fun to watch – even the handclaps are in flip book motion!

Land of Talk – “Some Are Lakes”
I had never noticed that Land of Talk had released a video for this title track from their latest release till I had stumbled upon it on Muchmusic a while back. Directed by Jose Garcia, the video shows the band performing in an empty home, dressed in bright yellow raincoats. “Some Are Lakes” is a lovely video that is quite fitting to the laid back beauty of the song.

Other videos to check out:
Stars – “Midnight Coward” (directed by Ben Stieger-Levine)
Hexes & Ohs – “Wildfire” (directed by Stephane Fournier)
Young Rival – “Your Island”
Fembots – “My Hands Are A City” (directed by Ed Glass-Donnelly)

Kudos to Much for still having such great videos on their site…but you definitely lose all credit for airing a Paris Hilton marathon right now. So I guess we’re back to square one…hatred.

Happy listening!

Musically,
Melody

* I realized in my blog post Kids Just Wanna Have Fun, I said that I would never mention the Jonas Brothers ever again on the Lamb. So I apologize for mentioning them again; I’m a terrible person.

** Correction: The Wedge airs every Friday night at 1:00 am. This is pending that no special programming preempts it’s air time to 3:00 am – which happens quite often. As early as 2-3 years ago, The Wedge aired at 11:00 pm.

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Gang of Winners

January 5th, 2009 | By: Melody Lau

The Dears

The Dears

Like many people I know, my love for Montreal’s The Dears stemmed from a little video for 22: “The Death of All the Romance” back in 2005, when they had just released their second full length album, No Cities Left. Since then, they’ve released Gang of Losers (2006, Arts & Crafts) and more recently, Missiles (October 2008, Maple Music).

I’m not going to lie; I hadn’t listened to Missiles when it came out. But when I was informed that it would be on sale for $10 at HMV during Boxing Day, I thought I’d seize the opportunity and finally catch up with lead singer, Murray Lightburn and co. And man, do I regret not listening to this album earlier.

Never short of the dramatics and lush instrumentation, The Dears deliver a stunning record from beginning to end; a consistency with the band and their past records as well, in my opinion.

I had seen them play their new material prior to my purchase last month at the Sound Academy, as part of the Metric and Tokyo Police Club-led Jingle Bell Rocks tour. Although the five new members of the Dears were clearly still working things out, in terms of performing as a cohesive band, they still played better than every band there (okay, they were tied with Sebastien Grainger; but definitely better than Metric and TPC). With time, this new roster of members will undoubtedly recreate the same on-stage greatness they once had. That aside, Lightburn, wife Natalia Yanchak and the rest of the band played a set of mostly new songs, much of which I happily reunited with when I listened to Missiles. Both live and on record, they are one of the best Canadian bands out there today.

Change has been the definitive word in the past year with this band. Not only had The Dears said goodbye to members (most notably, Valerie Jodoin-Keaton and Patrick Krief, who both left to pursue other projects) and found new members (members of Kill the LightsPony Up! and most recently, Land of Talk’s bassist Chris McCarron) but they had also left Toronto’s popular Arts & Crafts Records for Maple Music Recordings (Dangerbird Records internationally).

In addition to physical changes on the exterior, one can really hear a transformation within the music itself. Lightburn and Yanchak orchestrate the same epically romantic tunes, but are able to evolve and somehow leave and continue from where they left off on their last release, Gang of Losers. As per usual, Lightburn’s voice is the main attraction that threads through the music as a vocal guide to the journey the music takes you through. “Lights Off” and “Money Babies” are stand out tracks, the latter being the catchy, pop hit of the album, the former being the grandeur midway breakthrough. I can listen to both, along with the rest of the album, everyday and never get sick of it (ask me that in two months though, and I may grow weary of it – only because I would’ve had a Dears overdose by then). Also, Yanchak sings lead vocals on most of “Crisis 1&2″, showing off a more emotive and matured voice from the aforementioned “22: The Death of All the Romance” – a fresh reminder of just how beautiful Yanchak’s voice really is; she definitely needs to sing lead vocals on more tracks in the future.

I was heartbroken that I missed out on their CD release shows in Toronto back in October (I was out of town that weekend and they were sold out), but with some luck, hopefully they’ll tour the country again in the New Year; I’ll keep you all posted.

For now, I shall leave you with this amazing video of “Lights Off” (live on QTV, posted earlier last month): click here.

Also, for more up-to-date Dears action, read Natalia Yanchak’s online blog. Fun fact I learned, she used to work for Chart, Paper, and Vice Magazine, in addition to interning for Matador Records before fully committing to The Dears. Music journalist, great musician and married to Murray Lightburn? This woman is an idol.

Happy listening!

Musically,
Melody

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