Posts Tagged ‘halifax’

Show Announcement

April 1st, 2010 | By: Guest Contributor

Have you made plans for the May long weekend yet? Going camping, planning to crack open a beer or two, maybe hauling that dusty BBQ out of the basement and firing it up? Let’s be honest though, other than that, there’s not much going on.

If you live in Halifax or Nova Scotia however, you might want to check out Long Live the Queen, a brand new music and arts festival coming this May to the North End of Halifax.

Curated and organized by Halifax musicians and artists, the festival will take place from May 21-23, and will include performances from the likes of Ruby Jean and the Thoughtful Bees, Laura Barrett, Rich Aucoin, Julie Fader, The Darcys, Wordburglar, Braids, Ghettosocks, Jenocide, and many more. The festival will also showcase local artists, music videos, and comedy performances.

For more information, including how to get involved as an artist and/or volunteer, you can check out Long Live the Queen’s website or become a fan of the festival on Facebook.

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Let’s Chat: The Pinecones

March 5th, 2010 | By: Melody Lau

The Pinecones

The Singing Lamb: You’ve recently renamed your band to The Pinecones – why did you drop Brent Randall from the band name?

Brent Randall: It just happened.  We were playing as a band, writing as a band and we recorded our new album, SAGE, as a band.  Everyone contributed songs to the record.  It just became apparent we were THE Pinecones…it wasn’t me and them.  I never really wanted to be a solo guy anyway.  I’ve always liked bands best; it’s nice having the dynamic of all the different personalities.  I always felt cheesy as Brent Randall. “Hey everybody, it’s me! Listen to me.” I hate Brent Randall, screw that guy.  I mean I still plan to record albums as Brent Randall, because bands are pretty hard to keep together and I like doing my cheesy soft rock thing. But it’s fun to do the band thing too.  It’s fun to be a Pinecone.  I don’t really think of it as a renaming. More of an offshoot.

Describe the writing process that went behind your new album ‘Sage’ – how have you grown since your last album?

Quick and easy. Speaking for myself, most songs were literally written in two minutes and arranged just minutes before the recording.  The album actually started out as demos but then we just dug it too much so we kept on going. I’m a big fan of all those silly obscure sixties groups that are kind of b-grade knock-off Beatle groups – suburban American teens trying to be Beatles in their garages with crumby Japanese guitars. Almost parodies of the genre, but still really cool. So I just had that on my mind – just having fun writing the little ditties that I love. Trying not to be too precious about it. It’s just another bloody song.

I can’t really speak for the other guys. Brian, Joel and I lived together and we just wrote tonnes of songs. Just sitting ’round drinking tea ‘n that. I think we were romancing those days of the mid 60′s where bands released several albums and singles a year. There was always lots of filler. Or each new song was kind of a rip off of the one before. We were just trying to knock’em out. Making sure we covered all the bases. Song about tea..yep got it. Now a song about a girl with a flowery name..hmm..better write two of those. Etc.

Grown since last album? Not sure about that one — I think I’m a little less self conscious about the whole thing (just a little.)  I have more fun doing it.  I wear fancy underwear now.

On your MySpace, it says that The Pinecones sound like ‘Something Old, Something New, Something Borrowed, Something Blue’ – what about your sound do you think is old? new? borrowed? blue?

Well that was just an ‘off the cuff’ little bitty to type in the box just because there was a box that needed typing. But I think it works. (“Because we said it worked, and that’s how it appeared.”) But yes, something old? There’s definitely a lot of 60′s inspirations mixed in the pot.  Lyrical themes and a style of writing. Something new?  Paul who recorded it did a lot of nifty little recording tricks and methods and such that I thought gave it a modern sort diy/lofi/indie aesthetic maybe?  Borrowed? The cover art is sort of borrowed from a Turtles LP. Blue? Well Paul manages to use the phrase “Baby Blue” in his song “Jenny Fur.”  I really liked that mainly because there’s a great Badfinger song, “Baby Blue.” I always wanted to fit that phrase in somehwere. Good pop song phrase.

You guys are originally from Halifax but have relocated to Toronto – how different do you think the music communities are in Halifax and Toronto? Do you miss Halifax?

Well three of us relocated from Halifax, Paul was already here.  I’m from up here originally anyway.   Toronto is a bit bigger obviously and there are more venues. More people – harder to get onto people’s radars (who says that?)  It seems maybe there are more options for people to do other things besides see music.  In Halifax there aren’t any cool bars to hang out in, if you are going out – it’s probably to see a band at one of the few bars.  Here you can go here and there…just to hang.  I guess that’s more of a point about night life than the music community.

But both are pretty similar, really. The music community here seems just as tight knit and incestuous as Halifax.  I don’t really know – I don’t really feel a part of anything here – so I can’t comment.  I like Halifax, but I rarely if ever miss it.

You’ve probably heard numerous comparisons between your band’s music and The Beatles – what do you think about that? And if each member of the band had to be a Beatle, which one would each one be?

We obviously love The Beatles and think they’re tops.  They are a major inspiration, so I can definitely see why people would say that and we totally welcome it.  Though I feel we have more in common with The Rutles or The Monkees or something.  A scrappier version of The Beatles.  Which I can dig.

Hmm and if each band member had to be a Beatle I’d say Joel would be Ringo.  He’s got the one song on the album a la Ringo and he’s always probably having the best time (Ringo seemed to be always having fun in those early days – great at a party.) Oh! And the American girls like him best.
Brian, I suppose would be George. He has a handful of songs on the album, plays lead guitar, bops about, girls dig’em.  Paul would probably be Paul because he’s the most musically versatile on the album taking turns at playing every instrument on the album. Which leaves John to me, which I guess works in the sense that I “started” the group, I sing most of the songs on the album (if were talking early Beatles), I sing most of the leads with Paul harmonizing with me yadda yadda. And I’m most likely to go through a ‘fat elvis’ period.

That being said – none of us are really anything like those Beatles rascals, we’re the bloody Pinecones. Brent, Paul, Brian and Joel.

And finally, since our website is called The Singing Lamb, we must ask everyone – if you were a singing animal, what would you be and why?

A chipmunk, because I’d love to be able to hit those high notes. Or, I’d probably be more of a dopey turtle with a ukulele.  Floating belly up strumming and floatin’ down yonder river.

***

For more of the Pinecones,
MySpace:

Don’t forget to catch the Pinecones tonight at the Garrison, alongside Language-Arts and Allie Hughes! Tickets are available at the door for $6.00!

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Let’s Chat: Rich Aucoin

February 11th, 2010 | By: Guest Contributor

Photo Credit: Todd M. Duym

Photo Credit: Todd M. Duym

Ambition looks good on Rich Aucoin. The Halifax pop singer-songwriter’s most recent album, Public Publication, is anything but your typical extended play record. The EP, which was recorded over a year, was designed to sync with the classic Christmas cartoon Dr. Seuss’ How The Grinch Stole Christmas (1966). It features over 500 musicians and was recorded during a cross-Canada tour with multiple producers. Rich was kind enough to answer some questions recently via email about not only recording the new album, but also everything from the Nova Scotian music scene to his love of bicycling and roller-skating.

The Singing Lamb: Tell me about the path you chose when recording this album and what were some of the biggest challenges you faced?

Rich Aucoin: I always want to pick one thing from each previous record and do it completely opposite on the following record. The thing for these first two was that I did the first record by myself and this second one with many people. The biggest challenge was either physically crossing the country to record all these people in their native recording environments or the months of editing I spent listening to every one of those 500 people’s some 6-10 takes of a part to figure out what is the best possible thing I could use and taking whatever that part was and fitting it into the puzzle without jaming it in.

Are there any musicians on this EP that would surprise your listeners, or anyone that you never would have expected to have gotten on the record?

Rich: Yeah, there’s lots of musicians who play in one genre or another that you’d think might not fit with another so that a folk banjo player is playing on the same song as a punk drummer and/or a beat boxing MC on the same song as a classical marimba player. There are also some heroes of mine on the record who I was really surprised and happy to see interested in collaborating.

As a Nova Scotian, I know that you are very involved in the local Halifax music scene, whether it be playing with other artists or going out to shows. What do you make of the current Halifax music scene and what are some of the major changes you’ve seen it since you started making music?

Rich: We’re all really supportive and involved with each other out here so it’s not too unfamiliar to take on a project like this sense all of us are collaborating some much anyway. I play in Windom Earle out here too and have played with a handful of other people too. I haven’t seen much change; I’ve only been at this a couple years now.

In the past, you’ve played with a number of different bands and artists, including Girl Talk, The Weakerthans, and Nat Baldwin from the Dirty Projectors. Which artist or band is your favourite to play with and why?

Rich: Girl Talk was probably the most fun experience I’ve ever had at a show before but there’s been something about everyone I’ve played with that been the “best” at this or that… Greg, from Deerhoof, is by far the most captivating drummer I’ve ever had the pleasure of seeing. My favourite artists to play with have always been people that you tour with as you see them every day and hang during the nights.. kind of like camp.

I know you are an avid bicyclist. What kind of bike do you ride and where is the coolest place you’ve ever biked? Would you ever write a book like David Byrne’s Bicycle Diaries?

Rich: I ride the cheapest of touring bikes which I made them promise me would make it as far as Halifax from Victoria. It’s a Brodie Romulous. The coolest place I’ve ever biked was anywhere (maybe particularly Hope or Osoyoos) in the Rocky Mountains. I’d love to write something like Bicycle Diaries (which, coincidentally, I have just started reading).

What kind of reaction did you get from your Jay-Z remix? Why did you choose “Empire State Of Mind”?

Rich: That was interesting just to see how fast something that connect with people as it did really well on Hype Machine and has been getting a few hundred plays a day on YouTube. I choose “ESOM” because it was the theme of a little tour I did with Brent Randall and we all were quite enamoured with the song. I noticed it was the same chords/voicing as a new song of mine called “It” so I decided to mesh them together and just threw a couple other folks in there too as I really love MJ and Dan Deacon. I like making mash-ups but mostly use oldies as I’m on a big 50s/60s kick right now.

I saw that Picnicface video you appeared in with Rebekah Higgs from Ruby Jean and the Thoughtful Bees. On a scale from one to ten, how big of a roller disco fan are you?

Rich: Ooohhh man. If they only had a roller disco out here! We were all talking about doing a roller disco party show at that same bar but then we realized that the liability would be crazy and putting booze into the mix of roller skating would probably end in some inevitable falls.

Tell me about some of your upcoming shows, including your European tour in May. How did you end up getting a show at the Toronto Fashion Week this April?

Rich: I’m coming back to Toronto almost every month for the next while with CMW, TFW and more to come. Toronto’s like a home away from home so I want to play as much as a Toronto band would for the next few months to get myself out there to new folks before the album is released. Really looking forward to the U.K. I was fortunate to play for one of the heads of Glastonbury at this festival in November out here and got the nod to come over for my first tour in May.

What’s next for you?

Rich: Find someone to release the record and get everything in order for its release before focusing on some more unconventional and exciting touring plans in the U.S. and Europe.

And finally, if you were a singing animal what would you be?

Rich: I’d be a goat yelling like a man! (watch video below)

For more Rich Aucoin,
MySpace:
http://www.myspace.com/richaucoin

Catch Rich Aucoin back in Toronto during CMW at The Whippersnapper Gallery (March 11th) and the Rivoli (March 13th)!

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Everything All The Time, Lioness, Rich Aucoin @ Horseshoe – Jan. 30, 2010

February 1st, 2010 | By: Melody Lau

Photo Credit: Garry Tsaconas

Photo Credit: Garry Tsaconas

We all know that feeling – when you’re standing at a show and the thudding beat of the music hits you like an earthquake; you can’t help it but move, whether you’re just tapping your foot or full out busting a move. Good music does that; it grabs you by the hands and pulls you in for a twirl and a spin. To those on Saturday night at the Horseshoe who managed to not move at all – I will never understand you.

No Shame’s last show of January (Lauren Schreiber was one busy bee this month!) featured pop, glitter and an endless night of fun; a cohesively fantastic line-up of bands.

Halifax’s Rich Aucoin opened the night and all I can say is wow. I hadn’t listened to this electro-dance pop artist prior to the show so needless to say, I had no expectations. What I left with after Aucoin’s set though was the biggest smile ever and a lasting impression that I don’t think I’ve felt since I saw the Arcade Fire – only Rich Aucoin was only a three-piece. The stage, blanketed with a screen which projected lyrics to Aucoin’s songs for everyone to sing along to as well as snippets of Who The Grinch Stole Christmas didn’t prove to be as much of a distraction, rather than a charming complimentary to the music. Other theatrics included interactive sing-alongs, dancing, confetti-throwing and the electrifying finale completed with balloons and pure joy. This may come off as a lot of zaniness and absurdity but in Aucoin’s case, this all added to the spectacle of the show. Musically, Aucoin’s beat-heavy layered rhythms are glazed with a layer of sugary sweetness and often sounds bigger than its three-piece setting. Think The Arcade Fire meets Daft Punk – The Arcade Punk? A Rich Aucoin show is more than a simple set; it’s a musical experience that everyone must witness at least once. Definitely one of the most talented musicians I’ve seen in a while and have quite possibly single-handedly secured a place on my best shows of 2010 list.

MySpace: http://www.myspace.com/richaucoin

Lioness followed, bringing their brand of dark disco-rock to the stage. To quickly get this out of the way – yes, they sound like Controller.Controller (two members of C.C are now in Lioness) – but Lioness has grown into its own musical entity in the past year. Bass thumping, electrifyingly distorted rock and goosebump-inducing vocals from lead singer Vanessa Fischer, Lioness continues to be a consistently a growing force in the Toronto music scene. For an added touch of jazz, Everything All the Time’s Joseph Shabason jumped on-stage to assist on the saxophone on a slowed-down version of “You’re My Heart” – strange hearing the tempo of the song taken down a notch but compelling and great nonetheless.

MySpace: http://www.myspace.com/lionesslionesslioness

Headliners Everything All the Time ended the night, continuing where the previous bands left off. If you haven’t listened to EATT, I think many people put it this way – imagine Stars fronted by Diana Ross. Seriously. The band, led by dynamically mind-blowing vocalist Alanna Stuart (also one half of Bonjay), breathes new life to synth-pop with catchier-than-ever lyrics, uplifting and cheerful melodies and a beat you can dance to all night long, which I almost did. You can tell when you look at the group of musicians onstage that they’re perfectionists and if their live shows and latest EP are any indication, I’ll bet money that 2010 will be a great year for Everything All The Time. Big money.

MySpace: http://www.myspace.com/everythingallthetimeband

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In the Dead of Winter Fest

January 18th, 2010 | By: Guest Contributor

In the Dead of Winter

If you’ve ever been to Halifax in January, you know that it’s usually snowy, cold and sometimes just plain depressing. Luckily, there’s the annual In the Dead of Winter acoustic music festival to beat the winter blues, which is set to take place at various venues around the city from January 26th to the 30th. The festival is celebrating its fifth anniversary this year with a lineup that includes Ani DeFranco, The Weakerthan’s John K. Samson, The Wooden Sky, Bahamas, Rose Cousins, Leif Vollebekk, Jason Rutledge, and others. Plus, the festival’s logo/mascot is the intimidating snowy owl picture that you see above, so how can you go wrong?

You can get all the details over at the festival’s website or by joining the Facebook group.

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Max’s Guide To Summer Music in Atlantic Canada

July 4th, 2009 | By: Guest Contributor

The alternate title to this column was “How To Not Get Completely Depressed When Hearing About the Number of Incredible Shows Coming To Toronto”, but I decided that was just too wordy. So for clarity’s sake, here is the first of a three-part guide focusing on shows coming to the East Coast this summer. Contrary to popular belief, there are other bands and artists coming to our fair provinces this summer than just “Sir” Paul McCartney and this guy, so here is a list of whose playing, when, where, and why you should go in 140 characters or less (just like Twitter!). This list is by no means completely inclusive, and is especially Halifax-centric, so feel free to add awesome shows that I may have missed (especially if anyone is reading this from Newfoundland or Prince Edward Island). In the following weeks to come, look for my picks for up-and-coming Atlantic Canadian artists, and a playlist featuring new and old tracks that’ll be a soundtrack to your BBQs, kitchen parties and camping trips. Enjoy!

Festivals, Shows and Other Assorted Performances

July 4th – Virgin Music Festival – Citadel Hill, Halifax
Feat: The Tragically Hip, The Offspring, Dinosaur Jr., Metric, Hey Rosetta!, Arkells, Plants & Animals, Dog Day, In-Flight Safety
Why You Should Go In 140 Characters Or Less: Where the fuck else are you going to see a lineup like this? The dudes who wrote “Pretty Fly (For a White Guy)” AND Emily Haines on one stage.
More Info: http://www.virginfestival.ca/novascotia/

July 9th-11th – SaltyJam 2009 – St. John, New Brunswick
Feat: Tokyo Police Club, Plants & Animals, Ruby Jean and The Thoughtful Bees, 16th Avenue & more!
Why You Should Go In 140 Characters Or Less: This is TPC’s only East Coast appearance this summer and if their Twitter is any indication, they should have new songs to debut soon…
More Info: http://www.saltyjam.ca/

July 9th – Black Diamond Bay – Gus’ Pub, Halifax
Why You Should Go In 140 Characters Or Less: This band features members of a little-known group calledThe Dears. Ever heard of them? That’s what I thought.
More Info: http://www.myspace.com/blackdiamondbay

July 10th – Ruby Jean and the The Thoughtful Bees – The Paragon Theatre, Halifax
Why You Should Go In 140 Characters Or Less: Have you ever wondered what Death From Above 1979would’ve sounded like if they’d been fronted by a woman? Wonder no longer!
More Info: http://www.myspace.com/rubyjeanandthethoughtfulbees

July 17th-19th – Evolve Music Festival – Antigonish, Nova Scotia
Feat: King Khan and the BBQ Show, Shout Out Out Out Out, Xavier Rudd, Jon Lajoie, Sherman Downey, RJATTB & more!
Why You Should Go In 140 Characters Or Less: This is as close as we are going to get to having a Woodstock in Nova Scotia. Also, do you really want to make this guy angry?
More Info: http://www.evolvefestival.com/

July 18th – Halifax Pop Explosion Showcase – The Seahorse Tavern, Halifax
Feat: FREDThe Prospector’s Union and The Stance
Why You Should Go In 140 Characters Or Less: Fuck KISS. Go see some bands that aren’t corporate sellouts AND, more importantly, don’t suck.
More Info: http://www.facebook.com/event.php?eid=101676260809&ref=mf (Facebook event)

July 31st – August 2nd – The New Glasgow Riverfront Jubilee – New Glasgow, Nova Scotia
Feat: Wintersleep, Joel Plaskett, The Novaks & more!
Why You Should Go In 140 Characters Or Less: Sure, you could see Joel Plaskett or Wintersleep in a dozen other places in Atlantic Canada this summer. But New Glasgow is where its at.
More Info: http://www.jubilee.ns.ca/schedule.html

July 31st-August 2nd – SappyFest – Sackville, New Brunswick
Feat: Wintersleep, Attack In Black, $100, Clues, Destroyer, Ohbijou, Rock Plaza Central, Timber Timbre & more!
Why You Should Go In 140 Characters Or Less: An amazing lineup, and you’ll feel good supporting a little guy (the fest is thrown by DIY indie label Sappy Records).
More Info: http://sappyrecords.com/SappyFest_09/about.html

August 14th-16th – Riverfest 2009 – Bridgewater, Nova Scotia
Feat: The Northern Pikes, Charlie A’Court & more!
Why You Should Go In 140 Characters Or Less: Because my friend Jonathan Crouse is putting this on, and I have to spread the word. Also, beer may or may not be involved. Good times.
More Info: http://www.rockthebush.com

August 17th – Modest Mouse – Halifax Forum
Why You Should Go In 140 Characters Or Less: “Black Cadillacs”. “Doin’ The Cockroach”. “Fire It Up”. cFloat On”. “Satellite Skin”. “Tiny Cities Made Of Ashes”. Need I go on?
More Info: http://www.modestmouse.com/

Cheers,
Max

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Let’s Chat: Laura Peek

March 20th, 2009 | By: Melody Lau

Laura Peek

Laura Peek

“Indie/Pop/Black Metal.” It’s always fun to see what artists describe their music as on their MySpace; even if they’re nonsensical and at times, the polar opposite of what they actually sound like. Laura Peek and the Winning Hearts? More like rainbows and kittens than black metal.

The three-piece band, hailing from Halifax, plays a brand of piano-driven indie-pop that many of us may be familiar with, drawing from the melancholic tones of Julie Doiron to the bouncy hooks of Immaculate Machine and even the quirky attitude of Laura Barrett. What’s not to like about it; songs like “Stand Right There” are sure to cheer people up on dull, dreary days.

“Hectic” doesn’t even begin to describe my experience at Canadian Music Week ’09. One of my interviews was with Laura Peek, but had to be cancelled at the last minute. Thankfully, Peek was nice enough to answer a few quick questions via e-mail. Oh, technology, what would we do without you.

What have you been up to since the release of your album in 2007?

Laura: Since my album came out, I have been playing shows here and there, and making music in other people’s bands. I toured across Canada as a member of Brent Randall and His Pinecones, and have played keyboards in Mike O’Neill’s band, The Beginners. I’m not the best at promoting myself; probably I should have been doing more for my own “career”, but I guess I was busy with other things.

How was it playing Canadian Music Week? Did you catch any other bands while you were in town?

Laura: Canadian Music Week was a bit weird; I kind of felt like I could have had just as good a show outside of the festival. You have to pay to apply, and then I guess your payment for playing is a pass for the festival. Brent Randall and I were playing shows in other cities, though, so I didn’t even get to use my pass. It would’ve been nice to see some other bands during CMW, but it was a better use of my time to book some shows in southern Ontario since I was only down for a week or so.

You don’t play in Toronto often, do you? Is there anything in particular that strikes you or grabs your interest when you’re in town here?

Laura: I don’t play much in Toronto, but I am from there originally. I grew up in Scarborough, and my mom still lives there. I’m vegan, so the thing that excites me the most about the city is the amount and variety of food I can eat. I also like looking for old dresses and records.

A lot of people talk about the Montreal or Toronto music scene here. What are your thoughts about the Halifax music scene? Do you feel that it has increasingly grown support and praise in that past few years?

Laura: The Halifax music scene is nice because it’s small; once you play in a band, you seem to meet everyone else who plays in bands pretty quickly. I’m not sure if the scene is bigger or better recognized now than it was 5 or 10 years ago, but recently there have been some acts that have done well outside of the Maritimes. There are also lots of fun and exciting musical projects on the go in Halifax which I think haven’t received the support they deserve. But I suppose it’s like that anywhere.

And finally, if you were a singing animal, what would you be?

Laura: A cat, of course! I’d be one of those chatty kitties who comments on everything.

Official Website: http://www.justfriends.ca/peek/
MySpace: http://www.myspace.com/laurapeek

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