Posts Tagged ‘beirut’

The Singing Lamb’s 12 Days of Lists – Day 10: Melody’s Favourite Shows of 2009

December 22nd, 2009 | By: Melody Lau

As much as I make a big fuss about writing year-end lists and the joys of compiling your favourites of the year, I actually find it to be a very difficult thing to do. Part of the reason why I found it hard this year was the vast amount of good music I’ve listened to; narrowing down my very favourites became more difficult than choosing which chef to root for on Top Chef (admit it, you kind of liked everyone in the final four). And once that’s decided, the writing process just gets trickier because now that you’ve chosen the best you really want to make sure you can get it across to the readers just how much you loved these albums, shows, bands, etc.

The following 9 shows (yes, I’m going with the oh-so-witty approach of doing ‘Top 9’ lists this year) were the ones that truly blew me away, gave me the chills, and left me wanting more.

1. The Dirty Projectors, TuneYards @ Opera House – November 14

The Dirty Projectors on record hadn’t impressed me much before and it wasn’t till I saw them at Lee’s back in July that I was officially converted into intense Dirty Projectors fandom. Following said show, I had their latest album Bitte Orca on heavy rotation and it seemed like every other word that came out of my mouth was “I love the Dirty Projectors!” So not only was this show at the Opera House one of my most anticipated shows of the year but also the one that delivered the most. Opening for the Brooklyn art-rockers was Montreal’s TuneYards, an act of whom I had been beating myself up for missing since May of this year. Not only did TuneYards front woman Merrill Garbus steal the show but she left me speechless, literally with my jaw down and staring at the stage in complete awe. Garbus’ use of looping vocals and instruments built an incredible room of sound that just blew everyone away, sending the crowd into a paralyzed state of disbelief or in a crazed state of dancing. The Dirty Projectors were equally as mind-blowing, giving yet another amazing performance of unbelievably flawless vocals (delivered by Angel Deradoorian, Haley Dekle and Amber Coffman – hailed as the Mariah Careys of indie-rock) and some of the tightest, most astonishing musicianship today. Can’t appreciate a band like the Dirty Projectors? See them live; almost guaranteed to convert even the coldest of indie hearts. Hands-down, the best show of 2009 from the best pairing of artists.

2. Broken Social Scene @ Harbourfront – July 11

I think it’s apparent from my list last year of best shows that I’m a fan of Broken Social Scene. Always was, always will be. So it really shouldn’t be shocking that my favourite Toronto collective is back on this list this year. Unfortunately I had missed BSS at Harbourfront back in 2004 but thanks to the cancelation of this year’s Olympic Island festival (regularly held by the folks of BSS), the band returned to the Sirius Satellite Radio Stage for a free show…yes, free. Needless to say, the place was packed, all the way to the edge of the water; I’m sure if people were desperate enough, they’d be watching the show on a boat. But it wasn’t because this was a packed show or because it was free that won me over; the spectacle of a Broken Social Scene show that wins me over every time is the band itself. And in this instance, we were all treated to a reunion of the lead female vocalists (Amy Millan, Emily Haines and Leslie Feist) and what ensued was clearly the best performance the band has given in a very long time. Hearing from several members days, weeks, even months after the show, they knew it was a magical moment that night and the most important thing is that everyone had fun. And what’s a show without an equal amount of great musicianship and fun. (video by staff photographer, Stephanie Luong)

3. Yeah Yeah Yeahs @ Kool Haus – August 5

Okay I’ll admit, Karen O is my idol and I kind of worship the Yeah Yeah Yeahs. So yes, I’ve been waiting for this show for many, many years. But don’t get me wrong, if this show sucked, it wouldn’t have made this list. The Yeah Yeah Yeahs are known for their highly energetic performances and that is exactly what I got. Lead singer Karen O is one of the most entertaining musicians I’ve ever seen onstage, running frantically around (in her signature Christian Joy costume), even lending the mic to the audience during “Cheated Hearts”. One thing I remembered thinking throughout the night was “Man, she just doesn’t stop smiling. I love it!” Underneath the wild leather jackets, capes and makeup, regardless of where you are in the venue, you can see the sincerity in Karen O’s face. Guitarist Nick Zinner still remains to be one of the best guitarists I’ve ever seen and even though Karen O takes centre stage, Zinner and drummer Brian Chase were the musical gems of the night. Albeit it was at a venue I’m not crazy about but for the Yeah Yeah Yeahs, I’d even trek to the Sound Academy. On a sidenote, I went to this show injured; that’s how much of a fan I am of this band. I went with a busted ankle and left limping (for several weeks, actually).

4. Everything All The Time, The Magic, The Balconies @ Horseshoe – August 26

Could that line-up be any more awesome? Three of my favourite local acts under one roof, I’d kill to see this line-up again and again. As much as big extravaganzas at the Kool Haus or Harbourfront were amazing, a show like this one, celebrating the release of Everything All The Time’s EP, was just equally as incredible. It almost goes without saying anymore that I love the Balconies and both live and on record, they consistently blow me away. This show marked the first time I finally got to see them live and they didn’t disappoint. Strong dynamics and vocals between brother-sister duo Steve and Jacquie Neville, backed by the drumming talents of Liam Jaeger, it is almost alarming how talented these guys are for such a young band. I think Bob Battams of It’s Not the Band I Hate Its Their Fans says it best: “Their debut album encapsulates a brave form of ambition that most bands save up for their third or fourth album. This means that, in theory, their third or fourth album is going to be the greatest thing ever.” The Magic, another band I’ve consistently watched throughout the year, is just packed with a ridiculous roster of talent and onstage, they’re a band that I want to see more of every time. Everything All The Time has seriously become on of my favourite bands of the year. Their unique brand of electro-pop meets Diana Ross is infectious and nothing makes me happier than listening to the band’s EP. From playing a headlining show at the Horseshoe to opening for Thunderheist at the Mod Club, EATT never disappoints.

5. Think About Life @ everywhere – throughout the year.

I’m breaking the rules for this one. Think About Life is quite possibly one of the most exciting, most exhilarating and most fun bands I’ve seen in years. These guys are just so phenomenal live that I couldn’t pick out one specific show of theirs I fell in love with because to be honest, I fall in love with them every time I see them. From confetti to balloons, these guys pull out all the tricks live but it doesn’t come off as cliché, in fact it heightens every performance to a new level and you really just feel like you’re part of the party. If you go to a Think About Life show and you don’t dance, you have no soul. Okay, that’s a little harsh – you have a soul; there’s definitely something wrong with you though. How does one not dance to Think About Life? I need some serious answers.

6. No Shame 100 feat. Green Go, Ruby Coast, Pick A Piper, The Skeletons Four @ Horseshoe – September 18

This show was literally one of the best parties of the year. Great music, great people, an amazing and lovely promoter – what more can you ask for? Green Go was, without a doubt, the band of the year for me. I had voted Green Go number one for my list of ‘Hottest Bands in Canada ’09’ for i(heart)music but seeing as how they somehow didn’t make it on the list, here’s my little blurb about them:

“Rarely do I discover a band that I can watch and listen to over and over again without getting sick of but Green Go definitely has a spot on that list. Having seen them seven times in 2009, I’m still left wanting more as the band just gets better with each performance. With the release of their debut album, Borders and a slew of tour dates everywhere across the country, this was clearly the year of Green Go. Simply put, the hottest Canadian band of ’09 – and deservingly so.”

7. Timber Timbre, Emma McKenna @ Church of Redeemer – July 17

I’m a big fan of church shows and you couldn’t get more perfect than having Timber Timbre play at the Church of Redeemer this year. The entire evening was a subdued, relaxed affair and even though energetic shows can be fun and exciting, I find shows like this one equally as exciting and enjoyable. Taylor Kirk’s hauntingly beautiful voice, backed up by a band which included Forest City Lovers violinist Mika Posen filled the room remarkably well. Every song crept around the church in a slow, almost mesmerizing manner. It’s almost impossible for me to Timber Timbre in any other type of atmosphere anymore.

8. Beirut, The Dodos @ Phoenix – July 9

This was my first time seeing Beirut and The Dodos and since this was a last minute opportunity to see both bands, I almost died of excitement. I almost prefer the Dodos live as opposed to on record because seeing the dynamics and musicianship of lead singer Meric Long is great. As for Beirut, I’m still pretty speechless from their live performance. Just watch the video below and tell me you’re not in love with Zac Condon. (You can’t do it!)

9. The Singing Lamb Launch Party feat. Hexes & Ohs, The Winter Gloves, Green Go, Sports The Band, Maylee Todd @ Tranzac – January 10

You didn’t think I’d forget this one, did you?

***

Honourable mentions to: Parlovr, Diamond Rings, Bruce Peninsula, The Happiness Project, Ruby Jean & The Thoughtful Bees, The Rural Alberta Advantage, Thunderheist, Jenn Grant, Katie Stelmanis, The Ruby Suns, Julie Doiron, Ume, Woodhands, and Olenka & The Autumn Lovers.

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Beirut @ Phoenix – July 9, 2009

July 10th, 2009 | By: Melody Lau

Photo Credit: Ryan O'Shaughnessy

Photo Credit: Ryan O'Shaughnessy

“A hot show is a good show!”

As Zach Condon and company walked back onstage for a three-song encore which featured the crowd favourite “Nantes”, bassist Paul Collins couldn’t have said it better. It was a hot show and yes, chances are if you were standing amongst the hundreds of fans on the floor of the Phoenix Theatre, you were sweaty to some extent, but damn it, it was a good show.

Playing alongside Beirut at the Phoenix on Thursday night were San Francisco’s The Dodos, who brought along a full set of new songs from their upcoming album Time to Die. Energetic, enthusiastic and refreshing, the Dodos’ set was albeit short but fantastic. Their lack of old material in their set did confuse some and made it more of a stand-and-observe experience but many seemed to embrace the new tracks with smiles and mild dancing. The briefness of the set did leave one wanting more though; for a more enriching live experience of the Dodos one must check them out when they return to Toronto in October at Lee’s.

By the time the Dodos finished, the venue was packed. Chattering of anticipation was at a high, which became the issue once the band came onstage. As a side note to the show itself, which was phenomenal and I will get to in a second, the chit chat was the low point of the night. Folks – we came to hear Beirut; not to hear about your latest work problems or your relationship issues. Its common courtesy to keep your mouth shut while the band is playing. But given the fact that this show took place at the Phoenix, it was almost expected, but still annoying. I’m sorry, but shut the fuck up.

Back to the show…

The second Zach Condon walked onstage, the venue erupted. Condon possesses a presence and maturity beyond his actual age (the man is only 23 years-old) and it shows with every movement onstage, from his modest smiles to his transcending hand swoops, counting the beats as if he was orchestrating the whole band. The former feature, the smiles, made the show that much more enjoyable as Condon rarely let that smile fade throughout the set. It’s nice to see a musician like him, who gets misconstrued often as a serious person smile and generally just look like he’s having a good time on stage. Even though the frustrations of being a short girl in a crowd got to me at moments, that earnest smile made it worth while.

Crowd pleasers, “A Sunday Smile” and the aforementioned “Nantes” drew some of the loudest applause and sing-a-longs, as everyone swayed back and forth to the joyous, grandiose spectacle. Hearing Beirut live breathes not new but just a more vivacious life into every song and the live energy projected by the band is too infectious for words. Even if Beirut doesn’t sound like a band you’d dance to, feet were a-tapping and bodies were moving to every beat. Chit-chat aside, this was a near-perfect show. So good, I was almost unable to return to Beirut on record afterwards. But until next time, I guess I have to rely on the records…and YouTube.

For more Beirut,
MySpace: http://www.myspace.com/beruit
Website: http://www.beirutband.com/

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Let’s Chat: Beirut

July 9th, 2009 | By: Melody Lau

Zac Condon

Zac Condon

The Singing Lamb: As we all know, you’ve recently released a double EP (March of the Zapotec/Holland) so obviously the question is: where is the LP?

Zach Condon: Where’s the LP? That’s a good question. The double EP was kind of like cleansing the palette. I just felt like I had all this noise going on in my head after The Flying Club Cup and I just had these really ridiculous kind of left-field ideas going on that I just couldn’t write a full album of either of them so the EPs were just a really good way to purge myself for that. And now, after these next couple of tours are done, Canada and Europe and then, actually Brazil, which is exciting, I think I’m going to lock myself away this winter for six months. Not like wood cabin style or log cabin but probably get away from the city. Trust me; I’m as eager to do this as people are to listen to it, hopefully. I actually go nuts if I haven’t recorded in a long time!

Have you put any thought into it yet? Where it’ll be recorded? Have you written anything?

I’ve been playing around with ideas but I can’t write on the move. If I know anything’s coming up in the future, especially tour dates and stuff, which is fine; I actually like tours and I like shows, but if I know that’s coming up, it’s like a complete and utter mental block. I can’t do anything. You never actually know until you sit down.

There was an electronic sound that was introduced on your recent release.

Oh, that’s just old stuff. That’s from when I was really young.

Do you think any of that electronic sound will make it into the new album?

Maybe if I found a really good analog Moog or something, I don’t know. It’s funny because I was doing a French interview once and the guy was like, ‘You’ve scared a lot of people and fans! They think you’re going to go like, disco-tech or something!’ and it’s like, so what if I did; that’s awesome. But no, that’s not in my plans. Not really. And besides, that was old stuff. The big story behind the EPs was like I said – I had this kind of, what I felt to be like an extreme idea of going down and recording a traditional brass band playing my music. But then at the same time, I was having this identity crisis. Like, ‘Wow, I’ve gotten so far away from where I started as a fifteen-year-old kid in this bedroom,’ and so the whole time I was in Mexico, I was kind of obsessively listening to – and this is not like a crazy thing – but I was actually listening to my old stuff obsessively. Like recordings from when I was 15 and 16 that I had unearthed at home. And was like trying to connect the dots in my head, like it was kind of an identity crisis – which is fine, you’re allowed to have that from time to time – but yeah, that was just mostly putting it all out there on the table for everyone to hear, if anyone was curious and I feel like now I can move ahead a little more!

You did start when you were relatively young and you’re not even 25 years old yet! Do you feel like a veteran now?

Yeah, it’s funny right? I feel like an asshole sometimes because I’d be like, ‘Oh, my back!’ or something and like, ‘Oh I’ve done this so many times!’

Ha! Have you ever put any thought into what you’d be doing in 5-10 years then?

5-10 years? Oh shit, um early retirement? I don’t know. Probably the same shit as usual. I don’t have any grand plans; I’m not really good at that!

Would you ever retire at the age of 30?

Oh completely! I’d still write stuff but I probably just wouldn’t tour very vigorously or stuff like that. I just know that that person is in me, that cranky old man, and it needs to rest. So yeah, retirement by 30 is quite understandable.

What’s with your obsession with brass instruments?

They’re shiny and they’re loud! That’s probably as deep as it goes. But I mean, there’s more to it than that in my life. The original attraction, I grew up in New Mexico so there’s mariachi everywhere and that shit is impressive live, I mean it really, really grabs you. I remember finding it more impressive than going to a local punk show. That’s what every kid wants – it’s shiny, it’s loud, it looks cool and it sounds great. It’s so vocal, it’s so personal, the trumpet. I imagine the violin is probably very similar but trumpet, brass and violin and strings – they’re just instruments that are so personal and that’s what makes them so awesome in my head.

And of course, you even have them tattooed on your wrists.

Yeah, I got these when I was 21 actually.

Tattooing wrists hurt, man!

You know what sucked for me is that I have a metal plate right there and so when he was doing the horn, it started to vibrate the metal plate and I can feel it shaking up my arm, and I was like, ‘Something’s not right!’ But we did it anyway.

Yeah, that wrist injury gets mentioned quite frequently in the press. I’ve got to ask: are you accident prone?

Ha! Well I grew up skating, actually and so I was in and out of the emergency room a lot as a kid. What’s funny was that I think my mom was more calamity! People called her Calamity Anne because she’s always getting injuries. But no, yeah I was incredibly accident prone. I fell off shit, I skateboarded, got into dumb accidents, shit like that.

You skateboarded?

Yeah, obsessively. When the injury happened, I stopped skating completely and I sometimes feel like that was when the major transfer to music kind of happened.

So if you didn’t have the accident, would you have wanted to become a pro skateboarder?

I would’ve wanted to be! That was my childhood dream! And not to get all ‘surfer bro’ on you, but like I do find it to be like a really impressive way to spend your life; like a really impressive sport.

What was the worst touring accident you’ve ever had?

Let me think…I think I broke my brain on one tour; that was the worst injury I’ve ever had on tour. You don’t really injure yourself on tour…well that’s not true. Oh shit. You know what’s better than any of my injuries is my drummer, Nick. Okay so this one tour, I decided to bring this one skateboard on tour. I don’t skate anymore but I do kind of roll around and I thought it would be a good way to blow off some steam before shows. But right before this Cleveland show, Nick Petree jumps on the board. He’s never been on one before, well maybe he’s touched it but you know, he’s obviously not a skater and he’s kind of joking around on this wooden floor inside the venue like, ‘Haha look at me! I’m skating!’ and then he flips and cracks his skull open, right above his eye! It swells up to the size of a golf ball, maybe bigger and it was just kind of squirting out blood like one of those nasty horror films and he was just staring at us like, ‘Is it bad? Is it bad?’ and we were like, ‘No, no it’s fine, Nick! You’re looking good!’ They ran him to the hospital, we did sound check and I think I played drums – which I suck at! – and he actually played the show that night but there are some funny pictures of him and a giant swollen eye and a big patch. That’s probably the worst injury on tour, of any of us.

Do you bring your skateboard on tour anymore?

Absolutely not. No.

I’m always curious when it comes to musicians – do you read your own reviews? Or do you block out all media?

I guess it depends on the mood, really. If you’re feeling self-conscious sometimes then yeah, definitely don’t fucking read the reviews. When I started out, I did a lot because it was just so much to take in and now I don’t. I always read the Pitchfork reviews because I’m curious on how they’ll weigh in on things. I’ll read print magazine reviews because it’s just cool to see it on paper and it’s just so permanent; you know, there are a few big things that I might check out. Other than that, I definitely cut myself off. I guess I don’t want to hear much anyway!

Do you regularly read Pitchfork and blogs like that?

I don’t but I do check in when my friends are on it. As a kid, I read it a lot. When I was 15, yeah – it helped me discover a lot of bands; I’m not afraid to admit it!

Of course we’re in Toronto and so I must bring up your friend, Owen Pallett. Is he going to be at the show tomorrow night?

I wish! We just saw him in New York, actually because he’s mixing and mastering some stuff that he’s working on in New York with, ah fuck forget his name…the producer, but anyway, he’s there right now which is unfortunate but we’re going to meet up for the Pitchfork Festival.

Has it ever hit you that you guys sounded alike, vocally?

Yeah, you know I didn’t think so but he sang on that song on The Flying Club Cup, “Cliquot” and then everyone was like, ‘Sing Cliquot live!’ and I was like, ‘I can’t!’ It just goes right above my range in this weird way that Owen can hit and I can’t. I don’t know; I just realized it when 90% of people had gotten it completely wrong but that is interesting.

Yeah, it hadn’t hit me either till recently when I was listening to The Flying Club Cup with friends. I turned to them and said, “Man, I love that song with Owen Pallett on it,” and they turned to me and said, “Owen Pallett’s on this record?!”

Ha! He’s all over the damn thing! Singing just on the one though. There comes a point in recording your album where you just get sick of hearing your own voice. Like seriously, how many times can I drone on my songs!

You should just hire Owen to sing all the tracks on your next record; no one will notice.

Yeah, right! That would be funny. Oh man, sometimes I wish I could do that; recording vocals is beautiful and rewarding but can be very intense and that’s where the true self doubt starts to settle on things. Well, it’s like you can listen to this digital voice recorder afterwards and hear yourself and be like ‘Oh I sound so nasal’ – same thing for recording vocals. You just think it sounded great and it sounds awful and you’ve got to go back and do it again.

Yeah, I was just working on my Dodos interview and I thought I sounded terrible!

Oh cool, yeah I just met them recently!

Yeah, it’ll be your first time playing together tomorrow, correct?

Is it? I’m so in the dark about the shows we’re playing sometimes! I don’t even know the venue we’re playing and it’s not because I don’t care or because I’m some kind of jaded rock star, it’s just I’m so fucking so unorganized in my life, it’s amazing. I roll out of bed and they’ve got to tell me where to be!

Is your house just as unorganized?

Oh god, it’s a fucking mess! Which sucks because it’s a really nice place; it’s probably the first place I’m proud of being in because it’s actually decent; it’s next to a park and nice stuff like that and yet it’s trashed. It looks like a fucking frat house, it’s horrible. I need a life assistant more than anything!

Ha! Okay last question: if you were a singing animal, what would you be?

Well there are a couple of answers for that. I speak French pretty well but for years and years I just spoke with a really good accent and really horrible grammar and I just realized that it wasn’t because I was really good with languages, I’m just really good at mimicking people so I’d be like a parrot or something. I’m just really good at mimicking people, like if I hang around them too long.

But other than that, I don’t know. A donkey.

Why?

Because they sound funny and they have sad eyes. I like them! I fell off a horse in Morocco and now I’m scared shitless of horses but I really like donkeys because they’re so peaceful in comparison. I wouldn’t say I sing like a donkey, I just like them!

For more Beirut,
MySpace: http://www.myspace.com/beruit
Website: http://www.beirutband.com/

Be sure to catch Beirut tonight at the Phoenix! This is a sold out show!

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News Update!

June 17th, 2009 | By: Melody Lau

Modest Mouse

Modest Mouse

Good news, Modest Mouse fans – the band’s back on tour and they’ll be stopping in Toronto, at the Sound Academy on August 21st! Tickets will be on sale on June 20th at 10:00 am for $30.00. This is an all-ages show. Stream their new song, “Autumn Beds” here now!

Regina Spektor will also be returning for her first show in Toronto in a year at the Sound Academy on September 16th, with openers Little Joy. Her new album, Far will be out on June 23rd.

White Lies, with openers Still Life Still will be at the Phoenix on September 28th. This is an early show (doors @ 6:00 pm, show @ 6:30 pm), tickets are $20.00, and this will be a 19+ show.

Asobi Seksu and Lonely Dear are returning to Toronto, together this time, at the Horseshoe on October 12th.

Other Show Announcements:
Octopus Project @ Lee’s (July 28th, $8.50, 19+)
Cursive @ Horseshoe (August 1st, $15.50, 19+)
The Pains of Being Pure at Heart, Cymbals Eat Guitars, The Depreciation Guild @ Horseshoe (September 7th, $12.00, 19+)
La Roux @ El Mocambo (July 31st, $12.00, 19+)

Colin Medley from the National Post does a “Soundcheck” with Dog Daywatch here!

Jenny Lewis has a new video out for “Black Sand” - watch here.

Beirut also has a new video out for “The Concubine” - watch here.

Woods have a new video for “To Clean” - watch here.

And to cap off our new videos list, Joel Plaskett also has a new one out for “Through & Through & Through” -watch here!

Won’t be attending NXNE this year? Listen to it live via NXNE LIVE! Click here to see the schedules and tune into the shows in the comfort of your own home!

And last but not least of course, the long list for the Polaris Music Prize was recently announced! View the listhere What do you think?

ATTN: The blog section won’t be updated in the next couple of days due to NXNE. But please check out the ‘Features’ section for plenty of interviews and reviews on the festivities!

Happy listening!

Musically,
Melody

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