Posts Tagged ‘arts and crafts records’

Let’s Chat: Amy Millan

July 27th, 2009 | By: Melody Lau

Amy Millan live @ Harbourfront

Amy Millan live @ Harbourfront

The Singing Lamb: So you have a new album coming out! Tell me about it!

Amy Millan: It’s very gentle. There’s a lot of times where you have these very fun epic nights and you go to the bar and you’re out and the music’s pumping and you’re dancing, you’re having such a great time with your friends and then you end up back at somebody’s house for the after party – there’s just kind of this time that’s right before you’re supposed to go to sleep but you kind of want to have one last little party or something – it’s kind of for that time. I just imagine listening to it at three o’clock in the morning would be the best. And also for my friends who just had children who are breastfeeding. So it’s for three o’clock in the morning or breastfeeding!

Ha! You should put that as a warning label on your CDs!

Ha yeah!

So is there any relevance between the first and second record?

Well Dan Whiteley is heavily showcased so he was a big person on my last album. I was very confused between kind of my love of old country music and pop music and so I think what happened was I ended up merging to have it become one. So the gentleness is there but it’s not really country and it’s not really pop. I was really scared when I made my last record because it was my first record and I had never done it but for this record I felt that I was really going to utilize the people around me. So some horn sections and some string sections…it’s a lot more layered, I think.

Is this record as country as the first one?

There’s one straight up country song; it’s the very last song on the album. Kevin Drew was like, “I’m really glad you have it because it’s like, ‘I’m still here.’” It’s still a part of me but it’s hard to explain…it’s gentle.

How has your time with other successful bands such as Broken Social Scene and Stars influenced your solo work, if it has?

Well I think when I made my first record I had written a lot of songs leading up to that and I hadn’t been in a pop band so I had this need to make pop music. I didn’t have that on this record. I didn’t need to make a song like “Headsfull” for instance. I don’t know if “Headsfull” was perfectly fit on that record; it feels kind of loud and like the ruckus but I kind of had anxiety that if I didn’t have a little bit of ruckus something would be missing, and I lost that anxiety for this record because I have two massive pop bands that I’m in, like big bands. And they’re quite loud so that squashed…or I should say quenched? It quenched my thirst for pop music so I was really able to dedicate myself to the softer side of music that I love.

Speaking of Stars, what’s the update on the band? How are you guys?

It’s great! We’re back in the studio, writing. Torquil just had a baby!

Yes, congrats to Torquil!

Yeah, she’s just going to be two months in August! The boys have been back at it; Patty, Chris and Evan have been writing some great music and we actually have four songs recorded and finished. Kind of exciting! The record should be out in the spring.

I also hear that you used to be in a band called Edith’s Mission with Emily Haines?

That was our first band ever! If you’ve seen the book (This Book is Broken), there are some pictures of us playing in the band. Are you trying to get some secret copies of music? She’ll kill me, I can’t! You have to ask Emily, she’s the only one. They’re pretty buried! But it’s interesting because there are songs that we used to play like “Combat Baby”. We actually sang a form of that song together; that was one of the songs that we sang onstage together at the Horseshoe one night but she changed it and it became “Combat Baby” so it’s interesting that a lot of the songs that we had both written had started in Edith’s Mission and they just gradually morphed into different things. There are a lot of things that I hear in Metric that we had done together. We did win a contest; we entered this Q107 thing, we were in the top 10 – so if you’re going to search, that would be the way to go…

I’ll do some digging!

That would be the way to dig!

Do you get asked a lot for a Feist/Emily/Amy all-female trio?

It was such a great idea and I always thought that that would be something that we’d do when we’re older, you know kind of how Emmylou Harris and Dolly Parton came together when they were like fifty. I just think we’re all so busy right now that it’s incredible that we even got together for five seconds for that Broken show was an unbelievable lining of stars. But you know, she sings on my record – Leslie Feist – she came and sang on my album. More importantly, I would like for us three to be on the next Broken record and I’ll have a song with the three of us on that album. I think that would be something spectacular.

How’s that going so far? Recording for the next Broken Social Scene record…

Well they just started, right. They just started writing and Kevin’s going to mix down some of the stuff and he’s going to send it to all of us and I think that show that we just had two weeks ago really reignited something for him about the core members of the band and how important it is, our chemistry and how we are together, and I think it definitely made him excited to bring it all together again. It’s just defeating sometimes when everyone’s so busy all the time but I think he was very happy with how he felt after he played that show.

I think everyone was happy!

Yeah it was really special! So hopefully that’s how it’s going to happen. There are euphoric ideas about the perfect way to live your life but it’s difficult sometimes. That’s why I think communes don’t really work. We’re as close to a commune as you’re going to get and I don’t know…the thought of it is so exciting to me that I will be truly disappointed if it doesn’t work. But we’ll see what happens!

So you’ve know Emily Haines and Kevin Drew since high school. What were your first impressions of them and do you still feel the same towards them today?

Well I met Em on the first day of school. I think that’s in the book, I met her on the first day of school going to music class and what was great was that we were both new and we started this high school in grade 11. It’s always weird when you go to a high school and then because people have already developed their friendships but luckily we went to the biggest nerd, geek-freak high school on the planet!

Etobicoke?

Yeah ESA, so it’s not like there was a lack of people being nice to us. It wasn’t some kind of nightmares, Heathers-kind of school or something. When I first met Kevin, he was quite a bit younger than me. You know at that time, when you’re that young, the difference between being in grade nine and grade twelve was pretty expansive so to me, he was a kid. He actually still calls himself ‘the kid’ which is hilarious because he’s like, “The kid needs a spoon!” and I’m like, “Dude, you’re so not a kid anymore but whatever.” But they’re magic people and I remember hearing Em sing for the first time on the second week that we met; we were in the practise rooms and she was playing piano. They’re just very, very, very funny. They’ve gotten better; it’s pretty great. Forgiveness, man! Because there are so many things – that’s the thing about friendships – is that people don’t realize that if you don’t forgive your friends, you’re going to end up lonely and we’ve done so many things to each other that could’ve destroyed our friendships and that should’ve destroyed each others friendships but we gave each other the benefit of the doubt and were like, “You’re hilarious, I don’t want to break up with you.”

How do you feel about the book being written about the band then? Because some have been pretty vocal about disliking the idea of This Book is Broken. Do you think it’s a good idea? And would you ever do something like that with Stars or yourself?

Well Stars is in that book, the book is about everyone. I mean I’ve definitely thought about writing a book about my experiences with Stars but it wouldn’t be the same as the story of how everyone came together. It would be more like road stories and the insane things that happen to you when you travel all over the place but…because there’s some good gossip in the Stars camp, believe me! I just might be at the heart of it…but anyway! What do I think of the book? I think it’s a little bit premature; I think that there’s a lot of stuff that’s not in the book that people didn’t foreclose…is that the word I’m looking for? You’re the writer…

Sure!

They didn’t come forth with a lot of information, a lot of the meaty stuff was kept quiet by me and a lot of people in the book and my favourite part of the book is the last thing that Kevin says which is that you can’t ever understand from a book. It’s pretty great from the photographs and it’s awesome to be in a book; it’s kind of cool, kind of a compliment. That’s the thing with Andrew, he’s a very eccentric person and he doesn’t give a shit about any of that stuff; he isn’t a nostalgic person. But I’m not a nostalgic person; I never want to be somewhere in the past. I’m always excited about what’s in the future but it’s a good story and I think it was done well…it sort of feels weird. You kind of look at it and kind of feel like you’re dead or something. I kind of wished that they may have waited a bit longer but that’s the thing that happens with Broken; Broken is this crazy machine that no one has the reins of. But all of a sudden Stuart said, or his brother said, “You know, we should do a book!” and they’re like, “Yeah, yeah that’s a good thing,” and all of a sudden Kev says it’s a good idea but he doesn’t realize how things are actually going to happen. Like he wouldn’t even do an interview for the book till the very last day that Stuart was writing the book! It’s just this kind of chaos that somehow pulls itself together.

Wow. So I hear that you used to hitchhike? What was that about?

I hitchhiked once on New Years Eve. I was 18 and we wanted to go to the bars because you’re old enough to drink in Montreal. It was very strange, first off it was hitchhiking in the winter – not always the best idea – but we had no money and we were very broke and I remember telling my mom, “Oh yeah, a bunch of us are just going to drive…” So then we met on the 401 it was called “thumbs up road trip” and it was me and two females and two guys and they’re very good friends and we’d split up and we didn’t even have cell phones so we were like, “Okay, let’s meet at Licks in Kingston and see how we do. The next day we ended up in Montreal! The best was coming home because we went and it was crazy; crazy Montreal times and when we were coming home we had no money left. We had nothing. I basically hade 75 cents to try and get on the subway because I was like, ‘”I’ve got to be able to get on the subway when I get back to Toronto!” We weren’t actually outside of Quebec yet and I don’t know if you know but Ontario’s pretty close, it’s about an hour before you get into Ontario from Montreal but we weren’t even there yet and this guy pulls over and he’s got his low-riser car, he’s got the dice in the mirror, he’s got this big hippie knit hat, he’s got dreadlocks and was like, “Hey where are you guys going?” and we’re like, “We’re going to Toronto!” and he says, “Me too, I’m going to Spadina station, get in!” We couldn’t believe our luck! He was telling us how he went out with the woman Susan, that Leonard Cohen song was written about and he was like “That woman, Susan, she was my girlfriend, she was a wild woman!” and telling us all these stories and he had weed and was like, “Wanna smoke some weed?” and he bought us all lunch in Kingston so…not that I’m saying hitchhike, because I would never do it now and if I had children, I’d kill them; but we got lucky.

Ha! That’s a good story. Could’ve been in the book…

Ah, see what I mean! Well what are you going to do! Emily said things in the book that I didn’t know she had said until I read the book and I was like, “Why didn’t Stuart ask or say, “Emily said this, do you have any comments?” because we didn’t know what everyone else was saying so it was like what are we all divulging here? How much info are we all giving away? So it felt like Stuart could’ve probed a little bit more. But maybe its better that the secret stays.

Well it’s a surprise too for you too when you read it then.

Yeah but there’s even more surprises. Maybe we’ll tell the real story in another ten years!

Hopefully! So this is you second time playing Harboufront Centre. What is it about the venue that you like?

I think it’s the best. It’s the best thing about Toronto. Toronto’s had such a shitty summer; the weather’s been terrible, the garbage strike’s been on, the ferry strike’s been on so it’s actually kind of the last vestige of something positive going on in the city to me right now. It’s a magical place and to be able to look out at the water and not have the stress of selling tickets and you know, it’s just free! And no Toronto guestlist nightmare and you’re like, “No, its just free!” Anybody can come and it’s great. For Broken it was a bigger deal because they cancelled the island show and blah blah blah, but a lot of people might not know my solo stuff so it’s a chance for people to just wander down to the waterfront, the beautiful waterfront and hear some songs they might not have otherwise heard.

You’re originally from Toronto but you live in Montreal now. Anything you miss here?

My mom’s house! I miss my family and I have lots of really great friends here; I miss having eggs with Kevin and calling my friend Cathy and walking her dog. It’s people more than specific places. And the language barrier is a little bit difficult so its easier here. If I have to find a sink or something I can call Johnny at the Jet Fuel and I know he’ll set me up with the coolest sink maker in the country. But I absolutely love Montreal. Evan and I just bought a house we’re renovating it right now so it’s completely gutted and pretty exciting. Building our little French home!

How did you feel when you first moved there?

I kind of enjoyed not knowing what people were talking about on the street. When I’m on the streetcar here in Toronto, I hear, [imitating the voice of an annoying teenage girl] “Oh my god, that Susan came home and she had this purse and it was so ugly!” and you’re trying to read the newspaper. But when I’m there its like [mumbles fake French] and you can imagine that they’re talking about the most romantic thing ever rather than hearing about someone’s bad date or something. Chris is trying to take French lessons. I used to be fluent when I was a kid so it’s in there somewhere but it’s pretty generous with the language, you know if you’re struggling most people will help you out. Everybody’s trying to work it out. I just want to get a piece of chicken…poulet. poulet sil vous plait!

At least you have a buddy now; Andrew [Whiteman] just moved there!

Ohhh I know! Isn’t that amazing! It’s a coup! I feel like it’s such a coup because I set him up with my girlfriend and now they’re getting married!

Aw, that’s so sweet!

I was like, I’ll introduce him to this girl and then he’ll move here and it’ll be totally amazing and then we’ll have him and then we’ll play bridge until we’re 80 years old.

It’s worked out so far!

Totally.

So on a different note, I just wanted to let you know that you have a very dedicated base of fans…

Well that’s nice!

Definitely! And they’ve kind of created something called the “Church of Amy Millan”.

What would Amy do! Ha! Well that’s very unbelievable; that’s nice to know. I’ll think of that when I’m lonely and depressed.

Well now you know someone’s praying to you every night!

That’s nice! That’s incredible and I don’t take it lightly. I hope I deserve it.

Well you do!

Thank you, Melody!

Okay, second last question: favourite drink?

Well I love wine. If I was to tell you a specific wine…it all depends on what I’m eating because to me, wine isn’t a drink, it’s also food. So if I’m having an Italian meal, if I’m having a big spaghetti or something, I want an Italian wine. If I’m having maybe something like a fusion of French like having a steak or something I can pull out a Californian wine. The best thing about drinking wine is that there’s so much to learn and there’s so much going on in the world of wine and so much to experience. I actually don’t really drink it on the road anymore because it’s a sacred time for me; this is a wonderful sacred moment I’m having with you! Mondovino! If you want to learn about wine, it’s a documentary it’s called Mondovino and it’s about the politics of wine and what’s happening with new world and old world wines. There’s just such a history and it’s an incredible, expensive habit that I’d love to get into but I’m lucky I have a sweetheart who enjoys it with me.

Aw! Okay finally, if you were a singing animal, what would you be?

Well it’s funny, you now when you do that with your friends, like if you were an animal what would you be – singing animal, we never really do but we do play that game. My best friend Sheila Malhurn who I was hitchhiking with that time in Montreal, we were talking about what animals and I was like, “What about me? What animal would I be?” and she looked at me and was like, “well I think a skunk.” and I was like, “A skunk?!” and she said, “Skunks are cute, Amy! There’s nothing wrong with skunks!” So I guess I don’t know…a skunk?

But I was thinking if I can hear any animal sing, the coolest one would be a giraffe! What do you think it would sound like? To take from its heart to its throat, like the sound would travel up that crazy neck? I would love to hear what a giraffe would sound like singing but I don’t think I’m anything like a giraffe; my neck is really short and I don’t really have a chin.

For more Amy Millan,
MySpace: http://www.myspace.com/amymillan

If you missed out on her recent show at Harbourfront Centre, be sure to catch her when she returns on October 14 for a show at the Mod Club with Bahamas! Tickets on sale now for $15.00!

Amy Millan: It’s very gentle. There’s a lot of times where you have these very fun epic nights and you go to the bar and you’re out and the music’s pumping and you’re dancing, you’re having such a great time with your friends and then you end up back at somebody’s house for the after party – there’s just kind of this time that’s right before you’re supposed to go to sleep but you kind of want to have one last little party or something – it’s kind of for that time. I just imagine listening to it at three o’clock in the morning would be the best. And also for my friends who just had children who are breastfeeding. So it’s for three o’clock in the morning or breastfeeding!

Ha! You should put that as a warning label on your CDs!

Ha yeah!

So is there any relevance between the first and second record?

Well Dan Whiteley is heavily showcased so he was a big person on my last album. I was very confused between kind of my love of old country music and pop music and so I think what happened was I ended up merging to have it become one. So the gentleness is there but it’s not really country and it’s not really pop. I was really scared when I made my last record because it was my first record and I had never done it but for this record I felt that I was really going to utilize the people around me. So some horn sections and some string sections…it’s a lot more layered, I think.

Is this record as country as the first one?

There’s one straight up country song; it’s the very last song on the album. Kevin Drew was like, “I’m really glad you have it because it’s like, ‘I’m still here.’” It’s still a part of me but it’s hard to explain…it’s gentle.

How has your time with other successful bands such as Broken Social Scene and Stars influenced your solo work, if it has?

Well I think when I made my first record I had written a lot of songs leading up to that and I hadn’t been in a pop band so I had this need to make pop music. I didn’t have that on this record. I didn’t need to make a song like “Headsfull” for instance. I don’t know if “Headsfull” was perfectly fit on that record; it feels kind of loud and like the ruckus but I kind of had anxiety that if I didn’t have a little bit of ruckus something would be missing, and I lost that anxiety for this record because I have two massive pop bands that I’m in, like big bands. And they’re quite loud so that squashed…or I should say quenched? It quenched my thirst for pop music so I was really able to dedicate myself to the softer side of music that I love.

Speaking of Stars, what’s the update on the band? How are you guys?

It’s great! We’re back in the studio, writing. Torquil just had a baby!

Yes, congrats to Torquil!

Yeah, she’s just going to be two months in August! The boys have been back at it; Patty, Chris and Evan have been writing some great music and we actually have four songs recorded and finished. Kind of exciting! The record should be out in the spring.

I also hear that you used to be in a band called Edith’s Mission with Emily Haines?

That was our first band ever! If you’ve seen the book (This Book is Broken), there are some pictures of us playing in the band. Are you trying to get some secret copies of music? She’ll kill me, I can’t! You have to ask Emily, she’s the only one. They’re pretty buried! But it’s interesting because there are songs that we used to play like “Combat Baby”. We actually sang a form of that song together; that was one of the songs that we sang onstage together at the Horseshoe one night but she changed it and it became “Combat Baby” so it’s interesting that a lot of the songs that we had both written had started in Edith’s Mission and they just gradually morphed into different things. There are a lot of things that I hear in Metric that we had done together. We did win a contest; we entered this Q107 thing, we were in the top 10 – so if you’re going to search, that would be the way to go…

I’ll do some digging!

That would be the way to dig!

Do you get asked a lot for a Feist/Emily/Amy all-female trio?

It was such a great idea and I always thought that that would be something that we’d do when we’re older, you know kind of how Emmylou Harris and Dolly Parton came together when they were like fifty. I just think we’re all so busy right now that it’s incredible that we even got together for five seconds for that Broken show was an unbelievable lining of stars. But you know, she sings on my record – Leslie Feist – she came and sang on my album. More importantly, I would like for us three to be on the next Broken record and I’ll have a song with the three of us on that album. I think that would be something spectacular.

How’s that going so far? Recording for the next Broken Social Scene record…

Well they just started, right. They just started writing and Kevin’s going to mix down some of the stuff and he’s going to send it to all of us and I think that show that we just had two weeks ago really reignited something for him about the core members of the band and how important it is, our chemistry and how we are together, and I think it definitely made him excited to bring it all together again. It’s just defeating sometimes when everyone’s so busy all the time but I think he was very happy with how he felt after he played that show.

I think everyone was happy!

Yeah it was really special! So hopefully that’s how it’s going to happen. There are euphoric ideas about the perfect way to live your life but it’s difficult sometimes. That’s why I think communes don’t really work. We’re as close to a commune as you’re going to get and I don’t know…the thought of it is so exciting to me that I will be truly disappointed if it doesn’t work. But we’ll see what happens!

So you’ve know Emily Haines and Kevin Drew since high school. What were your first impressions of them and do you still feel the same towards them today?

Well I met Em on the first day of school. I think that’s in the book, I met her on the first day of school going to music class and what was great was that we were both new and we started this high school in grade 11. It’s always weird when you go to a high school and then because people have already developed their friendships but luckily we went to the biggest nerd, geek-freak high school on the planet!

Etobicoke?

Yeah ESA, so it’s not like there was a lack of people being nice to us. It wasn’t some kind of nightmares, Heathers-kind of school or something. When I first met Kevin, he was quite a bit younger than me. You know at that time, when you’re that young, the difference between being in grade nine and grade twelve was pretty expansive so to me, he was a kid. He actually still calls himself ‘the kid’ which is hilarious because he’s like, “The kid needs a spoon!” and I’m like, “Dude, you’re so not a kid anymore but whatever.” But they’re magic people and I remember hearing Em sing for the first time on the second week that we met; we were in the practise rooms and she was playing piano. They’re just very, very, very funny. They’ve gotten better; it’s pretty great. Forgiveness, man! Because there are so many things – that’s the thing about friendships – is that people don’t realize that if you don’t forgive your friends, you’re going to end up lonely and we’ve done so many things to each other that could’ve destroyed our friendships and that should’ve destroyed each others friendships but we gave each other the benefit of the doubt and were like, “You’re hilarious, I don’t want to break up with you.”

How do you feel about the book being written about the band then? Because some have been pretty vocal about disliking the idea of This Book is Broken. Do you think it’s a good idea? And would you ever do something like that with Stars or yourself?

Well Stars is in that book, the book is about everyone. I mean I’ve definitely thought about writing a book about my experiences with Stars but it wouldn’t be the same as the story of how everyone came together. It would be more like road stories and the insane things that happen to you when you travel all over the place but…because there’s some good gossip in the Stars camp, believe me! I just might be at the heart of it…but anyway! What do I think of the book? I think it’s a little bit premature; I think that there’s a lot of stuff that’s not in the book that people didn’t foreclose…is that the word I’m looking for? You’re the writer…

Sure!

They didn’t come forth with a lot of information, a lot of the meaty stuff was kept quiet by me and a lot of people in the book and my favourite part of the book is the last thing that Kevin says which is that you can’t ever understand from a book. It’s pretty great from the photographs and it’s awesome to be in a book; it’s kind of cool, kind of a compliment. That’s the thing with Andrew, he’s a very eccentric person and he doesn’t give a shit about any of that stuff; he isn’t a nostalgic person. But I’m not a nostalgic person; I never want to be somewhere in the past. I’m always excited about what’s in the future but it’s a good story and I think it was done well…it sort of feels weird. You kind of look at it and kind of feel like you’re dead or something. I kind of wished that they may have waited a bit longer but that’s the thing that happens with Broken; Broken is this crazy machine that no one has the reins of. But all of a sudden Stuart said, or his brother said, “You know, we should do a book!” and they’re like, “Yeah, yeah that’s a good thing,” and all of a sudden Kev says it’s a good idea but he doesn’t realize how things are actually going to happen. Like he wouldn’t even do an interview for the book till the very last day that Stuart was writing the book! It’s just this kind of chaos that somehow pulls itself together.

Wow. So I hear that you used to hitchhike? What was that about?

I hitchhiked once on New Years Eve. I was 18 and we wanted to go to the bars because you’re old enough to drink in Montreal. It was very strange, first off it was hitchhiking in the winter – not always the best idea – but we had no money and we were very broke and I remember telling my mom, “Oh yeah, a bunch of us are just going to drive…” So then we met on the 401 it was called “thumbs up road trip” and it was me and two females and two guys and they’re very good friends and we’d split up and we didn’t even have cell phones so we were like, “Okay, let’s meet at Licks in Kingston and see how we do. The next day we ended up in Montreal! The best was coming home because we went and it was crazy; crazy Montreal times and when we were coming home we had no money left. We had nothing. I basically hade 75 cents to try and get on the subway because I was like, ‘”I’ve got to be able to get on the subway when I get back to Toronto!” We weren’t actually outside of Quebec yet and I don’t know if you know but Ontario’s pretty close, it’s about an hour before you get into Ontario from Montreal but we weren’t even there yet and this guy pulls over and he’s got his low-riser car, he’s got the dice in the mirror, he’s got this big hippie knit hat, he’s got dreadlocks and was like, “Hey where are you guys going?” and we’re like, “We’re going to Toronto!” and he says, “Me too, I’m going to Spadina station, get in!” We couldn’t believe our luck! He was telling us how he went out with the woman Susan, that Leonard Cohen song was written about and he was like “That woman, Susan, she was my girlfriend, she was a wild woman!” and telling us all these stories and he had weed and was like, “Wanna smoke some weed?” and he bought us all lunch in Kingston so…not that I’m saying hitchhike, because I would never do it now and if I had children, I’d kill them; but we got lucky.

Ha! That’s a good story. Could’ve been in the book…

Ah, see what I mean! Well what are you going to do! Emily said things in the book that I didn’t know she had said until I read the book and I was like, “Why didn’t Stuart ask or say, “Emily said this, do you have any comments?” because we didn’t know what everyone else was saying so it was like what are we all divulging here? How much info are we all giving away? So it felt like Stuart could’ve probed a little bit more. But maybe its better that the secret stays.

Well it’s a surprise too for you too when you read it then.

Yeah but there’s even more surprises. Maybe we’ll tell the real story in another ten years!

Hopefully! So this is you second time playing Harboufront Centre. What is it about the venue that you like?

I think it’s the best. It’s the best thing about Toronto. Toronto’s had such a shitty summer; the weather’s been terrible, the garbage strike’s been on, the ferry strike’s been on so it’s actually kind of the last vestige of something positive going on in the city to me right now. It’s a magical place and to be able to look out at the water and not have the stress of selling tickets and you know, it’s just free! And no Toronto guestlist nightmare and you’re like, “No, its just free!” Anybody can come and it’s great. For Broken it was a bigger deal because they cancelled the island show and blah blah blah, but a lot of people might not know my solo stuff so it’s a chance for people to just wander down to the waterfront, the beautiful waterfront and hear some songs they might not have otherwise heard.

You’re originally from Toronto but you live in Montreal now. Anything you miss here?

My mom’s house! I miss my family and I have lots of really great friends here; I miss having eggs with Kevin and calling my friend Cathy and walking her dog. It’s people more than specific places. And the language barrier is a little bit difficult so its easier here. If I have to find a sink or something I can call Johnny at the Jet Fuel and I know he’ll set me up with the coolest sink maker in the country. But I absolutely love Montreal. Evan and I just bought a house we’re renovating it right now so it’s completely gutted and pretty exciting. Building our little French home!

How did you feel when you first moved there?

I kind of enjoyed not knowing what people were talking about on the street. When I’m on the streetcar here in Toronto, I hear, [imitating the voice of an annoying teenage girl] “Oh my god, that Susan came home and she had this purse and it was so ugly!” and you’re trying to read the newspaper. But when I’m there its like [mumbles fake French] and you can imagine that they’re talking about the most romantic thing ever rather than hearing about someone’s bad date or something. Chris is trying to take French lessons. I used to be fluent when I was a kid so it’s in there somewhere but it’s pretty generous with the language, you know if you’re struggling most people will help you out. Everybody’s trying to work it out. I just want to get a piece of chicken…poulet. poulet sil vous plait!

At least you have a buddy now; Andrew [Whiteman] just moved there!

Ohhh I know! Isn’t that amazing! It’s a coup! I feel like it’s such a coup because I set him up with my girlfriend and now they’re getting married!

Aw, that’s so sweet!

I was like, I’ll introduce him to this girl and then he’ll move here and it’ll be totally amazing and then we’ll have him and then we’ll play bridge until we’re 80 years old.

It’s worked out so far!

Totally.

So on a different note, I just wanted to let you know that you have a very dedicated base of fans…

Well that’s nice!

Definitely! And they’ve kind of created something called the “Church of Amy Millan”.

What would Amy do! Ha! Well that’s very unbelievable; that’s nice to know. I’ll think of that when I’m lonely and depressed.

Well now you know someone’s praying to you every night!

That’s nice! That’s incredible and I don’t take it lightly. I hope I deserve it.

Well you do!

Thank you, Melody!

Okay, second last question: favourite drink?

Well I love wine. If I was to tell you a specific wine…it all depends on what I’m eating because to me, wine isn’t a drink, it’s also food. So if I’m having an Italian meal, if I’m having a big spaghetti or something, I want an Italian wine. If I’m having maybe something like a fusion of French like having a steak or something I can pull out a Californian wine. The best thing about drinking wine is that there’s so much to learn and there’s so much going on in the world of wine and so much to experience. I actually don’t really drink it on the road anymore because it’s a sacred time for me; this is a wonderful sacred moment I’m having with you! Mondovino! If you want to learn about wine, it’s a documentary it’s called Mondovino and it’s about the politics of wine and what’s happening with new world and old world wines. There’s just such a history and it’s an incredible, expensive habit that I’d love to get into but I’m lucky I have a sweetheart who enjoys it with me.

Aw! Okay finally, if you were a singing animal, what would you be?

Well it’s funny, you now when you do that with your friends, like if you were an animal what would you be – singing animal, we never really do but we do play that game. My best friend Sheila Malhurn who I was hitchhiking with that time in Montreal, we were talking about what animals and I was like, “What about me? What animal would I be?” and she looked at me and was like, “well I think a skunk.” and I was like, “A skunk?!” and she said, “Skunks are cute, Amy! There’s nothing wrong with skunks!” So I guess I don’t know…a skunk?

But I was thinking if I can hear any animal sing, the coolest one would be a giraffe! What do you think it would sound like? To take from its heart to its throat, like the sound would travel up that crazy neck? I would love to hear what a giraffe would sound like singing but I don’t think I’m anything like a giraffe; my neck is really short and I don’t really have a chin.

For more Amy Millan,
MySpace: http://www.myspace.com/amymillan

If you missed out on her recent show at Harbourfront Centre, be sure to catch her when she returns on October 14 for a show at the Mod Club with Bahamas! Tickets on sale now for $15.00!

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Let’s Chat: The Most Serene Republic

July 23rd, 2009 | By: Guest Contributor

The Most Serene Republic

The Most Serene Republic

The Arts and Crafts head office at 460 Richmond is a pretty unique place. Upon arrival, one is greeted personally by the staff and is asked to sit on what appears to be the back seat from someone’s minivan, complete with seatbelts. People rush back and forth through the small, open-concept workplace, yet there is no urgency in their faces. In fact, everyone seems very calm. Maybe too calm. One may wonder whether this is even an office, or just some elaborate ruse to distract from the wild parties and hippy love-ins that are surely taking place behind closed doors.

This was the perfect environment for an interview with The Most Serene Republic. It mirrored their music; somehow chaotic but altogether soothing at the same time. Moments later Adrien Jewett (Vocals, Trombone) and Ryan Lenssen (Keys, Vocals) appeared and we moved to a set of white leather couches in front of a cleverly hidden section of cubicles. So this was an office. Ryan and Adrien sat on one couch and we, the nervous interviewers, sat on the opposite couch. Seperating us was a small coffee table. People continued to flow by us at a steady pace as we began our interview, but the guys seemed totally focused on giving us sharp, hilarious answers to our questions. What follows is a mostly unedited, fully representational transcription of our conversation. Please forgive the extensive, stage-direction style notes I’ve made throughout. Believe me, without them, this interview would make considerably less sense and be much less fun. Enjoy!

***

The Singing Lamb: So, your album is coming out tomorrow. Are you excited?

Adrien: Yes!

Adrien: Ah, you betcha. Got a big bottle of Bambino waiting for us…

Excellent.

Ryan: Yeah that’s a good idea…

Adrien: Like a [makes popping noise with mouth]

Ryan: [Also makes popping noise]

Adrien: Oh yeah.

Ryan: We actually do all our interviews with Onomatopoeia.

Adrien: [laughs]

[Also laughing] We’ll be sure to include that. Is the album a more positive effort in terms of the over feel?

Adrien: Oh goodness. Yeah, definitely. Definitely more wide…

Ryan: [Standing up] This feels a little “us versus them”, here, why don’t one of you switch.

Adrien: Yeah, so me and Ryan can exchange thoughts. [We switch seats so that Ryan and Adrien are sitting opposite each other.]

Ryan: There we go.

Adrien: Transference of thoughts. Ready Ryan?

Ryan: Yeah, see now it’s, we’re at a dinner party…

Adrien: Transference of thoughts.

Ryan: [Making antennae with his fingers and producing a sci-fi type sound effect]

So you guys just finished a short tour of the US–

Adrien: Yes, yes.

Was it fun?

Adrien: It was. We had very great and very appreciative audiences, and people coming up afterwards, which is always very flattering, and ego boosting.

Ryan: Oh that’s the best part, yeah.

Was it much different than playing in Canada?

Adrien: Playing in the States? Yeah. There’s more of a rustic feel to each of the venues, there’s a lot of rye and coke spilled on the floors. But there’s a history. A lot of bands that we really enjoyed have passed through the venues that we played. The small venues in Canada, not too many bands have been through there and left say, a sticker so when you go through you’re like “hey there’s a Sonic Youth sticker” kind of thing. The venue we played at in Boston was very small and it was uh…I think it was called the Fitzgerald’s, or F. Scott’s, or…

Ryan: Great Scott.

Adrien: Great Scott. And a lot of big bands in our–genre, I guess, have played there.

Ryan: We thought it was a Back to the Future reference but it was an F. Scott Fitzgerald reference. Either or, right?

Adrien: [Laughing] And then afterwards at Dr. Emmett Brown’s for a Soda and Rye.

Were audiences receptive to the new material?

Ryan: They don’t have a choice. We play it.

And they like it.

Ryan: [Laughing] They better be receptive…

Adrien: We play, and this is the era of manners so they clap, but what’re they gonna do right? Are they gonna stand there and glare?

Ryan: [Laughing some more] Yeah, it’s true.

Adrien: Although, that’d be a great thing, if we played a song, and it was just glaring. Not even one clap. But that doesn’t come up…

Ryan: No, that doesn’t come up.

Adrien: So we have to think, is it even genuine applause or is it just out of kindness?

Ryan: That’s probably why there are so many bands. Cause everyone’s so polite.

Adrien: Although there is that gutsy fan every now and again who comes up and goes “great show, but I think that you could have used more male/girl harmonies on this one or something.”

Ryan: Yeahhh.

Adrien: Another guy said, “You guys are far too much. Far too much sound. Like, it doesn’t have to be that much.” I went, “Thank you…”

Ryan: [Laughs loudly]

Adrien:”Oh okay I’ll take that. And do nothing with it.”

[Laughing] Yeah…

Adrien: “I’ll just remember it and bring it up later, out of contempt.”

Ryan: Remember there was that girl, I think it was on the west coast, she goes “Remember your ugly fans?” Do you remember that girl?

Adrien: Oh my goodness. She said “remember your ugly fans?” and I was like “uhhhhh” cause I was watching a hot fan while she was talking to me.

Ryan: Yeah you learned a valuable lesson that day didn’t you?

Adrien: Then I just [pretending to push someone] “Outta the way, you!”[Laughs] No, that’s not true. It was very real, it hit the core. That was in Calgary, I think.

So who drives the van when you guys are on tour?

Ryan: I drive the van a lot.

Adrien: He drives, I drive occasionally. Simon drives.

Do you spend a lot of time in it when you’re on the road?

Ryan: Oh yeah. Eight hours a day, about.

Adrien: Oh yes, the seats take on our musk. Yes.

Any good van stories?

Ryan: None for publishing.

Adrien: They’re all private.

Ryan: All very private.

Adrien: There was that one time with the dixie cup…

Ryan: [Laughing] Ooh..and that other time with the…

Adrien: We’ll just give out items, and you can decide where the story goes…that time with the pomegranate.

[Laughing] What’s the best thing you ever ate on the road?

Adrien: Oh man. I was in St. Louis once, and I had the best Reuben sandwich. It was great. It was the best Reuben sandwich I ever had in my life.

What does a Rueben have on it exactly?

Adrien: A Reuben sandwich is corned beef, sauerkraut, hot mustard…

Ryan: Toast.

Adrien: Rye Bread, [breathing loudly] and I forget which cheese but [corner of mouth twitches] I always do that when I’m excited…

Ryan: There’s also Pat’s Philly Cheesesteak in Philly, Rosario’s in New York.

Adrien: Rosario’s in New York City, Lasagna in Saskatoon…

Ryan: [Laughing]

Where was the first show you guys played as a band?

Ryan: As the Most Serene Republic? I think it would probably be the Rocket.

Adrien: It was at the Rocket.

The Rocket…where’s that?

Adrien: Ha. That used to be around.

Ryan: That’s funny. It used to be a really hot venue around here.

Adrien: But now it’s closed, I beleive it was near O’Flannigan’s, the Irish bar…I don’t know what street that was on.

Were you opening for someone or headlining?

Adrien: I think we were the last starting band.

Ryan: Wasn’t it part of a festival?

Adrien: Yeah…and boy were we different.

Ryan: We got signed that day.

Adrien: We were just buzzin’ off excitement.

What were some of the other bands?

Ryan: Wax Mannequinn played that day.

Adrien: Wax Mannequinn, yeah. From Hamilton.

Ryan: Very different. See we love the Rocket cause we saw Dismemberment Plan there. You guys know Dismemberment Plan right?

Actually, no…

Ryan: You guys gotta make a note of this. The Dismemberment Plan. The record to get is Change.

Adrien: I actually have to pick up Change while I’m here, because I lost my copy.

Ryan: A lot of people say we sound like a lot of different bands but check out the Dismemberment Plan. Seriously.

[A dog wanders into the couch area]

Adrien: Hey you! Aw, there’s a dog in the interview!

[Everyone stops and pets the dog for a minute]

Would you guys call yourselves dog or cat people?

Adrien: I’m a dog person.

Ryan: All in all, dog people. Noble husky for this guy.

Adrien: Newfoundland Sheepdog for the win. I like dogs that look like mops. [Laughs]

Ryan: I like dogs that look like heros.

Adrien: [Still petting the dog] He has a very chiseled jaw, kind of looks like Renoir. [Dog leaves abruptly] Off you go Renoir. Go…paint me something with arthritis.

In past interviews you’ve noted a dislike for the term “Indie Rock” being applied to your music…

Ryan: Really? Maybe. It could have been one of those things where they shape it to look like that. I don’t know, though.

Adrien: It always reminds me of the Nascar indie. Is it fast music that pushes it to the max, goes tight around the bends and then spins out of control?

Ryan: And is highly commercialized. [Laughing] Oh. Hit the vein there. When the term started being used, there was a particular mind-frame and particular sound, but then it veered left, and veered right…

So it’s kind of meaningless at this point?

Ryan: Absolutely. I don’t think it meant anything in the first place. It could have, it had potential, but it just doesn’t make any sense anymore. Genres are meant to encapsulate a movement or an era, but that one failed.

Why?

Ryan: Because of what happens with every new sound, new idea. As soon as someone realizes you can sell a lot of ipods or sell a lot of McDonalds hamburgers, then everyone gets on the bandwagon.

Very true. So what’s next for you guys? Another EP?

Ryan: Working on an EP, yes.

Adrien: It’s a secret. And then we tour in September.

Ryan: In Septem-bor.

Adrien: Septem-borg!. [Makes laser eye gesture]

Ryan: [Brief pause] Okay, hit me with a tough one. The one that you were like “Ohh I’m not sure if we can ask this…”

I…don’t think we have one of those…

[Everyone laughs]

What do you guys think about the Garbage Strike?

Adrien: I think they should get back together, they were great.

[Everyone laughs again]

Adrien: Oh but it’ll sort itself out. Although I do hope the garbage mutates into a large garbage creature, and it storms through the city. “Take this Lee’s Palace!” Crash! “Take this Sneeky Dees!” Crash!

Ryan: [Laughs]

What’s something everyone should be listening to?

Ryan: Well. Everybody should be listening to Classical music. How about Symphony 1 by Mahler. That one’s important.

Adrien: Ravel’s Bolero. Cause he was suffering from frontal lobal dimentia when he wrote it, and that’s why it’s so repetitive.

Ryan: I also really like the first two tracks off the new Grizzly Bear record, I think those are great great tracks. Also, the first two tracks off the new Phoenix record. Is there anything else? I’ve been listening to a lot of Bowie. That’s the next big thing. Cause Fleet Foxes and Grizzly Bear went back to this sixties, rootsy kind of feel, but you watch, the next big thing is gonna be the Bowie/Supertramp sound. The drums are gonna get real tight again. Because, this is what happens: they start using the reverb. Because the eighties just happened, and they go back and check out all the eighties tones, the 808, the 909. Kanye used the 909. And everyone’s infatuated with tone again, but it’s gonna be the same thing that happened in the eighties, the tone crash, and people are gonna discover reverb again. Just watch, it’s gonna come back around and it’s gonna be super dry tone, like Yes or King Crimson or Supertramp.

Who would you guys most like to hear cover one of your songs?

Ryan: Dismemberment Plan.

Adrien: Diana Krall.

Ryan: [Laughing] You know what, I want Elton John to do Solipsism Millionaires. Or You’re Not an Astronaut.

Adrien: [Does Elton John impression]

Ryan: [Laughing] No but I would love to see Dismemberment Plan do one.

Adrien: Jann Arden.

Ryan: Sure! Bjork.

Adrien: I would want people to go out of their Genre to cover one of our songs, cause that’d be fantastic. Bjork would be great.

Who would you guys most want to play with?

Ryan: It’d be Radiohead for me. No question.

Adrien: It’d be a blast to do Death Cab For Cutie.

Ryan: It’d be fun, but is that really the ultimate though?

Adrien: Not the ultimate but, man…

Ryan: Well, that was the question.

Adrien: We’d get to meet Ben though, he’s one of our childhood heros.

Ryan: Yes that’s true.

Unfortunately we’re coming to the end, so we’ll have to ask our trademark question. If you guys could be any singing animal, what would you be?

Ryan: Singing animal?

Yeah.

Adrien: Centipede.

Ryan: That’s really gross. I hate centipedes.

Adrien: Oh they are absolutely disgusting. They even have a smell, you know that? They have a certain scent that they give off.

Ryan: I want to be a singing Aye-Aye.

Adrien: What’s an Aye-Aye?

Yeah, what is an Aye-Aye?

Adrien: Is it from North Korea, or…where is this creature from?

Ryan: Look it up. They’re crazy, you’ll love it.

Anything we should add about the new album?

Adrien: Check it out!

Ryan: Also, we live in a downloading world, so that’s great, there’s nothing you can do about it. But I have to stress that if you download a person’s album and you really truly enjoy it, go and buy it. Because we’re dying. We’re dying. All musicians are dying. And whether or not it’s because of downloading is irrelevant at this point. The point is if you wanna hear music, just like if you wanna see a movie or if you want to be entertained in any way shape or form, support your artists.

Adrien: If you love peaches, and you keep picking the peaches off the tree…right?

Yeah?

Adrien: And you don’t take care of the tree…

Ryan: [Long pause]The tree dies.

***

The Most Serene Republic are planning a tour for September. Their newest record is …And The Ever Expanding Universe and is available now. Go, buy it!

For more Most Serene Republic,
MySpace: http://www.myspace.com/themostserenerepublic

Be sure to catch the Most Serene Republic in Toronto on August 15th at the Secret Tara Sessions and again on October 15th when they return to town for a show at the Mod Club with Grand Analog!

Interview By Steve Brunton

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[NXNE] This Book is Broken Book Launch @ Courthouse

June 27th, 2009 | By: Melody Lau

Broken Social Scene @ Courthouse (Photo Credit: Matthew Braga)

Broken Social Scene @ Courthouse (Photo Credit: Matthew Braga)

When you have an event name like the “This Book is Broken Book Launch” who else would you expect the special guests to be? It sure ain’t the Arcade Fire. Needless to say, everyone had their good guesses prior to the show (Feist, Stars, Metric, and any Arts & Crafts affiliated bands) but the only logical guess had to be the night’s celebrated stars themselves, Broken Social Scene.

As soon as one walked in, photos were plastered across the two screens on the left and right sides of the walls of the venue and it was quite hard to miss the signs and hints – especially if you turn around and then proceed to see Broken Social Scene’s lead singer Kevin Drew and drummer Justin Peroff mingling with folks on the side of the stage.

The night began with A&C and BSS alumni Jason Collett. Collett’s set was a quite full of new tunes from his upcoming album, coming this fall, fleshed out with a couple of older songs (“Brownie Hawkeye”, “Charlyn, Angel of Kensington”). As per usual, Collett played a solid set of folksy Dylan-rock tunes, more suited for a sunny afternoon on your porch with a beer in hand as opposed to a disco balled nightclub. That was my main peeve of the night – Jason Collett in a jazz lounge? May as well stick Celine Dion at the Velvet Underground. Albeit, regardless of venue, Collett is fantastic live and his raspy voice sinks into your ears ever so smoothly when he sings, but the dynamics were just slightly skewed. For those who want to catch a real Jason Collett vibe at a show, you should’ve caught his residency at the Dakota Tavern last year. I’m sure we’ll get more opportunities though, come October when his album drops. Oh, and how can I forget – this man can dance.

MySpace: http://www.myspace.com/jasoncollettofficial

Next up were two of Arts & Crafts’ newest members, The Happiness Project (Charles Spearin) and Years (Ohad Benchetrit). Intertwining their sets together, both bands had their share of sound and equipment fumbles. At one point, during Years’ set, Broken Social Scene frontman Kevin Drew leapt onstage to entertain the audience and express his love for Benchetrit while problems were being sorted out. Once technical roadblocks were cleared up though, both sets continued on quite smoothly. Suffering from the same symptoms of previous act, Jason Collett, both Years and The Happiness Project also felt out of place at the swanky Courthouse. Having seen The Happiness Project play in March at the atmospherically intimate Music Gallery, it wasn’t the same seeing Charles Spearin, violinist Julie Penner and company playing in the Courthouse’s environment. Performance-wise though, both acts played very endearing sets of material from their recent releases and the audience seemed to be equally mesmerized by their simplistic, soft sounds. Definitely two acts that prove to be captivating both live and on record.

MySpace (The Happiness Project): http://www.myspace.com/charlesspearin
Website (Years): http://www.yearsmusic.ca/

At this point, it hit me – none of these bands are suited for a venue like the Courthouse. But it’s a book launch. It’s Broken Social Scene. It’s a fucking small stage. How rare is that? Suck it up and enjoy it.

Apostle of Hustle were the second last act of the night, before the “special guests” and it was about time they picked up the tempo. Lead singer, Andrew Whiteman is quite possibly one of the best performers out there today; this man knows how to grab your attention by the proverbial horns and make you watch him as he sings, dances and jumps around onstage. This band has yet to disappoint me live. Reinterpretations of songs such as “National Anthem of Nowhere” and “Cheap Like Sebastien” keep their live shows fresh and interesting; and combined with exciting new tracks from their latest release, Eats Darkness, one can’t help but dance and sway along to their folksy, Latin toe-tapping melodies. Even Whiteman’s bandmates in Broken Social Scene were dancing along on the side; it’s that infectious. Pick up a record, buy a concert ticket, do anything you can do get a taste of Apostle of Hustle if you haven’t yet. It’ll be worth it. And this is coming from an unemployed, broke student.

MySpace: http://www.myspace.com/apostleofhustle

Alas, it’s midnight. Author of This Book is Broken and singer of the Two Koreas, Stuart Berman, walks onstage to introduce the last band of the night, and by the sight of Kevin Drew, Andrew Whiteman, Justin Peroff, Evan Cranley and many more waiting on the side, it’s kind of hard to not guess by then. And if you couldn’t guess by seeing that line of musicians, you weren’t at the right show. The moment they stepped onstage, the crowd roared; the loudest applause of the night. There was one last surprise in store for the crowd though, as Leslie Feist (who had stated months ago in an interview that she was never going to play with BSS again) skipped onstage after the first song to sing along to “7/4 Shoreline”. By then, chaos ensued, dancing erupted and smiles were permanently painted on everyone’s face. The band played a total of five new songs, one of which Feist did guest on. The new material more or less reflected the typical Broken Social Scene mould, with a slightly refreshed tinge to it. One particular track though – not sure of the title – felt particularly out of place and it is clear from listening to it that the band still needs lots of work on the new record. It was mostly impressive, but seeing as how it was their first time previewing these tracks, they are extremely tentative and the band doesn’t look completely comfortable with them yet. It’ll be interesting to see these tracks progress as they play more shows this summer. The rest of the set, which consisted of rarely played classics (“New Country”, “Almost Crimes”) was spectacular and everyone in the band and in the audience breathed a sigh of relief and excitement to break open a chest of older tunes. Broken Social Scene will always be an incredible experience live and that you’ll remember for weeks, if not months, afterwards. Was this Broken Social Scene at its best? Probably not. But it was pretty darn close. Perfect way to end this book launch? With a one-song performance by the Two Koreas, featuring Kevin Drew and Justin Peroff, who learned the song on the spot. Fuck yes.

MySpace: http://www.myspace.com/brokensocialscene

Missed Broken Social Scene at NXNE? Catch them for free at Harbourfront Centre on July 11th!

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Let’s Chat: Still Life Still

June 24th, 2009 | By: Guest Contributor

Still Life Still

Still Life Still

The Singing Lamb: You guys have a lot going on this week; your new EP just came out, and you’re playing NXNE and Edgefest, what are you most excited for?

Aaron: Tonight, definitely. We just love Arts & Crafts, and tonight is the A&C showcase, so it’s kind of like a dream come true to be playing in it. Actually, it is a dream come true. Edgefest will be an experience as well; I’m not sure what kind of experience it’ll be, but I think it’ll be pretty fun.

How did you feel when you got signed by A&C?

Josh: We were pretty stoked.

Aaron: Fantastic! I’ll actually use the word fantastic. It felt great; it was a pretty big deal for us, that’s for sure.

How did you find out the news?

Josh: When we were recording the album with Kevin [Drew], he was dropping some pretty big hints that we’d get signed.

So Kevin was helping you before you even got signed?

Josh: Yeah, he was our “manager,” it was pretty fun.

Aaron: Yeah, it’s “fun” getting a hold of Kev.

I’d imagine he’d be a pretty busy man…How did you guys get together to form a band?

Aaron: We were all friends; we’ve been friends for basically our whole lives. We decided we wanted to start a band, but none of us knew how to play instruments, so we all went out and bought instruments, and learned to play them, as we learned how to write songs.

Was it hard to learn like that?

Aaron: Well it’s good because everyone’s terrible right? Nobody knows how to do anything, so you can’t hate on other people for not being able to play, since you’re all bad. Everyone wanted to try that much harder too, because you see someone is getting better, and it makes you want to pull your socks up.

So you guys just released Pastel two days ago, how was making the album; was it the first one you released?

Aaron: Oh no, we’ve done a lot of bootleg recordings and stuff like that.

Josh: We also did an EP that we never released, and home recordings and stuff like that.

Was recording this album a lot different from the type of recording you’d done before?

Aaron: Not really; the biggest difference, and best part, was that we all got to jam together when we recorded it. It’s a better feel to do it that way, rather than hearing a guitar in a headphone and trying to play along with the drums.

Even though your music has just come out recently, on a wide scale, you’ve already generated a lot of Broken Social Scene comparisons; how do you feel about that?

Aaron: It’s not entirely a bad thing; we’ve always liked BSS, but we like to think we’re not a BSS rip-off band.

Josh: I think that once people hear our record, they won’t really compare it anymore. It’s been something that’s been going around, since Kevin produced it. BSS is one of our influences though, for sure.

Aaron: Yeah, it seems like a lot of bloggers read one thing, and just change the words and say the same thing themselves.

Since they’re one of your influence, is it cool to get compared to them?

Aaron: Yeah definitely, in a way; it’s certainly not a diss.

Definitely not! So as a band, what’s something you really want to accomplish together?

Aaron: World domina- no,*laughs* I think we just want to travel, and get as many people as possible hear our music. Also, just staying alive, and making sure we can support ourselves through music, as long as we possibly can.

What are your hopes and plans for tonight’s performance?

Aaron: We’re just going to try to play the best we’ve ever played, and hope that no technical difficulties mess up our performance. There will also be a lot of friends and people from the label here, so that’s exciting. There are other bands up tonight as well, so we’re looking forward to seeing them.

And finally, if you were a singing animal, which would you be?

Aaron: Maybe a Cabbit; half cat, half rabbit! But no, actually, I’d probably be a hippo; they’re pretty chill.

Josh: I’d be a giraffe; they’re cool and they have long necks.

Any final comments?

Josh: We’re just really excited to see what’s going to happen with our band, and where it’s going to take us.

Aaron: Also, people keep just saying that Kevin Drew produced our EP, which is not entirely true; Kevin Drew and Martin Kinack produced it. We don’t want people to forget about Marty.

For more Still Life Still,
MySpace: http://www.myspace.com/stilllifestill

Interview By Cashlyn Teggart

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[NXNE] The Most Serene Republic @ Courthouse – June 18, 2009

June 24th, 2009 | By: admin

The Most Serene Republic @ Courthouse

The Most Serene Republic @ Courthouse

There were a lot of really good acts at NXNE this year. Unfortunately I was too busy/broke to get a wristband, but I did manage to catch The Most Serene Republic when they played at The Courthouse on Thursday. And man, was it good.

I’ll get the bad stuff out of the way so that I can get to the awesomeness faster. The only real problems were venue-related, like the process (and it was, for some people, quite a process) of actually getting inside the Courthouse. Wednesday was apparently the worst, although Thursday was pretty slow as well. The small size made for intimate contact with the show-goers – including one very frightening-looking fellow in a plaid jacket who will probably find me and kill me when he reads this. Oh well. The music they played in between bands was pretty awful too, although I can’t really describe it. Picture the worst dance music ever, being fed through a wood-chipper.

Then lights went out and the band began to take the stage. People started going nuts, and although the silly hats and keffiyehs blocked my view fairly well, after a few seconds I could see Adrian Jewett and Emma Ditchburn take form, followed by the remaining members; Simon Lukasewich, Nick Greaves, Ryan Lenssen, Sean Woolven and their new drummer Adam Balsam. They wasted no time in getting going, and launched into their first song with an intensity I would have never pictured listening to their albums.

The actual show was a blur of lights and sound and hilarious dancing that I can still not recall completely. What I do remember, however, is that the band was spot on – both in stage presence and musical ability. They were hilarious/fun to watch, especially Adrian Jewett’s nerdy jokes and intense staring into the cameras. Every member of the band seemed into it, despite wavering attention from the crowd and awkward lighting cues. They played a few songs from Underwater Cinematographer, but the balance of the show was split down the middle between fan favourites from Population and guaranteed hits from their newest effort, …And The Ever Expanding Universe. The instrumentation was precise and clear, translating their fuzzy noise-rock perfectly to the stage. Adam Balsam was like a drum-playing robot, and the vocals were amazing on both ends. Eventually the lighting became quite enjoyable too, as the disco ball combined with spirals and psychedelic colours to provide the perfect layer of energy and hippy-charm. When the music finally stopped, I was left wanting more, and stood for a few seconds hoping there would be an encore. Unfortunately, the crowd (probably burned out and apathetic from several days of shows) wasn’t in the mood, and filed out around me at a consistent pace.

I’d have to say that despite the shortcomings of the venue and the crowd, this was a great example of the raw skill and potential these young artists have. They keep changing and growing, besting but not overshadowing their past attempts. I am really excited to see what these guys do in the future, and I am definitely looking forward to the new album. The band is heading off to the U.S. for a while, and I would encourage anyone even remotely close to their stops to go and see them. You will not be disappointed.

The Most Serene Republic’s new album …And The Ever Expanding Universe comes out Tuesday, July 14th and is available from Arts and Crafts.

For more from the Most Serene Republic,
MySpace: http://www.myspace.com/themostserenerepublic
Website: http://www.arts-crafts.ca/themostserenerepublic/index2.php

By Steve Brunton

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Apostle of Hustle @ Music Gallery – May 29th, 2009

June 16th, 2009 | By: Jeff Jewiss

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News Update!

June 12th, 2009 | By: Guest Contributor

Just five more days till NXNE! Here’s some news!

“On the cover of the…NOW magazine?” Okay doesn’t quite have the same ring to it, but you get the idea. This week’s cover stars are Broken Social Scene’s Kevin Drew and his recent Arts & Crafts signees, East York’s Still Life Still. Does anyone else get the sense from reading this article that Drew is getting ready to pass the torch onto younger blood? I think if you were to compare the A&C family to another infamous family, the Coreleones (immortalized in Mario Puzo’s The Godfather trilogy and the subsequent movies), Kevin Drew would be the “I’ll make them an offer they can’t refuse” patriarch Don Vito Corleone (played by the iconic Marlon Brando and Robert De Niro), Feist would be the daughter Connie, and Stars’ Torquil Campbell would be the godson and famous crooner slash movie star Johnny Fontane (hey, I didn’t say that it was going to be a good analogy). Does that mean as a potential future heir to the throne, Still Life Still’s lead singer Josh Romaniuk is Michael Corleone? While they might not be putting any horse heads in the beds of their enemies, the band certainly has a busy schedule coming up. They’ll play the Fred Perry store (964 Queen Street West) on June 17th, are part of the second night A&C showcase, and will take the side-stage at Edgefest on the 20th.

Quick, make a list of things that geeks get really excited. Star Trek premieres? Yes. Meghan Fox in a movie about giant transforming robots? Well, they might be right about the lovely Ms. Fox anyways. But as far as big events for video game and computer nerds, the annual Los Angeles’ Electronic Entertainment Expo (which goes by the time-saving acronym E3) trade show for the computer and video games industry, ranks pretty highly. This year’s E3, which took place June 1-4, however had one important unveiling that got video andmusic geeks alike excited: the first previews of a little game called The Beatles: Rock Band. You heard right, a Rock Band based on the music of the Fab Four. Awesome, right? If you can ignore the fact that somewhere John Lennon (bless his soul) is probably spinning in his grave, this is a pretty cool concept. I mean, who wouldn’t relish the opportunity to sing off-key renditions of songs like “Hey Jude” and “I Am The Walrus” with your drunken mates? The game comes out September 9th, and you can watch some trailers over at the official site.

What’s the point in writing for a blog if you can’t include a little shameless self-promotion now and again? Not much, that’s what I say. So allow me to take a minute of your time and bring your attention to my Facebook petition, “Bring The Yeah Yeah Yeahs To Toronto”. I mean, its really more of a public service announcement than anything else. If you like the YYYs or know someone who does or you just like joining Facebook groups, please join here and invite your friends. Please and thank you.

Garage rock beef! Black Lips’ singer and bassist Jared Swilley recently had some less-than-kind words for Nathan Williams, in regards to the Wavves frontman’s recent onstage meltdown during the band’s set at Barcelona’s Primavera Sound Festival, during a radio interview. Some of his choice words included “cowardly”, “baby” and “dick”. Read the full story on Pitchfork here.

Speaking of the Lips, The Almighty Defenders’ (which includes members of the Lips and King Khan and the BBQ Show) debut show will be held at the Amsterdam Brewery (21 Bathurst Street) on June 18th. Sponsored by VICE Canada and Zune, this show goes from 9:00 pm till 1:00 am, and should be a dependably solid good time. RSVP at to@viceland.com. Please watch this and this to get an idea of the craziness that may ensue from this one-off (?) gig.

Just when you think this song is dead, another band attempts to put their own stamp on it. Those that attended the Nine Inch Nails/Jane’s Addiction show in Toronto were treated to a special surprise: Street Sweeper Social Club (Boots Riley and Tom Morello) doing a heavy rockin’ cover of M.I.A.’s “Paper Planes” (thanks to BlogTO for this one).

As much as it pains me to watch this – as I passed on going to this show last minute – this is a gorgeous rendition of an amazing song. Grizzly Bear getting some assistance from everyone’s favourite Canadian songbird, Feist, last Friday at the Phoenix on “Two Weeks”. Thanks to our photographer Steph L. for this one.

Afraid that you aren’t going to be able to squeeze seeing Health into your busy NXNE schedule? Well never fear, as the LA noise-rockers will be returning to Toronto on September 19th at Wrongbar. This time it’ll be in support of their second full-length album, Get Color, which will be released on September 8th. I’ve read that these guys put on an insane live performance and they are definitely among my top twenty must-see-live bands. Listen to first single “Die Slow” over at the band’s MySpace.

Unfortunately for myself, not living at home this summer, and having to pay grocery, phone and Metro Pass bills has really brought me down-to-earth on my grim economic situation. As a result, I will be heading home to Nova Scotia the end of the month, and not returning to Toronto until the beginning of August. But never fear, I shall be still providing news updates and album reviews, even if there is a lack of shows to attend in my fair province (And did I mention we have an NDP government now?). I will however be covering the Virgin Mobile Festival in Halifax, and may be potentially (fingers crossed) heading on a road trip with two cousins to Montreal for the second day of Osheaga, to catch Beastie Boys, The Decemberists, Crystal Castles, The Ting Tings, Beast and Rufus Wainwright, among others.

Cheers,
Max

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Let’s Chat: Apostle of Hustle

June 1st, 2009 | By: Melody Lau

Apostle of Hustle

Apostle of Hustle

The Singing Lamb: You’re new album Eats Darkness was originally intended to be an EP. How did it come about to be a full length?

Andrew Whiteman: When I was close to finishing, I gave it to my A&R guy and he really liked it and wanted it to be more.

Kevin Drew?

Yeah.

Does he have a lot of input on your music normally?

No, but he does like to see what’s going on once in a while.

How do you feel that Eats Darkness is different or built upon your past two records?

I don’t know about built upon; it’s a little early for ‘built upon’. I suppose the record is different; it’s a tighter concept because it kind of became a concept as it was becoming born so it’s tighter and a little shorter. It’s more concentrated though, I guess.

Do you feel like by now, you’re band has found your sound?

We’re getting there. We’re all lifelong musicians and we’re all pretty restless people so I think we’re starting to come into this record with our sound. Maybe when we’re old geezers, we’ll get there.

For this current tour, you held a contest to find opening bands. How did the idea come about?

I don’t really feel close to many bands, stylistically and it’s hard to pair up. Also when you do find someone you like, they may not like you or maybe the schedules just don’t work; there are all these reasons. So rather than having that headache over and over again, it just made more sense to reach out to people that actually listen to our music and like it. That way you start finding out about bands that you had no idea about and that’s really interesting to see what 19-year-old kids are up to that happen to listen to our band and want to open for us. We’ve found some crazy music by listening to what people send in and it was really good.

Who’s opening tonight?

Wayne Petti, who’s in the treasured Canadian band, Cuff The Duke is opening for us!

How do you think his music complements your music?

I’d say Wayne’s solo music has got a lonely-guy vibe to it doesn’t it. It’s going to be amazing to hear him in a church tonight because he’s got a hell of a whistle!

I’ve seen him play here!

Oh, you have?

Yeah, he was really good!

Yeah, so he can definitely set up a lonely traveler kind of mood. It’s very emotional.

What do you think about the internet and MySpace nowadays and what that has done to music?

I try and be positive about it. I was thinking that maybe the digital, allowing everyone to make music in their bedroom would maybe make it so that music was more of a thing of our lives, like just a natural part of our lives. Like it is in many other countries where everyone’s uncle can play or everyone pretty much can play something or sing and participate in the music somehow – more of a family thing, more of a community thing, more of a cultural thing. And maybe more people would do that but it hasn’t done that yet; it might do that but it needs to create miniature celebrity kingdoms. Many more than like in the 70s, when Zeppelin or Olivia Newton John or whatever – those super giant celebrity kingdoms. Now there’s a lot more and a lot smaller ones.

You recently moved to Montreal. Why?

Well you know; I know every inch of Toronto; it’s time to go! I would’ve left years ago if I wasn’t so busy leaving all the time and coming back.

How do you feel there? Are you slowly getting acquainted with everything there?

I feel great! I just bought a bike so I’m reaching out. I spent the winter tramping around the block so when I get back there in a couple of days, I’m going to go for a spin!

Do you miss it here in Toronto?

The only I miss about Toronto so far is Kensington Market, really. Not that there aren’t other places but they sure know how to fuck up a good thing. There’s lovely people and a lot of great art and things going on. It’s not a single-handed bulldozed over everything I love about Toronto; there’s a lot of people doing very inspiring things but I don’t really see – well I don’t see it anywhere else either – but I certainly don’t see a lot of progressive chances being taken here. You know what I mean? In terms of urban planning, we’re lucky enough to have someone like Jane Jacobs live in this city as she did and we don’t take her advice so what the fuck. Although bike lane on Jarvis! That’s good; was great to read that a few days ago. Small steps I guess, right?

Right! I’ve also heard that you haven’t read the new Broken Social Scene book yet.

Nope.

Why not?

Well I’m not interested, am I?

Were you part of it? Were you interviewed?

Didn’t you read it?

Not yet!

Ha! Look, yeah for sure I was interviewed. I don’t think it’s a good idea. I’m not interested in it; I wasn’t from the beginning. But I put my two cents in – “Guess what guys, this is a stupid idea, don’t do it,” – but I guess I got outvoted. Also Stuart Berman’s a good friend of mine and I find when I read his record reviews and listen to his band, and I’ve gone to see his band a few times, I really like Stuart’s aesthetic. I don’t think it’s a bad book, I guess. I think it’s a really myopic thing to do. You can get super cynical and think “Who’s making money off this book?” The band isn’t making money, perhaps there’s a charity involved; I don’t even know that degree of what’s happening. Someone’s making money off selling this, you know what I mean? What’s with the backslapping? What’s with the celebritization? Jesus Christ.

You’d never do that with Apostle of Hustle, would you?

No, for Christ’s sake! You can go back 100 years and find some sheet music of the most popular songs 100 years ago. You know what? You wouldn’t know any of those people or anything of those tunes and those people were like the hitmeisters, they were the hipsters and the scenesters of the day! Could anyone around remember a song from 100 years ago? Probably not; so get some perspective people. We’re just workers.

How does it feel to record and play with Broken Social Scene again? Was it the same as before?

No no! It’ll never be the same. Which is, in one sense too bad because you really don’t get that long of whatever…for the lack of a better word, an innocent moment. So no, its not the same as before, it’s very different. Some things are the same. There’s still Charlie’s incredibly bassy hook lines and Kevin and his falsetto – that’s pretty much all that’s the same. Brendan’s playing a lot of guitar, we’ve got Sammy around; Peroff’s probably about 15-20 BPMs lower than he was! The beats he’s choosing aren’t quite as “mmmm!” *snaps his fingers* as six or seven years ago but other than that, it’s the same. We just started so I don’t know who the cast of characters will be in this particular movie but there will be one.

Awesome; well I look forward to hearing it! Finally, if you were a singing animal, what would you be?

Right, because you’re the singing lamb! Do all animals sing?

No, but you can make one up or be hypothetical with your answer!

I guess I’d be the matriarch of an elephant pod.

Why?

Because I read a great book by a Canadian called The White Bone by Barbara Gowdy. It’s a really great story about elephants and I didn’t know this but elephants communicate by sending vibrational signals, sonic vibrations through the ground and they can feel. So I want to be that!

For more Apostle of Hustle,
MySpace: http://www.myspace.com/apostleofhustle
Website: http://www.arts-crafts.ca/apostleofhustle/

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News Update!

April 28th, 2009 | By: Melody Lau

Lioness

Lioness

Hectic doesn’t even begin to describe this week, especially this Thursday. April 30th is shaping up to be one of the most heart-wrenching nights of the month, due to the multitude of great shows in town. The following is a list of the shows going down that night:

John Doe & The Sadies @ Sonic Boom (FREE, 7:00 pm)
Green Go (CD release), The Magic, Everything All The Time, OPOPO DJs @ Wrongbar ($5.00, 9:00 pm)
The Dears, Lioness @ Mod Club ($20.00, 7:00 pm)
Immaculate Machine, Will Currie & The Country French, The Elwins, DJ Shit La Merde @ The Drake ($10.00, 8:00 pm)
The Weather Station (CD release), Isla Craig & Muskox, Snowblink, Weird Weather, Lisa Bozikovic @ Tranzac – Main Hall ($8.00, 8:00 pm)
Megan Hamilton, Eric Welton @ Tranzac – Southern Cross Lounge (PWYC, 10:00 pm)
Flowers of Hell, Beta Cloud, General Chaos Visuals @ The Renaissance Cafe ($6.00, 8:00 pm)
B’MO Crazy, The Lovely Killbots, and La Casa Muerte @ The Boat ($5.00, 9:00 pm)

See? We’re screwed. Personally, I’m going for three shows – John Doe & The Sadies, The Dears and Green Go. This is going to take some intense commuting skills/luck and impeccable timing. I’ll report back on Friday with the results. All of these shows are incredible and if given the chance, I say you definitely go and check out whoever you missed when they return to town.

Flowers of Hell, for example, will be back at the Horseshoe on May 19th. Green Go will also return shortly, as part of the Over the Top Fest, taking place from May 21-24. We’ll keep you updated on a date/location.

Other Show Announcements:
VNV Nation, War Tapes, Sam @ The Phoenix (July 14th, $29.50, 19+)
Francis and the Lights @ The Drake (May 13th – 15th, $10.00, 19+, please note: the May 13th show is free)
Lightning Dust (opening for Bonnie Prince Billy) @ The Queen Elizabeth Theatre (May 14th, $25.00, ALL AGES)
Isis, Tombs @ The Phoenix (June 7th, $17.50, ALL AGES)
Passion Pit, Harlem Shakes @ Lee’s (June 16th, $12.00, 19+)
Obits @ Lee’s (July 23rd, $12.00, 19+)
Mt St Helens Vietnam Band @ The Horseshoe (June 2nd, FREE, 19+ – as part of Free Tuesday New Music Night)
Telekenesis, An Horse @ Horseshoe (June 10th, $10.50, 19+)
Alejandro Escovedo, Joseph Arthur @ Trinity St. Pauls (June 16th, $27.00, ALL AGES)
Dog Day @ Lee’s (May 28th, 19+)
Malajube @ Lee’s (June 12th, 19+)
Eagles of Death Metal @ Kool Haus (August 2nd, $27.50)

In festival update news, it is confirmed that The Rural Alberta Advantage and The So So Glos will also be part of this year’s NXNE festivities; not on the same bill necessarily though.

Arts & Crafts have officially announced their NXNE Showcases at Courthouse. Here is their schedule:

Wednesday, June 17th
(Broken Social Scene Book Launch)
Apostle of Hustle
Jason Collett
The Happiness Project
Years

Thursday, June 18th
The Most Serene Republic
Still Life Still
Timbre Timbre
Zeus

In addition to the book launch at Courthouse, it is said that there is a “special in-store performance at the Fred Perry retail location at 964 Queen St. W.” Fred Perry will be sponsoring the NXNE showcases.

French band, Radio Radio will be playing a free show at Harbourfront this summer as part of the Franco-Fete 2009 Fest (June 19-21).

Similarly, Jenn Grant will be playing a free show at Habourfront as well, as part of the Canadian Voices Fest (July 17-26).

Happy listening!

Musically,
Melody

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Let’s Chat: Bell Orchestre

April 25th, 2009 | By: Melody Lau

Bell Orchestre

Bell Orchestre

(Sitting in the Courthouse (57 Adelaide Street East))

The Singing Lamb: This is a really nice venue; have you been here before?

Pietro Amato: No! It’s a crazy club place; it reminds me of one of those places that would be in lower St. Laurent (in Montreal).

Kaveh Nabatian: It’s the first place I’ve ever played that had glowing tables.

Stefan Schneider: It’s kind of a cross between a beautiful, fancy hall and a dance club; it’s gorgeous.

Yeah, rarely do you see a disco ball hanging right beneath a chandelier.

Kaveh: There should be more of it.

Pietro: Have you been to the bathrooms? There are these lions and it’s fucking amazing! We should’ve done this interview in the bathrooms!

Kaveh: Too bad there’s no visual.

Do you guys like playing alternative venues like this?

Stefan: I definitely do; I love changing it up. Like, we played a series of six shows and in Ottawa we played a really nice church. We always like playing churches.

Kaveh: A beautiful old art deco hall in Montreal; we played a rock club last night. A couple of months ago we played a symphony orchestra hall.

Pietro: Quebec City, we played in a theatre company house. That was also really cool. It’s more fun for this band to play in places that are kind of conducive to getting people to listen to the music rather than being in a bar where they’re making a lot of noise and people are just there to drink and talk. So this kind of venue is nice where people kind of settle in. As long as it’s not the crowd that normally comes here…to dance.

Stefan: It looks like a venue that’s conducive to just sitting on the couch and talking loud. Yeah, it’s cool but I hope we have an attentive audience.

There’s a lot of couches on the floor…

Pietro: Yeah, there’s a lot but it’s a lounge.

Kaveh: I think the new record of music we’ve put out is like a listening experience. There are a couple of songs you can definitely dance to but in general, it’s more of a listening experience so I think it’s okay if there are couches. If you want to sit down, you can sit down and relax; close your eyes and listen to music if they want. Or lie down.

Just don’t fall asleep!

Pietro: I love falling asleep at classical music concerts; it’s my favourite thing. I go to see the fucking symphony orchestra and I fall asleep. And at the end I go, “Did I just waste thirty bucks?” and then I’m like, “No, I had a great time. Made me have some really good dreams!”

Stefan: Yeah, I don’t really fall asleep in those chairs. If there were pillows and mattresses at the symphony orchestra, I would go all the time.

Do you like it when people sleep at your shows?

Pietro: Well yeah!

Kaveh: Generally, it’s just people who are tripping out to the music and lying down. Standing up can get tiring for an hour and a half. It’s definitely visual; there’s lots going on onstage but you can shut your eyes and it’s very evocative.

Stefan: Yeah, one of my favourite things to do is to fall asleep to really loud music, blasting out of my stereo systems. It’s kind of like an experience at one of our shows. That’s a dream.

Is there anywhere you dream of playing one day?

Pietro: Yeah, many. Especially tall ships; I think a tour on a tall ship would be really fun.

Kaveh: Spaceships.

Pietro: Yeah, if we could tour on a spaceship and tour around different planets that would be really fun.

Stefan: I was thinking of an underwater tour of the ocean. We’ll be playing music for the schools of fish.

Kaveh: You should jam with the dolphins! But on a more concrete level, for me, just to play in places where people don’t often play. Like, we played the Baltic’s last year and that was really amazing and not a lot of bands play there so we got to go to an anarchist squat and beautiful theatres and all sorts of different stuff. I’d like to do similar like that in Latin America.

Pietro: Dawson City would be fun.

Kaveh: Yeah, or Mexico! I think we’d like to play in small towns in Mexico. Yeah, just to get away from the whole hipster rock and roll kind of thing.

Stefan: And prisons; we’d seriously like to play in them. We’re actually working on doing that in the near future.

Many people describe your music as “cinematic”. Do you feel like your music would make for good soundtrack music? Would you ever score a film?

Kaveh: I think we’d love to do it but the thing is the music as it is right now moves a lot, really quickly and the reality is that movies don’t move as quickly as our music. So I think movies have tried to put our stuff on it and it just doesn’t work because moods change. Like, Sigur Ros does really good movie music because it’s really, really slow-moving but I think if we were given a movie we would do a good job scoring, we’d just have to change the way we perform.

Stefan: That said, I think when people listen to our music, they get a lot of images and I think that’s why people say it’s cinematic.

Pietro: There’s no singer to tell you what the song is about so it lets your imagination run a bit more and you can get into the bubble of the music.

If you could describe your new album as a movie, how would you describe it?

Kaveh: I think it’ll work well with cinema that has layers. Movies where they don’t tell you what to think, kind of like our music – it doesn’t have a singer to tell you what to think. Movies are more of a poetic, metaphoric imagery that I think our music shows so I think, I don’t know, the Mirror by Tchaikovsky or a movie about the end of the world or the beginning of the world.

Stefan: Not a narrative or anything like that.

Kaveh: Yeah, it wouldn’t work well with a Juno-type of movie. Like, American-hipster, indie…

Stefan: Hey, it could. It could be called American Hipster!

Let’s talk about the new album. Do you feel like it’s a continuation of the first album or a completely different chapter?

Pietro: I think it’s a continuation but also an evolution. The music has evolved and we’ve all evolved. Well, since the first record came out, it’s been five years? We recorded the first record in ’03, so definitely the music has changed but it still the same people that are involved in creating it so in that sense its a continuation and an evolution.

Stefan: We’ve all evolved musically since then, we’re all doing various things so as time passes, it will have naturally evolved.

Kaveh: It’s also a little more of a subtler record. It’s not as bombastic as the first record. The louder, more bombastic moments are chosen more carefully and there are these subtle build ups and subtleties everywhere.

And finally, if you were a singing animal, what would you be?

Kaveh: (at Pietro) He would be a lone moose.

Pietro: I would.

Stefan: With no one else.

Kaveh: (at Stefan) What would you be? An octopus?

Stefan: Let me finish that DVD, Planet Earth and I’ll probably have a few animals to be. Because every time I watch it, there are these new amazing animals. There’s this one climate where all the animals are just mini, like the deer are just 30 cm high…

Kaveh: Does this really exist?

Stefan: Yeah, dude it’s amazing! And the deer’s calves are the size of kittens and they’re little baby dear and all the trees are little! I feel like I’m one of those.

Kaveh: I don’t believe you.

Stefan: No! When we get back to Montreal, I’ll show you. I’d be a baby dear. I’d be one of the calves; I’ll be, like 7 cm tall.

Kaveh: What would I be?

Stefan: Some sort of orang-utan.

Pietro: Generally, we’re all monkeys in Bell Orchestre, but we’re all different kinds.

Stefan: You’d be a jungle animal of some sort. So yeah, an orang-utan.

For more Bell Orchestre
MySpace: http://www.myspace.com/bellorchestre
Website: http://www.bellorchestre.com/

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