Posts Tagged ‘arcade fire’

Best of 2010: Amanda

January 3rd, 2011 | By: Amanda Macchia

Our Editor Amanda Macchia shares her top 10 albums of 2010 as our album listings wrap for the year.

10) The Tallest Man On Earth - The Wild Hunt

Kristian Matsson stayed true to his folk roots on this sophomore record. Pairing his bright acoustics with his unconventional vocals, Matsson made The Wild Hunt an album not only a pleasure to listen to, but downright interesting as well.

9) Vampire Weekend - Contra

It’s probably true that Vampire Weekend is a taste which many people will never acquire, but it’s fair to say that the heightened quirkiness of their songs and the Ivy League lyrics featured on their second album make for a pretty fun record, whether you’re willing to admit it or not.

8) The Love LanguageLibraries

Unlike their first record and much of the work of their lo-fi peers, The Love Language found a perfect balance on Libraries of minimal audio quality and great pop songs.

7) Dum Dum Girls - I Will Be

Yes, their album cover is the poor man’s version of Contra, but beyond the record sleeve is an impressive collection of catchy shoegaze pop, all the way from California.

6) Best CoastCrazy For You

Although criticized for its overly-simplistic chord progressions and lyrics, Crazy For You clearly resonated with music-listeners this year as Best Coast took it easy with the reverb for their full length debut, and stuck to their redundant, but relatable, themes of the beach and boys.

5) Beach House - Teen Dream

It’s been said time and time again, but Beach House really hit the nail on its head this time around, producing an album consistent in its dreaminess and synthetic sounds, unheard in the same fashion anywhere else.

4) Arcade FireThe Suburbs

There were obviously high expectations for the release The Suburbs, and thankfully the Arcade Fire did not fail to disappoint. This album is one with an abundance of characters and plots – a thorough story set to quality sounds.

3) The WalkmenLisbon

Similarly to The Suburbs, The Walkmen demonstrated their undeniable ability to use songwriting as a vehicle for creating a picturesque collection of music, painting a different picture with each song on the tracklist.

2) Zeus - Say Us

With their debut LP, Zeus proved that it’s possible to bring The Beatles and The Band into the 21st Century and transform their sound into something that is still current and developed enough that it can stand on its own as an innovative spin on classic rock.

1) The Black Keys - Brothers

For 2010, The Black Keys take the cake. Brothers is evidence that sophisticated blues-rock is still very much alive, and that it is possible to sound cool for a 15-track duration.

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Best of 2010: Brian

December 30th, 2010 | By: Brian Vendiola

Contributing photographer Brian Vendiola shares his picks for the top 10 albums of 2010

10. Fang Island – Fang Island

9. Sleigh Bells – Treats

Catchy, distorted, and explosive. An amazing pop-rock album.

8. Local Natives – Gorilla Manor

7. Vampire Weekend – Contra

6. Broken Social Scene – Forgiveness Rock Record

It’s not their best work, and it feels like they’re maybe losing their punch, but Forgiveness Rock Record still has a place in my heart. This album is pretty much their “love letter” to their fans.

5. LCD Soundsystem – This Is Happening

Yo, you like to party? Put this album on and prepare for a good time. James Murphy, I don’t know how you do it, but you can sure make some simple electronic riffs and melodies into some of the greatest and catchiest pop songs.

4. Twin Shadow – Forget

If there’s an album this year that screams the 80s, it’s this one. Twin Shadow’s Forget has some of the most catchiest songs out there and he encompasses the 80s genre perfectly. George Lewis Jr. kind of sounds like Bowie too. Though if it’s not for its dark and eerie lyrics, all of this would all just be eye-candy.

3. Deerhunter - Halcyon Digest

2. Arcade Fire – The Suburbs

Arcade Fire’s The Suburbs definitely improves from 2007′s Neon Bible, being a more compelling and a more solid album than its predecessor. It’s hard-hitting, it’s emotional, it’s epic.

1. Beach House – Teen Dream


Beach House’s Teen Dream hit me the first time I listened to it. I instantly fell in love with the LP. So much so, I had to keep tweeting about how awesome this album is. This is ambient-pop at its finest, and this is an album I’ll be listening to for years to come. Beautiful, just beautiful.


Honourable Mentions:

Four Tet – There Is Love In You, The Morning Benders – Big Echo, Tallest Man On Earth – The Wild Hunt, Zeus – Say Us, Owen Pallett – Heartland

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Best of 2010: Melody

December 28th, 2010 | By: admin

The staff of The Singing Lamb is being so kind as to offer you our insight throughout the last week of 2010 as to what albums, singles, and shows were the best of the year. First off, creator Melody Lau/Lamb shares her top 10 albums. Check it.



10) Janelle Monae — The ArchAndroid


9) Spoon — Transference


8) Hooded Fang — Album


7) The Wilderness of Manitoba — When You Left the Fire


6) Vampire Weekend — Contra


5) Arcade Fire — The Suburbs
If you were oblivious to The Suburbs this year you were probably living under the world’s biggest rock. The only words to describe the year this Montreal collective had this year are triumphant and big. The Suburbs brought back a more-grounded affair, in comparison to the band’s second record Neon Bible, and successfully paired stadium rock hits with the same earnest indie appeal we first saw on Funeral. This band did no wrong this year. 


4) Best Coast — Crazy For You
We can sit around and debate the logistics of chillwave but I think we can all agree that California lo-fi rockers Best Coast reigned supreme above all other surf/beach/whatever you want to call it bands this year. Crazy For You was more polished than their previous singles but its lackadaisical ease was the perfect soundtrack this summer.   


3) Robyn — Body Talk
Unabashed, empowering and catchy as hell. Robyn is the modern day role model everyone should look up to. “Dancing On My Own” and “Call Your Girlfriend” are some of the year’s best dance songs and Robyn’s ability to narrate one’s heartbreak is spot-on. (Do I know this from personal experience? Maybe.) The beats literally burst out of her chest as she sings “I’m givin’ it my all/ but I’m not the girl you’re takin’ home/I keep dancin’ on my own” and she even tells you not to fuck with her alongside Snoop Dogg. Nuff said.


2) Beach House — Teen Dream
Ambient pop music does many things of the ambient variety – swooning, daydream and sometimes a bit lethargic (in the good sense). But what Teen Dream did upon first listen was knock you over the head. One of the most gorgeous records of the year, Teen Dream weaves song after song of dream-like earworms that will haunt you for days, weeks, and clearly in this case, months. Year-end list aside, this is an album I can listen to for years to come.


1) Owen Pallett — Heartland
Pop perfection from beginning to end, Heartland is Owen Pallett’s best work to date. Pallett doesn’t compromise his musical visions here, enlisting a complete orchestra for the first time and in turn he created a record that’s able to intellectually grab your attention while making you tap your feet. A fine balance between a cerebral masterpiece and a straight-up pop hit, Pallett’s formula is one that very few people can attempt let alone excel at. I’m not shy when it comes to being very proud of the music Toronto produces but this year’s pride and joy all rested on one record. In the span of a year, Heartland has already grown into a classic. (Original review)

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Osheaga Recap – Day 1: Owen Pallett

August 3rd, 2010 | By: Melody Lau

Owen Pallett

Toronto violinist Owen Pallett, formerly under the moniker of Final Fantasy, played an early set to a crowded audience on the Green Stage, evidently the most troublesome to artists of Day 1. Immediately apparent from Pallett’s soundcheck, moments before he took the stage, Pallett was struggling with sound issues prompted by the inability to hear himself in the monitors. Visibly annoyed, he stepped offstage and returned sporting a brave and optimistic face to the adoring crowd loudly applauding.

Pallett projects the grandeur of an entire orchestra but orchestrated by one man, and in some cases two with the addition of guitarist/percussionist Thomas Gill. Looping and layering coats of classical violin melodies with eccentric rhythms, Pallett weaves and conducts symphonies of pop-perfection. “Many Lives – 49 MP” breathes new life with the addition of Gill’s accompanying guitar matching the pace and melody of Pallett’s intricate violin parts whereas a classic like “This is the Dream of Win and Regine” didn’t stretch too far from its original but was still exciting and proved to be a crowd pleaser, especially to an audience who was clearly here to see Pallett as much as they were here for Day 1’s headliners The Arcade Fire whom Pallett was a member of and serves as the orchestral brains behind on records.

To us, Pallett sounded phenomenal but it was clear that he didn’t feel the same way. On set closer “Lewis Takes Off His Shirt”, Pallett stopped mid-song, apologized to the audience and stormed off. “I’m sorry guys, I just can’t hear myself and I can’t do this.” Known for being a perfectionist, it was completely understandable and very commendable that he had even lasted through most of his set with this problem looming onstage. There were definitely faces of disappointment across the sea of fans who tried to convince him to return but no love is lost, Pallett. The fact that he handled the situation so well just made me love him more, if that was possible.

For More,
MySpace:
http://www.myspace.com/owenpallettmusic

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Show Announcement

March 24th, 2010 | By: Guest Contributor

The competition for the title of best summer music festival in North America just got another contender.

The acts scheduled to play this year’s Osheaga Music Festival were announced this week, and in case you missed it, it’s pretty damn impressive. The two-day festival takes place on July 31st and August 1st in downtown Montreal, and boasts a lineup that includes Weezer, Pavement, Metric, The National, Stars, Deadmau5, The Cat Empire, Keane, The Black Keys, The Jon Spencer Blues Explosion, Jimmy Cliff, The Gaslight Anthem, Beach House, Jamie Lidell, Robyn, Sarah Harmer, Blitzen Trapper, Bahamas, and more.

The most exciting part of this announcement? By popular demand, this year’s Osheaga will see the first Canadian performance by Montreal’s Arcade Fire since their Neon Bible tour in 2007. The hometown heroes will be headlining the festival’s first day, and if that doesn’t excite you, than you clearly haven’t seen the band’s Miroir Noir tour documentary or this before.

To recap: some amazing bands (including four of my ten all-time favourites, but I’m not going to tell you which ones), outdoors in beautiful Parc Jean-Drapeau, with reasonably-priced single day and weekend passes. Pre-sale tickets are already sold out, but you can head over to the Osheaga website for more information, or follow the festival on Twitter for the latest updates.

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News Update

December 7th, 2009 | By: Guest Contributor

K'naan

K'Naan

Because nothing works better for procrastinating studying for exams quite like sharing some music-related news with you…

Ah, the FIFA World Cup. The only international sporting tournament where Canadians can cheer for pretty much any country that they want, and not be persecuted, because let’s be honest – we kind of suck when it comes to soccer. But hey, that doesn’t mean we can’t fiendishly cheer for other teams (myself, I’m going to be playing up my slightly Deutsch heritage – go Oranje! ) and Toronto being such a multi-national city, people can get pretty passionate about the beautiful game. The draw for next summer’s World Cup in South Africa took place last week, and I noticed yesterday that the Adidas store was displaying the snazzy new team jerseys and the official ball in the store’s front windows. WTF does this have to do with music, you ask? Because Somalia-born, Toronto-raised rapper K’Naan’s song “Wavin’ Flag” was selected in September as the official anthem of the 2010 World Cup, and will be featured in online and television commercials leading up to the event. Now we have a video to go with the reworked version of “Wavin’ Flag” – with new soccer-centric lyrics – watch it here. While you’re at it, check out K’Naan performing the song in-studio on CBC’s QTV with Jian Ghomeshi.

Speaking of new albums, rumours from various sources have been flying around on the Internet this week, as to the status of the third Arcade Fire album. Here’s what we do know: there will be a new Arcade Fire album this year, and its being produced by Markus Dravs, who worked on 2007′s Neon Bible. Early speculation suggested a May release date for the album, but now it appears that fans will have to wait until the second half of 2010. The Montreal outfit also are planning to headline some major festivals this summer (including Toronto dates?), but no word yet on where and when these dates will be.

Forty-three dollars is a pretty hefty ticket price, but that’s what its going to cost you if you want to see a double bill of legendary New York City MC Mos Def and British-born, American underground rapper MF Doom, who’ll be performing at Kool Haus on January 27th. Both are touring behind stellar new albums: Def’s The Ecstatic was recently nominated for the Best Rap Album Grammy, while Doom’s Born Like This (featuring production from the likes of the late J Dilla and Californian producer Madlib) received glowering reviews from music critics and fans alike. This bill is sweetened by the additional of local support by Toronto’s http://www.myspace.com/dsisive D-Sisive. Here’s a small taste of what you can expect – Def performing “History” (with Talib Kweli, The Dirty Projectors’ Amber Coffman and Hayley Dekkle, and The Roots!) on Jimmy Fallon, and Thom Yorke’s remix of Doom’s “Gazzilion Ear”.

Last weekend, I got the chance to catch the second of the Arkells’ two sold-out Toronto shows, and I have to say that I was completely blown away by their live performance. After a solid opening set from Burlington’s Sandman Viper Command (look for my long overdue interview with these guys soon), and an incredibly unremarkable one from St. John’s, Newfoundland’s The Novaks, the Hamilton five-piece hit the stage to the loudest ovation I’ve ever heard a Lee’s Palace audience give a band. They opened up with “Heart of the City”, before playing the rest of their 2008 debut album, Jackson Square, in its entirety. Everything about the songs sounded bigger – the harmonica intro on “No Champagne Socialist”, the “hey, hey, hey!” chants on “The Ballad of Hugo Chavez”, the soaring vocals on “Oh, the Boss Is Coming!” – live than on the record. And when lead singer Max Kerman broke into the chorus from the Beatles’ “Eleanor Rigby”, during the band’s own “John Lennon”, there wasn’t a person left in the audience that wasn’t singing along. For the encore, the Arkells called on the opening bands to come up on-stage, and proceeded to cover the Temptations’ “Ain’t To Proud to Beg” and Bruce Springsteen’s “Dancing in the Dark”. Want more proof that these guys have moved beyond their “Canada’s best kept secret” status (the phrase that so many music websites and blogs are still using to describe them)? Only hours after I posted a positive review of the show in my Facebook status, my friend who attends the University of Georgia commented, and said that he had heard of them before. The Arkells are definitely getting around, and its a thrill to see this success happen to such a hard-working, down-to-earth Canadian band. Also, if you haven’t seen the band’s literally-themed new music video for “Pullin’ Punches“, then you can do so here.

Toronto folk-rockers The Wooden Sky will be appearing on MTV Live this Wednesday. For free tickets to the performance, email liveaudience@mtv.ca. More details can be found on the Facebook event page here.

If you are fans of “krautrock”; the experimental style of rock music invented in Germany during the 1970s characterized by improvisation and strong, hypnotic rhymes, and made popular by bands including Neu!, Can, Faust and Kraftwerk (who in turn, has influenced a wide list of artists afterwards including Brian Eno, Depeche Mode, Holy Fuck, Radiohead and The Velvet Underground) than you need to check this documentary out. The BBC Four documentary Krautrock: The Rebirth of Germany looks at how an entire counter-culture rose from the ruins of post-World War II Germany – fascinating stuff.

That’s it for me for tonight. Back to studying [insert sad emoticon here].

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CD Review: Dark Was The Night

May 17th, 2009 | By: Guest Contributor

Dark Was The Night

Dark Was The Night

Let’s face it – we aren’t exactly living in the greatest of times. We are living in a world that has plunged into a period of economic uncertainty not seen since the Great Depression, of nations ravaged by war and ignorance, and families torn apart by famine and disease. But however cliche it sounds; sometimes out of humanity’s darkest days comes the greatest of art, which brings us a glimmer of hope and the promise that change is on its way. From the free-spirited protest songs against the ill-fated Vietnam War of the late-Sixties/early-Seventies, to the struggles of the British working-class that inspired the punk movement in the 80s, to the backlash to the Bush administration and the chaos and loss of innocent lives in ongoing conflicts in the Middle East – music has always rose to confront the fear, confusion and loss that the times have brought.

Which brings us to this album.

Born of an idea between The National’s Aaron and Bryce Dessner; recruit the biggest names in indie pop and rock (including Conor Oberst, The Decemberists, Feist, and Sufjan Stevens, among others), and put together a compilation of unreleased, original and cover songs in the name of charity. It was decided that profits would benefit the Red Hot Organization – an international charity dedicated to raising funds and awareness for HIV and AIDS through albums, related television programs and media events. John Carlin, the founder of the Red Hot Organization, was the executive producer for the album. It was an idea that sounded good on paper, and because of the musical calibre of the artists involved, it translates tremendously well on tape. Whereas most charity albums are typically a collection of lazily tossed off b-sides that share no real similar themes, this is a very cohesive album and there are no real duds. Instead of thirty-one individual tracks, you get a double album (or triple vinyl, if you’re willing to spring the extra money for it) of songs that share a common thread and transition effortlessly between each other. Despite the seriousness of the cause they are trying raise awareness for, this is the perfect soundtrack for waking up to the sunrise and spending lazy afternoons sitting in a downtown cafe with a steaming cup of tea in one hand, accompanied by either a good friend or an unfinished crossword puzzle. Dark Was The Night takes its title from an old blues song byBlind Willie Johnson, which Kronos Quartet turns into a faithful instrumental cover, and most of the song choices are deep-rooted in folk music and Americana.

The album’s strongest tracks make nods to our present-day fears; when Regine Chassagne and Win Butler trade verses on Arcade Fire’s “Lenin”, with its chorus of “Cause the money’s all been spent”, they might as well be directly speaking about the pressures and challenges people are feeling from the recession. And if it wasn’t for the underlying horns on Sufjan’s fantastic transformation of “You Are The Blood” (originally by a band called Castanets) – a slightly darker departure from his usually sunny, folf-pop songs with long-winded titles – which clocks in at over ten minutes, you might mistake it for a lost Radiohead track. Yet for such a Brooklyn-centric choice of bands (Dirty Projectors, Grizzly Bear,Yeasayer and TV On The Radio’s David Sitek – does that man ever pass up on a gig?), its the Canadian artists that make their presences most notably felt on Dark Was The Night. Everyone’s favourite Canadian songbird, Feist, contributes dependably solid vocals to two songs, “Service Bell” with Grizzly Bear and the achingly beautiful “Train Song” with Death Cab For Cutie’s Ben Gibbard. The New Pornographers’ cover of Destroyer’s “Hey, Snow White” is probably one of the best songs that I’ve heard from them – ranking up there for me with “Twin Cinema” and “Sing Me Spanish Techno” – by updating the classic fairy tale for modern times. When the Pornographers’ Kathryn Calder sings, “When the company goes public, you’ve got to learn to love who you are”, you can’t help but feel her emotion. I’d like to also give a special mention to Nova Scotian rapper Buck 65 – who has appeared on several charity compilations, including Warchild’s Help! A Day In The Life Of – who takes the aforementioned “Blood” and turns it into a showcase for his own dark and dense rhymes.

However the final word belongs to the curators, The National. While “So Far Around The Around The Bend” is far from the strongest song on the album, the band prove that they aren’t going to be dwarfed by the talent they’ve surrounded themselves with, and show that they are no slouches when it comes to writing a song. In a recent video interview, they told Pitchfork they had this song “that didn’t really fit” on any album, but it works perfectly here. When lead vocalist Matt Beringer sings, “Nobody knows where you are living/Nobody knows where you are” in his easily-identifed deep baritone, he’s most likely talking about some starry-eyed hipster girl from SoHo. In the context of the cause behind Dark Was The Night, this line could have easily been turned into a statement about the thousands of unnamed individuals suffering with HIV/AIDS living without hope or anyone to care for them – but it never is. So many musicians preach charity to the point where it becomes ad nauseam – this compilation is proof that its possible for artists to support a cause without being over-the-top, and make some beautiful music in the process.

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News Update!

March 25th, 2009 | By: Melody Lau

La Roux

La Roux

I’m on a mission to find new music, so please feel free to suggest some tunes. Also for the photo nerds out there, I’m also looking to get back into some photography (I did some for a year and decided not to continue) this summer, so if you have a good (and affordable) suggestion for cameras, let me know!

Here’s a quick news update!

Department of Eagles has a new video out for their popular single, “No One Does it Like You”. Watch here! And for those who have yet to hear their debut album, In Ear Park (2008)…what are you waiting for?

Phoenix is slated to play Saturday Night Live next week, with host Seth Rogen. Really?

Electro-dance songstress, La Roux will be at the Drake Hotel on April 5th. I suggest you check her out (or at least give her MySpace a visit).

The Arcade Fire’s “Wake Up” (from 2004′s Funeral) is featured in the new trailer for the highly anticipated movie adaptation of Where the Wild Things Are (directed by Spike Jonze). Watch it here!

Happy listening!

Musically,
Melody

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Got Beef?

March 7th, 2009 | By: Guest Contributor

Butler vs. Coyne

Butler vs. Coyne

This post was originally dated for March 5th, 2009.

Music has had a history of legendary rivals (see: Biggie and TupacChristina and BritneyNoel and Liam GallagherFred Durst and Scott Stapp…actually, can I take that last one back?) throughout the decades, but my goodness, what has been happening lately? First there was the Rihanna – Chris Brown incident, and now according to recent Stereogum reports they aren’t the only ones who have more beef than a cattle farm (I’m sorry, but the opportunity to use that line only comes along once every so often). Apparently Kanye is a little annoyed with Thom Yorke of Radiohead, who apparently snubbed him backstage at the Grammy Awards. I know you are out there saying, “Oh, Kanye’s ticked off at someone? What else is new?” But according to Mr. West, Radiohead is one of the bands he idolizes and it hurts when you are ignored by your heroes (Isn’t that right Dave Monks? I just wanted to get a lousy picture with you, was that so much to ask? Okay, I’m done now.), so spare a bit of sympathy for the man. Radiohead also took a jab at frontman of The CureRobert Smith, who called their pay-what-you-can model for In Rainbows “an idiot plan”. Ouch, those are fighting words. Finally, courtesy of Rolling Stone comes comments from Wayne Coyne of The Flaming Lips, who not only felt that Montreal’s darlings The Arcade Fire “really treat people like shit” but also went on to say that the band “have good tunes, but they’re pricks, so fuck ‘em.” I’m rather inclined to side with Win Butler and company on this one, however, you’re free to draw your own conclusions. People, where is the love? Can’t we just all hug it out and be friends?

When I heard that Hot Chip would be covering Joy Division’s “Transmission” for the recently released Warchild Heroes compilation, I was slightly skeptical that they could pull it off successfully. However after finally hearing it for the first time today I can say that their version is pretty faithful to the original, while still managing to give it a more danceable, electronic sheen that is distinctly Hot Chip. Now go out and buy the album, it’s for a good cause!!!

This news story came from Alan Cross’ radio show, and I thought I’d share it with you – the world’s most expensive iPhone. Created by Austrian jewelry designer Peter Aloisso, the phone is made from solid 18-carat yellow gold, white gold, and rose gold, is encrusted with a total of 138 brilliant cut diamonds of the best, and features a “home button” that carries a rare 6.6-carat diamond. What’s the price tag on this baby, you ask? How does a neat $2.5 million sound to you? If you absolutely must have what would be clearly an embarrassment of riches, you can check out the pictures and details at Aloisso’s website here.

Here are some updates on shows that we’ve recently mentioned…
Tickets for that massive club show (you know, the one featuring CrookersMSTRKRFTSteve AokiThe Bloody BeetrootsSteve Angelo and the rest of the Dim Mak Records roster?) at The Guvernment on April 9th are now available through Ticketmaster for $30. This event is The Guvernment’s Easter party, the delightfully sinful-titled DECADENCE ’09, and sorry kids…its 19+ only. You can hear new songs from MSTRKRFT’s upcoming album Fist Of God (March 31st) on their MySpace page, including a nice collaboration with The Carps’ Jamal Tonge handling vocal duties. Opening for The Faint and Ladytron at the Phoenix on April 6th will be two New York groups, Brooklyn’s Telepathe and a DJ set by FIGOThe Weakerthans andConstantines have added a third show at the Phoenix on April 2nd, after the first two nights sold out in less than a few weeks of them being announced. Finally, it isn’t news about a show, but I think it’s pretty darn exciting: as a result of the album being recently leaked, the Yeah Yeah Yeahs have moved the release date of It’s Blitz! ahead to April 6th. While the circumstances forcing them to do is unfortunate, that means we’ll have new YYYs that much sooner.

So lately, I’ve been a little disappointed that most of this news this site and myself pass on are from the “bigger” music blogs and sites: Pitchfork, Drowned In Sound, SPIN, Stereogum, EXCLAIM!, and the like. Now, there isn’t nothing anything necessary wrong with filtering the best news from these big guns – usually they jump on the big stories first, have the newest music videos and most buzz-worthy songs, and are usually the most up-to-date and accurate. I feel though there are plenty more blogs out there on the Internet that are plenty worthy of being mentioned and feature plenty of great, new artists that the so-called “taste-makers” manage to miss. So I am challenging myself as well as you loyal Singing Lamb readers to share their favourite online music sources by posting on the wall. I figured I’d kick things off, by featuring the music blog Herohill. This blog is based out of my neck of the woods (Halifax, Nova Scotia) and it shines on spotlight on East Coast music in particular, has a nicely-designed site layout, and most importantly, features solid writing sans pretentiousness.

If you’re a fan of drunken pub sing-alongs, the occasional mosh pit and really good punk bands, than do I have a show for you to check out this weekend. Boston’s Street Dogs will be playing at all-ages show at the Kathedral this Friday, and tickets will only set you back $13.50. If you are a fan of Flogging MollyBouncing SoulsDropkick Murphies (Street Dogs’ Mike McColgan used to be the Murphies’ lead singer) or any other band that play fist-pumping, working-class punk and can probably kick your ass in a bar brawl, than I guarantee you’ll like the Warped Tour-mainstays Dogs. If you want to get a taste of what to expect from the band, here’s the music video for their song “You Alone”.

Cheers,
Max

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Album Updates!

February 14th, 2009 | By: Melody Lau

Yeah Yeah Yeahs

Yeah Yeah Yeahs

Happy Valentine’s Day, everyone! Hopefully you have interesting plans for the day, whether it be stuffing your face with chocolates (awesome) or spending time with a loved one (which I guess is awesome as well). Regardless, I know you’ll be listening to music! According to a survey in the UK, 60% (of approx. 1000 people who were surveyed, between the ages of 15-24) of people would rather go without sex for a week than go without music. You’re damn right. Which one would you choose? (Music, obviously…wait. Sex. I’m confused now) Read more here.

Here’s some exciting album releases to add to the love!

As you’ve all probably heard by now, Yeah Yeah Yeahs are back with a new album! Out on April 13th, It’s Blitz! will be the band’s third full-length, following 2006′s Show Your Bones and will feature the single “Zero”which will be released on April 6th (and online very soon?). Here’s the album art and the tracklisting:

It’s Blitz!:
1. Zero
2. Heads Will Roll
3. Soft Shock
4. Skeletons
5. Dull Life
6. Shame And Fortune
7. Runaway
8. Dragon Queen
9. Hysteric
10. Little Shadow

Is anyone else terribly excited about this and even a potential tour in the future? Sorry, I’ve had terrible luck when it comes to seeing the Yeah Yeah Yeahs live. But if they come, so help me god…

Speaking of new albums, Grizzly Bear will be releasing their follow-up to 2006′s Yellow House, entitledVeckatimest on May 26th. More details here.

Ex-Unicorns/Arcade Fire project, Clues will release their debut, self-titled album on May 19th. Click here for the tracklisting and more info on the band. Nice album art!

Bjork is issuing a Volta-related box set. YES. More information here!

That’ll be all for today. Go out and have some fun!

Musically,
Melody

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