Caitlin Rose @ The Garrison – April 5, 2013
I visited Nashville a few months ago, and it’s no cliché to say that music oozes from that city’s proverbial pores. Nashville’s Caitlin Rose (originally from Dallas, TX), proved her natural talent at The Garrison – at 25 years old, Rose has a classic old country voice that some have compared to Loretta Lynn and Patsy Cline.
In support of her recently released album, The Stand-In, the set began with album opener, “No One To Call.” Wearing a black and white polka dot dress and comfortable-looking cardigan, Rose was backed by a four-piece all-male band. The backing band included Andrew Combs, who was also the supporting act.
While either playing guitar or tambourine on most songs, it was evident that Rose’s powerful vocals were front and centre. Though The Stand-In on record sounds produced and glossy, Rose and her band brought a lively warmness to the songs in a live setting, namely “Waitin’,” “Menagerie” and “Only A Clown.” A pedal steel in the band also helped to ensure the sound of country music authenticity. Sadly, “Old Numbers,” my personal favourite off The Stand-In, didn’t sound quite its jazzy/country self without the horns that appear on the album.
The audience at the Garrison seemed enthusiastic in their applause for Rose after each song, but unfortunately seemed strangely less generous in responses to Rose’s attempts at banter between songs. This seemed to irk Rose after repeated tries to interact with the audience while introducing her songs. I couldn’t help but wonder what a Nashville crowd would be like in comparison to this hot-and-cold Toronto audience.
Still though, Rose and co. went on to play about an hour-long set that included a rousing Buck Owens cover, “I’ve Got A Tiger By The Tail” and lovely swooning torch song, “For the Rabbits” (which has, “absolutely nothing to do with rabbits,” Rose admitted when introducing the song) from Own Side Now.
Closing the set with “Shanghai Cigarettes,” Rose seemed surprised to return to the stage after shouts of “One more song!” from the audience. Sans band and only using a tambourine to keep time, she sang “T-Shirt” about a well-loved t-shirt she gave to an old boyfriend and couldn’t get back after the breakup. Though shaky at first because she couldn’t quite remember the lyrics and exact rhythm, Rose eventually got it.
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
Ty Segall @ The Phoenix – February 6, 2013
Talk about an awkward night. Ty Segall, the ever-deemed-prolific mastermind of psychedelic garage rock from San Francisco, headlined the February 6th show at the Phoenix with openers K-Holes (sludge grunge with a shrieking sax player and possessed blonde bombshell groaner/vocalist), Ex-Cult (headed by supposed Sid Vicious reincarnate Chris Shaw) and cleverly named Teenanger. With a line-up like that, seemingly killer to the umpteenth degree, one would assume the night would be grand. Ty always delivers. He hung from the ceiling pipes at the Horseshoe back in May of last year and got the crowd to pogo, for goodness sakes. He’s the man.
Not so this time around. The Phoenix was packed with zombies, with hardly a rowdy pit-making crowd near the stage. And this clearly discouraged Segall and co.
Starting off with two delicious tracks, “Thank God for the Sinners” and “You’re The Doctor,” off his latest release, Twins (one of three released in 2012), Ty was off to a good start. The set progressed, with tracks from the Black Sabbath-y Slaughterhouse screeched and screamed, an absolute auditory delight. His sweet harmonies juxtaposed with heavy and catchy guitar riffs are simply perfection. However, the energy of the crowd died down significantly about half-way during Ty’s search-and-destroy stage takeover. How music of such sheer strength, energy and velocity could fail to bring the crowd to a bouncing, moshing mess really baffles the mind. This clearly discouraged the band as they hastily chugged their way through their final songs, hesitantly returning for an encore (barely a cheer from the audience to come back). “Where’s the doctor?” Ty asked, referring to vocalist Chris Shaw of Ex-Cult, who joined him for two songs and then disappeared. It was an odd end to an odd night. Not even “Girlfriend,” perhaps Ty’s most known and catchiest number, made it to the audience’s ears.
Thinking back to Ty’s last Toronto trip with the Oh Sees – at the Hoxton of all places – the comparison of that show to his Phoenix frown-fest is painful at best (The only awkward bit being his kerfuffle with security. Ty seems to be on a bad luck streak when in Toronto). The stage diving at the Hoxton was endless, a constant loop of bodies flying into the crowd. Not a single person was still. This show could not have been more of the opposite. This just goes to show that audience reaction and interaction with the band is integral, if you care to walk out of there smiling and satisfied. Let’s hope Ty can rise from the Phoenix’s ashes and come back to sock it to us once again. We’ll be more fun next time, promise.
![[NXNE] 3am Revelations’ Thursday Recap](http://www.singinglamb.ca/wp-content/themes/kernel-theme/images/no-image-60x60.jpg)
