Author Archive

Let’s Chat: Casey Mecija

January 21st, 2010 | By: Carmel Garvez

Ohbijou, Casey Mecija - centre, front

Ohbijou, Casey Mecija - centre, front

Last Saturday, at the fourth installation of Daps All-Ages shows, we chatted with Ohbijou’s brainchild, Casey Mecija. Interview conducted by Melody Lau and Carmel Garvez.

You’re playing solo a lot lately. Is there a reason why you decided not to do Ohbijou for a while?

Well, it’s not really separate from Ohbijou. I write a lot of the songs that it’s hard to find time to do other stuff that’s not really related. I play songs that are from Ohbijou, also – just in a different formation. And some other songs that I don’t know what to do with yet.

So no solo record yet or anything?

No. Right now I’m playing with Jeff Debutte from The Acorn and making up some songs, and who knows what will come out of that.

Didn’t Ohbijou start from your own work?

Yeah! I started writing in my bedroom and then just accumulating a lot of people to play with.

Do you think the songs that you’re playing in these solo shows are going to end up as evolved Ohbijou songs?

Probably. Jennifer and Anissa are playing with me tonight. We’re playing Black Ice. So yeah, they’ll eventually become Ohbijou songs, probably.

You went to Ryerson? Radio Television Arts?

Yeah, I did!

There seems to be a lot of bands that have members that went to RTA from Ryerson.

Like the Born Ruffians! The Wooden Sky, Tokyo Police Club…

What is it about the program that makes people turn into musicians?

Heather, our bassist, went to Ryerson also and taught there actually. But I think when you’re trying to decide on a program when you’re going to university, I was kind of like, ‘Do I want to go into film…?’ I wanted to do something really arts-related, but you want to think of something that’s a bit more practical like, ‘How can I get a job? Maybe TV?’ I think the allure a long time ago was just do something where you can make a little bit of money.

Is it true that you worked at one point at Much Music?

I did. I worked at Much for four years. And recently stopped to tour and stuff. It was good.

How is it there? What did you do?

I did mostly production. It was good. It was a good community of music then than the one we have today. But it’s good to have a different perspective on music.

Did you stay in touch with any of the connections that you made there?

Yeah! Romeo who runs this youth centre actually works there.

The Toronto music scene is so close knit and interconnected. There’s a lot of connections between everyone, if you really think about it. What is it about Toronto, specifically, that sets it apart from others?

I think whenever you have a big city, or whenever you want to play music, it becomes a tight-knit community – just because everyone relies on everyone so much. I think the music community is so inter-dependent on support from different musicians. It’s a funny business to be in. Not even business, that’s not the right word. It’s like, your friends go to your shows. And you go to their shows. It just becomes a reciprocal relationship that you need to be supportive of in order for it to survive and thrive.

How did you meet the people from The Acorn? It feels like Ohbijou and The Acorn go really well together and you have worked on the split 12″.

Well, we met Rolf and we played shows with them for a while a long time ago. Almost five years ago. This was before they started taking over the world, but we just sort of formed a kinship. They’re really nice people. We always have a good party with them whenever we’re together.

You did that residency in Alberta, right?

In Banff, yeah.

How is Alberta different from Toronto, musically?

I dont’ know what the indie scene is like in Alberta, but they have an arts centre that facilitates some pretty amazing music. When we went there for the residency, it was just one of the best experiences we’ve ever had. And I was just speaking to my friend Basia – she went to the residency last year, the one that just past, and she had the exact same sort of experience.

Let’s talk about Bellwoods! You released the second compilation last summer; it was a big hit. Are there any more in the future? You don’t live in the [Bellwoods] house anymore, do you?

No, I don’t live in that house, but we’re hoping that the name is more than just a house. So, we’ll see. We’ve surpassed our $20 000 goal, and hopefully we can keep doing it. It just makes music a little bit more meaningful.

Any other projects coming up?

Not really. A lot of our members are doing their own thing. James, our drummer, just produced the Evening Hymns record, and that’s doing really well. Ryan, our keyboardist, is doing his Kite Hill project, and that album is coming out really soon. It’s beautiful. And Heather recorded Lisa Bozikovic. And Anissa plays in every band. And my little sister actually has a project called Canadian Wildlife, and she’s playing in February with Sylvie Smith’s country band.

Where?

At the Garrison! You guys should come.

There’s a lot of shows at the Garrison lately. Have you ever been yet?

I haven’t been, but I’m excited. I’ll probably go for my sister’s show.

You’re playing there, too!

Oh, yeah! Thank you for reminding me!

It’s a really good venue. So many venues are closing lately.

It’s good to have a Wavelength spot.

That’s also ending soon.

But it’s ending with some pretty awesome shows.

Any good Wavelength memories in the past ten years?

Wavelength memories? I don’t actually remember. There had just been so many shows… We played Wavelength three times. They’ve always been so supportive. They’re great. It’s too bad it’s ending.

Are you planning to attend any of the Wavelength 500 shows?

I really want to see the Constantines. And Rockets Red Glare. There’s a lot of reunions. Barcelona Pavilion. A lot of bands that I used to watch. I love the Constantines, so I’m excited to see that.

If you were a singing animal, what would you be?

I would be a loon!

Why?

I used to be a camp counsellor for this camp near Ottawa. Every morning, I would wake up to loons on the lake.

Aw.

Sorry, that was a stupid answer.

Well, we’ve never had a loon before.

What have people said?

They’ve said a lot of things.

Like a giant hamster?

Some of them get really creative. We got one that was a shark riding an elephant with laser-beam eyes.

Oh my god! Well, then, I’m a loon riding a shark with laser-beam eyes!

***

For more Casey Mecija/Ohbijou,
MySpace:
http://www.myspace.com/ohbijou

Casey Mecija will be opening for the Wilderness of Manitoba TONIGHT at the Garrison! Tickets will be at the door for $8.00! See you there!

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The Singing Lamb Recommends…

January 16th, 2010 | By: Carmel Garvez

Photo Credit: Dave Meisner

Photo Credit: Dave Meisner

When I was in my final year of high school, not too long ago, I wrote in my school paper about my little trip to Newmarket to see this band called The Elwins. My memory fails to recall how I stumbled upon them; I’m guessing it’s from one of those random MySpace clicking sprees that I do every so often when life seems too banal. I remember their EP release was on a Good Friday, and the parental units almost did not let me leave. But I was adamant, and I left home in the dust. I felt like a rebel.

Their EP release party was held at a youth recreation centre, which oddly piqued my interest for some reason. (At the time, I wrote a lot about shows held in unconventional venues. For one of the issues, I had also featured the first Daps show at Rolly’s Garage.) Greg Alsop, drummer of music sensation Tokyo Police Club and the night’s emcee, called the EP release party “the hippest thing that ever happened in Newmarket since 1997.” The master of ceremonies added that the only other equally hip thing that happened in this town was “the time Sloan’s tour bus broke down in front of Upper Canada Mall.”

Overall, it was a night of comedy and great tunes – definitely worth the trip to suburbia. If you get the chance, I highly recommend you pick up a copy of their self-titled EP. It is packed with five pop gems you are sure to love instantly! Tracks like “Dear, Oh My” and “Larry Pastorus” draw definite similarities to the cheerful pop-rock melodies of acts like friends the Bicycles and Ruby Coast. Guaranteed to paint a smile on anyone’s face.

The band is primarily made up of guitarist/vocalist Matt Sweeney and drummer Travis Stokl, with the new addition of third member, bassist Feurd. The band is also searching for a fourth member to round out the lineup.

Catch them live this Sunday at Wavelength’s 496th show, in partnership with No Shame! They will be playing with Tyson and the Trepids and Whale Tooth! And while you’re at it, check out an interview we did with them a few months ago!

For more from The Elwins,
MYSPACE:
http://www.myspace.com/theelwins

The Elwins are currently in the midst of recording a full-length album (due out sometime this year), so stay tuned for more news in the near future!

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Update: NOVELS available for download

January 11th, 2010 | By: Carmel Garvez


Photo Credit: Marshall Angus

Photo Credit: Marshall Angus

A few months ago, we had told you about NOVELS, an EP put together in less than twenty-four hours by the collaborative forces of Toronto musicians Graham Wright, Will Currie, Jason Sadlowski, Dean Marino, and Luke Lalonde. After almost a year from its creation, NOVELS is now available for download at their website.

If you haven’t done so already, go ahead and download, take a listen, and share the music with friends and strangers.

Born Ruffians recently gave away a physical copy of the EP after asking fans to share their favourite Ruffians-related memory/story. Read them all here. (Mine is #42, hush-hush!)

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The Singing Lamb’s 12 Days of Lists – Day 8: Carmel’s Top Picks of 2009

December 20th, 2009 | By: Carmel Garvez

Grizzly Bear's Veckatimest

Grizzly Bear's Veckatimest

Are you familiar with the concept of dualism? Me neither. Completely irrelevant to the philosophical concept, though, 2009 definitely presented quite the interesting polarity when it came to album releases. There were plenty of great ones and an unfortunate amount of things never meant for the ears. But focusing on just the positive side of 2009’s musical spectrum, the following are some of the records I’ve fallen in love with this year.

Personally, ranking stuff in accordance to best and least just make me uneasy. Hence, I’m listing my top ‘09 records in alphabetical order (with supplementary zany visual aids for your short attention spans)!

Beacons – Ohbijou

Check: New Years – Ohbijou

Bitte Orca – Dirty Projectors

Check: Stillness is the Move

Far – Regina Spektor

Check: Laughing With – Regina Spektor

If I Don’t Come Home You’ll Know I’m Gone – The Wooden Sky

Check: Oh My God (It Still Means a Lot to Me) – The Wooden Sky

It’s Blitz! – Yeah Yeah Yeahs

Check: Heads will Roll – Yeah Yeah Yeahs

Merriweather Post Pavillion – Animal Collective

Check: Summertime Clothes – Animal Collective

Speak of Trouble – Great Bloomers

Check: This Ain’t You – Great Bloomers

Technicolor Health – Harlem Shakes

Check: Strictly Game – Harlem Shakes

Tight Knit – Vetiver

Check: Everyday – Vetiver

Veckatimest – Grizzly Bear

Check: Two Weeks – Grizzly Bear

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Let’s Chat: The Elwins

October 29th, 2009 | By: Carmel Garvez

Photo Credit: Dave Meisner

Photo Credit: Dave Meisner

It was Saturday night in Toronto. The city was more alive than usual. Thousands of people of all ages were walking around, teeming with obvious excitement. It was the fourth annual Nuit Blanche, and everyone was out and about, feasting their eyes on the many different art installations and exhibits that were open all night long.

Right in the middle of Zone C, along the western strip of Queen Street, is The Drake. Blurry words or sentences – perhaps even forming to tell a story – were being projected on the front of the building. There was also a giant, blue, sperm-shaped water fountain that makes music by the hotel patio. Apparently, it’s called a hydraulophone.

This is where I met up with Travis Stokl and Matthew Sweeney, collectively known as The Elwins. It’s the duo’s fourth time playing the Underground, the hip west-end basement venue. The Elwins have released their self-titled EP this past April, and they also recently rocked a two-night charity show in Newmarket over the summer with fellow York Region-natives, Ruby Coast and Tokyo Police Club.

I was definitely looking forward to getting to know these lads more. However, the all-night art revelry did not quite work out in our favour, much to my chagrin. For most of the interview, we ended up walking to and fro The Drake, which caused a lot of confusion for both parties. Unfortunately, the loud environment we were in did not help either. The boisterous merrymaking brought about by that night had drowned much of our conversation. The only thing I was able to make out from my not-so handy-dandy audio recorder was when Matt and Travis thought they saw a member of Sloan standing a few feet from us. I told them to say hi. They didn’t.

Luckily, Matt and Travis did not hesitate to respond when I sent them the follow-up questions via e-mail:

The Singing Lamb: Who are you, and what do you do?

We are The Elwins. We write, record and preform jubilant gyrating jingles for the young and old alike.

What’s the story behind your band name?

It’s sort of a long story but we watched the movie Willow and ended up with our name.

How would you describe your music?

Lazy boy rock/jazz mixed with a bit of surf jolt.  This is probably one of the hardest questions to answer for any band, but you get it…right?

How long have you known each other? How did you two meet?

We’ve known each other for almost six years now.  We met in high school.  Our first interaction took place outside of  Ms.Carpenter’s english class.  We spoke about and listened to The Flaming Lips.   We didn’t start writing music until recently.

Who has the biggest influence on your sound?

We influence each others writing styles more than anyone else.  However some popular artists we take influence from are Burt Bacharach,  The Beatles, The Beach Boys and R.Stevie Moore .

When was the last time you purchased an album? What was it?

A few days ago Travis picked up the new album by Air.

What’s your favourite song to perform?

It changes all the time but usually it’s the newest song we’ve written.  Right now it’s a tie between our new arrangement of Squid Eyes and our new song that is yet to be named.

Favourite cover(s) to play?

Yeah! We tend to play a lot of covers when we perform acoustically.  A couple of our favorites are This Diamond Ring by GARY LEWIS & THE PLAYBOYS and Everyday by VETIVER .

What inspired you to pick up an instrument and make your own music?

To be honest, I don’t remember. It just happened, kind of like how you pick up a spoon to eat cereal. It just felt right and it worked.

Describe your favourite concert memory.

Once we had a gig at a Polish Hall in Oshawa.  It happened to be the headliner’s last show who we’d never heard beforehand.  They really rocked it. I think they were called White Light Heat.

What made you decide to pursue music full-time after high school?

I was more interested in self-educating than pursuing the more traditional routes of education after high school. The increase of my free time in combination with Travis’s didaskaleinophobia lead us to our decision to go full time with music.

When shall the public expect an Elwins full-length?

Hopefully next year sometime

What have you been up to lately?

We’ve been writing a lot of music, working out, learning magic tricks, harvesting wild edibles, etc…

What is your favourite ice cream flavour?

Matt: Chocolate chip cookie dough but lately I’ve been adding a bit of moose tracks to the mix.  Chocolate Cool Hemp is really good too.

Travis: Cookie dough anything is great.  I stay away from mint.

If you were a singing animal, what would you be?

Matt: black capped chickadee

Travis: dog

Last words?

Magic is still cool, don’t forget it.

Travis was also generous enough to recommend some tunes:

scan0010

***

The Elwins just recently came back from Halifax Pop Explosion, where they rocked the stage along with Gravity Wave, Maylee Todd & Pegwee Power, The Gideons, and Sports the Band.

For more of The Elwins, check out: http://www.myspace.com/theelwins

Keep your ears open and your eyes peeled for upcoming Toronto shows!

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Let’s Chat: Spiral Beach

October 26th, 2009 | By: Carmel Garvez

Spiral Beach

Spiral Beach

One Friday afternoon, I met up with Daniel Woodhead of Spiral Beach under the “giant beatle thinger” at Sonic Boom. The band was set to have an in-store performance that evening before their show with Two Hours Traffic at Lee’s Palace, across the street. We looked for the quietest area of the store, which ended up being the Gospel section, where Daniel told me about their on-going tour, the new album, a brief history of Bollywood music, Skunt, and everything that fell in between.

Singing Lamb: You’ve been touring for quite some time now. How is life on the road?

Daniel Woodhead: It’s good! This is kind of the end of the first part of the Canadian tour. And we’re gonna go down to New York next week and then Montreal after that. And we get to go to Europe in November, which is going to be amazing.

Do you have any favourite stops?

Daniel: We really like playing in New York. It’s definitely one of the most exciting places to be. But I think, on this tour, Saskatoon was really amazing.

Really?

Daniel: Yeah, it was definitely the best show – the highlight. And Kingston was also really good… All over – it’s always really random. Sometimes we go somewhere that we’ve been, like six times, and there’d be nobody there. And then we go somewhere we’ve never been to before, and it’d be packed and amazing.

Any interesting tour-related stories?

Daniel: Oh, yeah. We drove out of the way, seven hours north in BC. To Prince George, which was horrendous. We had two days to get to Victoria from Edmonton, driving through the mountains. We must have taken the wrong fork and gone north for seven hours. So then, by the time we got to Victoria, we’d missed all the ferries except the last one. We got there literally as it was pulling out. We just drove the entire day to get to this ferry, and we missed it by about 5 minutes.

Were you able to get to your show on time?

Daniel: Yeah, luckily that was still the driving day. We actually didn’t play until the next day. It was just really frustrating.

Let’s talk about the new album. How is it different from your previous releases?

Daniel: We recorded it kind of in the opposite way. The last one we recorded all live and basically really, really fast… in a barn, which is not the normal place to record an album, obviously. For this one, we took our time. We did a lot of layering and kind of collage-style, where we just record a whole lot of stuff and put it together afterwards. So some of the songs are like mini stacks of different layers of keyboards. There’s definitely a different style. And also, it was very spaced out. We had three months to work on it.

What’s the story behind the name?

Daniel: “The Only Really Thing”? It’s just something I say a lot, by accident. I get things mixed up, and I’ll say, “Well, the only really thing with that is…” And everybody’s just like, “What?” There’s a line between confusing and interesting, and I think that’s where we live. We just kind of summed up a lot of the non-sense that is in our heads.

Yeah, when I first read it, I was wondering about the double adverbs. I thought it was a typo.

Daniel: Yeah, exactly. Well, I’m glad you got it right. A lot of people say “The Only Real Thing”, and I’m just like, What do you mean?

I read on your Twitter that you had a secret release party in Toronto on last week (Oct 9th).-

Daniel: Yeah, that was craziness by itself! We drove from Chicago that day. It took eleven hours or something… I was trying to set up the party via text message. We had a keg of beer that somebody had to pick up – all the things that come with running a big party… By the time we got there, it was 11 or so, and it was basically all set up. The first band had gone on and everything was set to go. And then we played the entire album all the way through, which we’ve never done before. And it was at a really cool space, too.

Where was it?

Daniel: My friend Bo plays in a band called La Casa Muerte. He has this amazing loft space with a stage and a soundboard. It’s as good as The Boat or something like that. We played there a couple of times. We did, I think, during NxNE with Japanther and DD/MM/YYYY, who are two of my favourite bands. And that was amazing – there were people hanging from the rafters; it was intense.

Was it a spontaneous thing?

Daniel: Yeah! We literally didn’t know we were playing until that day. We were just gonna have a party when we got back, so we could all see our friends.

So, it was private?

Daniel: Yeah, it was kind of a private thing. Although it ended up being totally full of people we don’t know, as they usually are. If you tell people there’s beer and bands, they’ll just come, y’know?

Spiral Beach has a very distinct sound. Where do you get your influence from?

Daniel: We listen to everything. Like everything in this store around us. This is actually where I buy my CDs all the time… but on the new album, anyway, we kind of took this whole Bollywood thing to the max and tried to sonically make an obvious connection. It just meshes really well with what we do… like that all over the place, colourful kind of fun-ness.

What got you into Bollywood music in the first place?

Daniel: Well, originally, our friend got a bunch of these compilation records in New York City at a specialty shop. It’s pretty hard to find the original records. Most of them aren’t released in North America at all. They’re all film soundtracks. I just thought it was an interesting thing that it’s almost like a secret, kind of like hidden music… like Asha Bhosle, who is the Queen of Bollywood – she has supposedly recorded more songs than anybody in history. These people are kind of legendary, but nobody knows who they are here. And partly, we want to draw attention to that, to show that this music’s amazing. But as far as the sound of it, I think that kind of warm analogue, really echoed, kind of psychedelic sound that a lot of those artists are basically copying… I guess like Pink Floyd and all those psychedelic bands from the 60s. But then, they were doing it in this weird, off-kilter way because they probably heard the records on static-y AM radio. Every few weeks, they might hear a song like that, so the influence kind of seeped in. And we’re taking it back. So it’s like, West-East-West – going back and forth.

Your shows have always been so theatrical and visually-engaging. Why is that so important to Spiral Beach?

Daniel: It’s just more fun to do that way! It seems like such an obvious thing, but so many bands just set up and play and then leave – and that’s kind of it.

Do you also put up the same extravagant shows on tour? Complete with all those props?

Daniel: We try to! There’s different levels, obviously. There’s been a couple of times we’ve taken our friend, Trevor, who does projections for the band at most of the Toronto shows. So, we’ve tried taking that on the road – sometimes it works, sometimes it’s kind of a hassle, mostly because of the timing. If you only have twenty minutes to set up and soundcheck, and then the other band has to play, there’s just not enough time to set up a room full of glowing stuff. But for those shows, like the loft party last week, we can definitely make it into our own world.

Do you ever consider changing that, perhaps doing a completely stripped down show?

Daniel: We have, occassionally. Sometimes, we’ll do something totally different. We have a secret alter-ego band, too, called Skunt, which is the absolute opposite of Spiral Beach. We just play our songs in a stripped down setting. We’ve done that a couple of times. We played with Fucked Up as Skunt, and it was the dirtiest-sounding show ever.

I remember at Rolly’s Garage you were Swirling Shores!

Daniel: Yeah, exactly! Swirling Shores is really funny. You don’t want to be “the local band”, so we try to make sure every time we play in Toronto, it’s kind of like, “We’re back!” Tonight at Lee’s Palace would be the first regular club show we’ve done since April and only the second one for this year.

What’s your favourite venue to play at?

Daniel: In Toronto? Probably the Centre of Gravity Theatre, where we did the big all-night party a couple of years ago.

Are you going to do anything like that soon?

Daniel: I want to, for sure. We’re on the road until December, so I think maybe when we get back, we might put something together there. We’ll see. It’s also a little out of the way. I wish there was a space similar to that in the west end. Getting everybody out to the east feels like a journey… which is part of what makes it so much fun.

If you were a singing animal, what would you be?

Daniel: I always thought the animal I relate to most would be a fox. But that’s just me… for maybe being a little bit stuck up or something… So if I was to be a cool singing animal, I’d definitely be a fox. But if I was to be an actual singing animal, I’d be… maybe I’d just be a seagull. There you
go!

***

For more Spiral Beach,

MySpace: http://www.myspace.com/spiralbeach

Spiral Beach will be holding three upcoming shows – all acoustic! These will all be fundraisers to help raise money for the band’s trip to Europe next month! For more information on the shows, go here.

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Let’s Chat: Bahamas

October 25th, 2009 | By: Carmel Garvez

Bahamas

Afie Jurvanen is Bahamas

The Singing Lamb: What’s the story behind your moniker, “Bahamas”?

Afie Jurvanen: I was making the record, and I had a list of names that were kind of in the running… Most of the time, I play with a band… and I have kind of a weird name, so the idea of yelling “Afie” three or four times in a loud bar – it’s just easier if we had a name. And as we were making the record, it was just such a relaxed thing – and actually, there’s a lyric in one of the songs that actually said “Bahamas”, so when we finished the record, it was just the name that jumped out of me. And I think it kinda suits the tone, and if anything, I may be bending a little bit more to the name of the band now.

You’ve played with other artists, such as Feist and Jason Collett, to name a few. What were the most important lessons learned from doing that?

Afie: Well, the biggest thing is that I feel like I’m really fortunate in being with all these people that I’ve played with in bands, who were just the sweetest people. And that can sometimes be more important than the music. You’re living with people in really close proximity for months at a time, and if you don’t get along, or you don’t like the smell of someone’s dirty t-shirt, or something like that, it can really get on your nerves. So I’m lucky that I get to surround myself with the people that I get a kick out of, and get along with. And generally, everything else seems more effortless after that.

How has that influenced your music?

Afie: When I made the recording, I didn’t really plan it out all that much. We really just set up, and I invited some players that I really trusted and just trusted their musical instincts… You don’t really have to give people like that much direction… and most people just kind of find the right thing to do without much direction. And I’m a fan of that. And when I’m touring, it’s basically just me and the drummer, and we get along really well. He has a moustache. He has an iPhone, and he likes the same Bob Dylan records as I do.

That’s sweet!

Afie: Yeah!

Simplicity is emphasized in your music. Why is that so important?

Afie: I think I’m just someone who really gravitates towards the song. It’s always about the song, and more specifically about the lyrics. And so anything that you’re adding on to that, in my opinion – I just don’t want things get in the way of that ever. Basically, I just like keeping it lean and mean all the time. And a lot of it, like, on this record, is just bass, drums, and guitar, and we pretty much just play it together. And we left a lot of mistakes on there. And we left all the microphones open. There’s kind of an excitement and spontaneity that comes when you’re recording like that, and listening back to it, it sounds like don’t really need to add a thousand delay pedals and stuff like that.

And you’ve had your songs for over a five-year period-

Afie: Some of them have been kicking around for a while… I wrote a lot of songs while I was on tour and didn’t really have the chance to play my own music or make my own recordings, and so when we set out to do that, I just kind of purged and got that out of my system. So now, it does feel weird being on tour and playing songs that have been kicking around for a long time.

Do you still feel the same connection to those songs today as you did when you wrote them?

Afie: It’s pretty much the same thing, but you kind of constantly have to find ways of keeping it fresh. Like, find something in the song that is your own and that you connect with… I just get a kick out of it now because I wail around with the guitar, and I guess, I don’t take it as seriously as I did at one time… and with the new songs, it’s like, “Alright, I really want to play this one well”, and I work myself up a little bit.

So, you’ve written some new material?

Afie: Yeah, absolutely. I’m kinda always writing, and the last recording experience was just so inspiring, which was really the opposite of a lot of other recordings that I’ve been a part of. Normally, you have no money and no time, and so you wanna be really rehearsed and go in and get it done quickly. And for this one, there was just no plan. We recorded it at home, pretty much. I don’t know; I just came out feeling so inspired as opposed to defeated. But yeah, I’ll make a new record, soon.

Do you think Pink Strat would have sounded differently if you wrote it today?

Afie: Absolutely. I mean, everyone’s taste in music is constantly growing and evolving. Meeting new people, doing new things – all of that kind of goes into it. Like I said, we didn’t really have it planned out. It’s like a document of a time period and of a place that I was in at that moment. If I set up the exact same guys at the exact same place, I’m sure we’d come up with something totally different.

I read about your mysterious knee injury. What’s that all about?

Afie: I had a soccer accident when I was on tour with Feist. We were playing soccer after the show behind the venue, and I just got a really gnarly leg injury. I got to go in an ambulance, and they pumped me full of all these drugs. And I walked around with a big thing on my leg for a few months… with a cane, and I wore my sunglasses on stage. Looking back, I can laugh about it, but at the time, it was really hard travelling around and touring and trying to get out of the bus, getting into the hotel, up the stairs of the stage – it was so much labour. I feel like when I’m an old man, it’s gonna be one of those things like, “Ah, sonny, yer grampa’s knee is acting up today”, y’know?

But is it better now?

Afie: Oh yeah, it’s better now. But every once in a while, it acts up.

How long ago was this?

Afie: A couple of years ago.

Pink Strat is the name of your album. How important is it for musicians to make connections with their instruments?

Afie: For me, it’s totally important. I’m a huge gear nerd and guitar collector… Each instrument can sort of conjure songs… You can just pick up a certain guitar, and there’s something about the way it sounds or feels will cause you to play it differently than another one would. For me, my “Pink Strat” has been with me for a long time, and I was playing it on lots of different recordings, brought it on tour with me, and I wrote a lot of good songs on it. So, when I was looking for a title for the record, it just seemed like a nice way to sort of honour that time and the spirit of where those songs were born.

How old were you when you first got it?

Afie: I was probably twenty. It wasn’t my first guitar.

Do you have names for any other instruments?

Afie: Nothing pretty, like “Lucille” or romantic or anything.

Last question! If you were a singing animal, what would you be?

Afie: I think I’ll maybe be a monkey. I can be a little bit of a goof. I also have a tattoo of a monkey!

***

For more Bahamas,

MySpace: http://www.myspace.com/bahamasbreeze

Don’t forget to catch Bahamas, opening for The Rural Alberta Advantage, on November 20th at Lee’s! Tickets are still on sale for $13.50!

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Band Update: NOVELS

October 5th, 2009 | By: Carmel Garvez

NOVELS

NOVELS (Photo Credit: Lesley Marino)

One teeth-achingly cold and brutally bracing day back in January, five Toronto musicians gathered round Chemical Sound for twenty-four hours of writing and recording. This collaborative project is comprised of Luke Lalonde (Born Ruffians), Graham Wright (Tokyo Police Club), Will Currie (…& the Country French), and Chemical Sound engineers, Dean Marino and Jason Sadlowski. The full-day marathon begot “NOVELS”. Details on its release are yet to be revealed, but one thing is for sure – it will be FREE.

There will be about 200 copies available. Graham Wright recently posted on his blog, “Each one was hand screened and put together by us, so they’re all a little different, and they’re all a lot awesome looking.  Soon we’ll start figuring out ways to distribute them, and then we’ll let you all know.  And we’ll probably put the songs on the internet somewhere, too.  Exciting!”

So, keep your eyes peeled!

In addition to the 5-track EP, a documentary of the night is being showcased at Pop Montreal. But for those of us not fortunate enough to attend the fest, don’t fret! You can also watch it over at vimeo: http://www.vimeo.com/6488918. Thanks, internet!

For more info, check: http://www.okaynovels.com/

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CD Review: Matt Singer – The Drought

August 23rd, 2009 | By: Carmel Garvez

The Drought

The Drought

A short story usually embodies a much simpler exposition than that of a novel. It introduces few characters in a fluid triangular plot, consisting of an introduction, a conflict, and a resolution. It’s simple and to the point, without the hassles of ambiguity and confusion a reader might encounter in a novel.

Matt Singer’s latest work, The Drought, is a collection of short stories.

The singer/songwriter, a Garden State native, currently resides in New York’s most diverse borough – Brooklyn. Like his neighbourhood, Singer’s music has always been multifarious. He has infused folk with hip-hop and rap, in songs of humorous or vulgar satires, and all the while, expressing his strong political points of view, negatively targeting, of course, the Bush administration.

But for The Drought, Singer puts politics aside and tells us six different stories in this six-track release. The song, Stacy J, tells us of a girl who dreams of making it big through American Idol. She fails on her first try and leaves her New Jersey home to Fort Greene, Brooklyn, carrying with her the ethos of being miserable “than just alright.” But in the end, her persistence lands her a spot on the television show, breaking the narrator’s heart in the process.

This Brooklyn troubadour is a natural story-teller. His creamy vocals, accompanied by very simple instrumentation, make a quality record that is stripped of all pretention and complexity.

For more Matt Singer,

MySpace

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