Archive for February, 2010

The Singing Lamb Recommends…

February 24th, 2010 | By: Guest Contributor

Daniela Gesundheit

I’ve just arrived home, and my minus-40, trudge-through-any-weather, supposedly invincible boots are full of snow. Now thawing my toes with chai tea and songs that speak to the lovelier faces of winter, I am coming to better terms with the snowflakes coursing by the window.  Snowblink has become my cold-weather musical obsession as of late, with songs like Green to Gone combining the delicate vocal talents of Daniela Gesundheit with nuanced strings and a poppy melody that will soothe any grumbles about damp socks and cold fingers.

Being Gesundheit’s brainchild, Snowblink has included a rotating group of musicians since its inception in 2005, the current touring band being comprised of Daniela and Dan Goldman (although as Snowblink’s website states, guest musicians are always implied). Gesundheit is a serial musical and artistic collaborator, and is currently also a part of Bruce Peninsula and has worked with an extensive list of artists that I won’t list now but that you can check out here. While they’ve technically recorded three albums, the most readily available is Live Long, released in 2008 with lovely tracks like the aforementioned Green to Gone, as well as Rutt and Nuzzle, and Ambergris. Be sure to give the album a listen or even better, catch Snowblink opening for Owen Pallett in London, Brantford, or Hamilton later this week.

And here‘s a [more] acoustic taste of Green to Gone.

For more Snowblink, check out Myspace and snowblink.org

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Let’s Chat: Gentleman Reg

February 24th, 2010 | By: Melody Lau

Gentleman Reg

Gentleman Reg

It’s often rare to find bold and beautiful faces of the Toronto indie music scene on the east-end of the city. After all, it’s ridiculously far from all the music venues and hip bars; to most on the west-end, anything east of Yonge St. is irrelevant and almost a blur of obscurity. But on this warm Saturday afternoon, I am sitting at Jet Fuel Coffee on Parliament St. with one of the coolest people in Toronto – Reg Vermue. Or as folks call him, Gentleman Reg. This is his neighbourhood – well our neighbourhood, and as we sit down for a drink before Reg heads off to the gym and attempts to tackle some laundry, we chat about his recent residency at the Drake Hotel, playing encores and a new album in the works.

The Singing Lamb: So it’s the one year anniversary of your last album, Jet Black – have you recorded anything new since then?

Reg: Well we put out a digital EP – two songs are remixes but there were four songs we recorded. But besides that, I’ve been writing and doing a bunch of demos with Heather Kirby from Ohbijou and it’s been going really well. Part of doing this residency was trying new music so we’re playing about 4-5 new songs each week. It’s like the first time I’m writing with a label so it’s interesting, there are rules now!

Is having a label a good or bad thing?

Reg: It’s good because I want it to be a really good record; I don’t want a mediocre record.

Do you think any of your past records have been mediocre?

Reg: The very first one I did – it came out in 2000, which nobody knows – I would say that was mediocre.

Do you ever go back and listen to it?

Reg: I was listening to it a little while ago because this friend who was playing bass with us for a little bit wanted to play a song off of it. And just last week, someone at the residency wanted to buy the album which was so interesting to me because I forget that people even know it, so I brought them a copy. And I also forget it’s sort of not up to me to decide what people will like – if someone wants to buy it, its cool. I just can’t play anything off of it because it was ten years ago.

Do you even remember how to play any of those songs?

Reg: No, absolutely not!

Let’s talk about your February residency at the Drake Hotel – why that venue?

Reg: We were looking at the Tranzac, the Rivoli, and the Cameron house and then it was about who was available and that got narrowed down to the Tranzac and the Drake. Say what you will about the Drake, I like the basement; at least during the week. But honestly, they’ve been nothing but amazing to us and it’s going well for a Wednesday night; they should be nice to us! I like the aesthetic, I like to dress up for my shows and I like the Tranzac but it’s old and dirty. It’s a fine room, it’s just not my personal aesthetic; this feels right. I’ve had many people who said they couldn’t come see me because it was at the Drake and two friends broke their rule by coming to see me, but whatever! It’s fine, people are coming.

The bill each week is very diverse – what do you think it is about your music that’s so universal and comparable to all those bands?

Reg: Well I guess it says more about my taste in music because I chose all the bands and part of it was based on availability and who could play which weeks; some bands weren’t available at all but about half the bands, I’ve never seen so it was exciting for me because I was experiencing it for the first time. Of course I checked them out first and they’re all so good.

How does it feel to headline these shows?

Reg: We had no idea how this would turn out; part of this thing is that we’re the perpetual opener so these were the first headlining shows in a long time! We actually had no idea who would show up and obviously people are coming to see the other bands too but this has been a very interesting experiment so far.

And you can play encores too!

Reg: It’s great! That’s one of the coolest things is that we can play as long as we want, we can play encores and mess around and play new stuff – there have been some scrappy moments and we can get away with them because people know that there will be some new songs. The encore thing is great because there are definitely times on tour opening where in theory you could put on an encore or people would want it but you just aren’t allowed or its not the way it works.

So when should we expect a new album?

Reg: I don’t know! Hopefully by the end of May we’ll have a record worked out and ready to record.

And finally, if you were a singing animal, what would you be?

Reg: Some sort of albino animal because I’m always getting people telling me – like this past week, someone was at the zoo and they saw these albino reindeer and they said ‘Wow, we saw these albino reindeer and it reminded us of you!’ – anything white reminds people of me! So what would I be? Maybe an albino reindeer; they’re graceful, they probably have long eyelashes and are cute!

***

Don’t forget to catch the last instalment of Gentleman Reg’s February Heavy Head Residency at the Drake Hotel today! Doors are 9PM and tickets will be on sale for $7.00 at the venue! Opening for Reg will be Evening Hymns and Everything All The Time!

For more Gentleman Reg,
MySpace: http://www.myspace.com/gentlemanreg

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Wild Beasts, Still Life Still @ Horseshoe – Feb. 22, 2010

February 23rd, 2010 | By: Melody Lau

Photo Credit: Michael Fil

Photo Credit: Michael Fil

It was surprising to see the Horseshoe as packed as it was last night for the UK’s Wild Beasts because a) it’s a Monday night and b) shouldn’t we all be at home watching the Olympics instead? Needless to say, I defied both because days of the week don’t really apply anymore when you go to shows as often as I do, and I’ll admit it – I missed the end of the show because I went to the front room of the Horseshoe to watch figure skating. Come on, folks – figure skating!

Arts & Crafts newcomers Still Life Still opened the night to a venue that gradually filled up with each song. The Toronto indie rockers are always compared to label mates/boss Kevin Drew and Broken Social Scene, and for good reason. Though no where near the 15-piece super-group aesthetic of Social Scene, Still Life Still’s music is definitely a more simplistic, poppier take on the Toronto collective’s epic grandiose rock. But don’t jump the gun and proclaim these guys as the new generation of Brendan Cannings just yet, the band still has lots of work ahead of them. Musically, the band’s songs are generally a hit or miss but when it’s a hit, they really nail it – ridiculously catchy hooks, fun sing-along lyrics, and a heck of a melody. Though not the most interesting on record, Still Life Still knows how to bring it live. It’ll be very interesting to see this band grow in the upcoming years, whether they embrace their more pop-rock roots or gear towards an even more BSS-like sound. Either way, I see them doing well.

MySpace: http://www.myspace.com/stilllifestill

UK indie dream pop rockers Wild Beasts were up next and the second they stepped onstage, a wave of red light – an enemy of photographers – flooded the stage and a seriously addictive beat hit the crowd. Rhythmically heavy, Wild Beasts can make an audience dance, sway, head bob and pretty much everything in between. Lead singer/guitarist/bassist Hayden Thorpe’s voice is strange yet hypnotically compelling and when it contrasts with the lower register of bassist/guitarist Tom Fleming, it is oddly exquisite – voices like these don’t normally work but in this case it does. Songs like “All The Kings Men” and “We Still Got The Taste Dancing On Our Tongues” – both off their newest release Two Dancers – are prime examples of how great this band really is. Fantastic both on record and live, if you don’t have Wild Beasts in your musical library yet, do it now.

MySpace: http://www.myspace.com/wildbeasts

Sure, I missed the end of their set but I was able to listen to it from the front room just fine. The Canadians aren’t the only ones who did great last night. Gold medals all around!

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Wild Beasts @ Horseshoe – Feb. 22, 2010

February 23rd, 2010 | By: Guest Contributor

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Still Life Still @ Horseshoe – Feb. 22, 2010

February 23rd, 2010 | By: Guest Contributor

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CONTEST: Language-Arts @ Garrison – March 5, 2010

February 23rd, 2010 | By: Melody Lau

Language-Arts

Language-Arts

You may not be familiar with them now but prepare to fall in love with Vancouver’s Language-Arts. This quirky indie duo’s blend of orchestral indie-pop is refreshingly inventive and catchy as hell. Wanna see for yourself? Well the Singing Lamb will be giving away a copy of their CD Where Were You In The Wild? and a pair of tickets to the band’s show at the Garrison on March 5th!

It’s simple – e-mail me (melody@singinglamb.ca – new e-mail address!) with your name and favourite Olympic sport (y’know – since the band’s from Vancouver…) and the winner will be notified on March 3rd! Enter now; March is a lot closer than you think!

* Language-Arts will be playing with The Pinecones (formerly Brent Randall & The Pinecones) and Allie Hughes!

For more Language-Arts,
MySpace:
http://www.myspace.com/languageartnet

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For Florence Charity Concert feat. Lioness, The Ghost is Dancing & Hooded Fang @ The Mod Club – Feb. 14, 2010

February 23rd, 2010 | By: Guest Contributor

Lion

Lioness

As this year’s Valentine’s Day rolled around, two of my four roommates were (and still are) in committed relationships, while I found myself celebrating “Singles Awareness Day” yet again. So instead of locking myself in my room and watching the latest episode of American Idol online (I think that Tyler Grady fellow is going all the way this year!), while crying into my tub of chocolate Hӓagen-Dazs (because nothing adds flavour to overpriced ice cream quite like human tears!), I instead decided to make my way to the Mod Club with my other roommate for the “For Florence” charity concert, featuring a diverse lineup of local female-fronted bands.

And what a diverse lineup it was! The night featured ten acts, all of whom played two to three song sets, and covered a broad spectrum of genres. Wanted to hear a modern jazz chanteuse? Check, courtesy of Jessica Lalonde. Folksy, acoustic duets? One Hundred Dollars’ Ian Russell and Simone Schmidt had those covered. A goth lesbian metal band? Umm…I’ll let you listen to Heavy Filth for yourself and judge their “artistic” merit for yourself. I wasn’t terribly familiar with most of the bands playing, but hey, it was for a good cause (all donations went to the Salvation Army’s Florence Booth House Women’s Shelter located at 723 Queen Street West) and everybody in attendance seemed to be in high spirits.

Also in high spirits was Toronto director Bruce McDonald, who used the crowd at the Mod Club as extras in a pivotal club scene with the film’s fictive band, Trigger, who were backed onstage by disco-rockers Foxfire. Even though the song they “played” was catchy, it was a drag having to sit through three takes, but they eventually got it to McDonald’s satisfaction. Things got even more bizarre afterwards with a performance from special guest Carole Pope, a 59-year-old Canadian rock singer-songwriter whose “provocative blend of hard-edged New Wave rock with explicit homoerotic and BDSM-themed lyrics made her one of the first openly lesbian pop stars in the world” (I had to text my friend and ask her to Wikipedia her name). The best thing that I can say about her performance is that she looked a bit like the Canadian version of Joan Jett. If only the same could be said about her singing.

Luckily the bands on the line-up that I had at least a passing familiarity with put on solid, if shorter than usual, sets. The night kicked off with some scrappy garage-rock tunes from Tonka & Puma, the side-project of Hooded Fang’s April (wearing some impressively large furry boots) and Dan, who were later joined onstage by the rest of their more pop-oriented “full-time” band. I’ve said it before, and I’ll say it again – Hooded Fang are one of the most promising young bands in Toronto, and I guarantee we’ll be hearing plenty more from them in the upcoming year. I was also pleasantly surprised with The Ghost is Dancing, an energetic, reverb and horn-heavy pop six-piece, who put out their sophomore album Battles On on Sonic Unyon this spring.

Rounding out the night and sending the stragglers at the Mod Club home, was Lioness, the trio of drummer Jeff Schevens, guitarist Ronnie Morris (both former members of the now-defunct contoller.controller) and singer Vanessa Fischer. Despite the fact that it was about one in the morning, and I was so exhausted that I could barely speak or stand, these guys’ live performance is so hypnotic that you can’t turn away. Call them what you want – disco, dance, electronic, punk, indie rock or some combination of all of these – but with Schevens’ powerhouse drumming, Morris’ bass-created wall of sound, and Fischer’s soulful pipes, you cannot deny Lioness has a completely unique sound going for them.

It was great to see such a large turnout at this event, especially when you consider it was competing with the final night of Wavelength 500 at the Garrison, whose organizers had announced earlier in the morning that Owen Pallett would be making a surprise appearance. And though I didn’t find anything remotely close to love at this concert, I’m pretty confidant when I say there could’ve been worse ways to spend a Valentine’s Day night single.

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Gentleman Reg @ The Drake – Feb. 17, 2010

February 23rd, 2010 | By: Guest Contributor

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Dance Yourself to Death @ The Drake – Feb. 17, 2010

February 23rd, 2010 | By: Guest Contributor

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Sheezer @ The Drake – Feb. 17, 2010

February 23rd, 2010 | By: Guest Contributor

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