Archive for February, 2009

News Update!

February 28th, 2009 | By: Melody Lau

Patrick Watson

Patrick Watson

Sorry for the late post but here’s what a couple of things I missed out on yesterday and today!

Patrick Watson has announced a new album called Wooden Arms. That is slated to be released on April 28th. Read more about it here!

Whispertown 2000 will open for Maria Taylor at El Mocambo on April 17th. Tickets are on sale now for $10.00.

So it’s settled, Depeche Mode will be playing at the Molson Amphitheatre. They’ll be there on July 24th.

Elvis Perkins will be in town on April 29th for a show at the Horseshoe.

And in big, exciting, no-way-they-actually-reunited news, No Doubt has announced a huge tour, which will thankfully include Toronto on June 16. They’ll be at the Molson Amphitheatre with opening acts Bedouin Soundclash and Paramore.

Passion Pit has finally released details of their debut full-length. Manners will be out in North America on May 26th. Read more here. Here’s the tracklisting:

Manners:
01 Make Light
02 Little Secrets
03 Moth’s Wings
04 The Reeling
05 Eyes as Candles
06 Swimming in the Flood
07 Folds in Your Hands
08 To Kingdom Come
09 Sleepyhead
10 Let Your Love Grow Tall
11 Seaweed Song

The Dirty Projectors have also announced a new album, entitled Bitte Orca. That will be out on June 9th. More info (and a picture of the wicked album cover) here.

And in exciting Singing Lamb news, we are proud to announce that we’re going to cover this year’s Canadian Music Week festivities! We’ve got our press passes and I just mapped out my schedule, so expect to see a very busy lamb running around the city!

Also, we apologize for our lack of shows updates on the shows page. That WILL be fixed soon! For now, please bear with us and check the news updates often as all concert announcements are made here too!

Happy listening!

Musically,
Melody

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The Bargain Bin (Vol. 2)

February 27th, 2009 | By: Guest Contributor

Our Bargain Bin girl!

Our Bargain Bin girl!

“The Bargain Bin will be a weekly column written by Cashlyn in which she dives into the $1-5 section of Sonic Boom where the fantastical meets the terrible. It’ll be her job to sort through the bunch and discover the wonderful things a couple of bucks can get you!” – The Singing Lamb

Album: We Love You All
Artist: Psykup
Cost: $0.95

I have to admit when I first got this CD, I immediately went against all-known advice and judged it by its cover. Here’s the cover:

I think the cover is super cool. I had no idea what this album had in store, but I was immediately excited to find out.

When I put on the album, I saw that the back claims that Psykup has a “personal and original approach to metal.” I got more excited.

I have to say that Psykup has done what a lot of recent metal bands fail to do; set themselves apart from a generic sound. Let’s just say that when their first song “Colour Me Blood Red,” started with metal riffs and deep growls, I did not foresee it ending how it does; a harmony with no instrumentals. In fact, some parts of their songs are downright danceable.

Psykup incorporates singing and harmonizing with screaming, shrieking, and metal growls. Now I know what you’re thinking, you’re thinking that sounds very Alexisonfire-esque. Just let me be clear; these guys sound nothing like Alexisonfire. Their different sounds do not often overlap like Dallas Green’s harmonies and George Pettit’s screams. Although when they do, it’s generally well done.

Instead, Psykup changes the tempos of their songs often. In a sense this is necessary, because I mean their songs do average 9 minutes long. But I guess it all works together to make their style.

Psykup also uses a variety of other resources to make their songs unique. In addition to the dramatic change in guitar and voice, they also incorporate random (yet appropriate) noises into the background of some of their songs. In “My Toy My Satan” they also use clips from the movie Dogma; appropriate given that the song focuses on religion as a cause for war. It sounds pretty cool.

I think part of what makes this band stand apart from many others is that they formed in 1995. You can really hear the influence of late 80s/90s metal in their songs, but it’s been supercharged for a more modern version.

When listening to “We Love You All” I was reminded of everything from Alice in Chains to System of a Down, The Deftones to Billy Talent, Lamb of God to Metallica (in a good way), some things that I just can’t put my finger on, and some things that are entirely unique. It’s a really effective way to avoid redundancy; a trap too many metal bands tragically fall into.

Psykup hails from Toulouse, France, although the lyrics on this album (the 5th released under the name Psykup…although several others are listed under their discography) are entirely in English. Although they have yet to hit the big-time, critics have received their latest work well, and although their YouTube videos don’t have record hits and comments, the ones that were left behind are overwhelmingly positive.

Overall, I was pleasantly surprised by this band. It took me back to the days where all I listened to was metal (I know you know those days), and reminded me that well-done metal is still a pleasant listening experience. In fact, I’ve been re-discovering a lot of the bands I used to listen to since I listened to this album. I also added it to my iTunes for my future listening pleasure.

Verdict: Worth your pocket change.

By Cashlyn Teggart

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Smile, It’s Wednesday

February 25th, 2009 | By: Max Mertens

Smile, it's Wednesday!

Smile, it's Wednesday!

Ladies and gentlemen, its Wednesday. Which means of course, we’re halfway through the week. But in case you’ve been swamped with mid-terms this week and your workload is steadily accumulating with no end in sight, here is some news for you that’ll hopefully make the rest of the week go faster.

Best. Mashups. Ever. Those were the three words that spilled out of my mouth after listening to the tracks posted on A Plus D’s MySpace. The San Francisco duo consists of Adrian and the Mysterious D, and their mashups ingeniously pair songs that you might not expect together. Kanye’s “Gold Digger” and Beethoven’s “Fifth Symphony”? Genius. Joy Division’s “Love Will Tear Us Apart” and the obviously Joy Division-inspiredShe Wants Revenge’s “Tear You Apart”? Slightly more predictable, but good nonetheless. But the standout, and probably the best mashup I’ve heard in recent months, is “Stardust Kids”. Can you guess what two tracks that might combine? I’ll save you the guessing and tell you that it takes David Bowie’s classic “Lady Stardust” and layers it on top of the beat from MGMT’s “Kids”. In other MGMT-related news, apparently they get played on commercial radio these days. Who knew? Certainly not me, as I’ve been living under a rock the last few months as far as commercial radio is concerned.

Speaking of hope for commercial radio, I recently discovered Alan Cross and his The Ongoing History of New Music program (which you can download for free as podcasts on iTunes) while fiddling with the stereo dial at work, which features some pretty damn good music. Thanks to Cross, I was tipped off to Dublin’s Fight like Apes and this story about a false scare in a Memphis airport as the result of a This Bike Is A Pipe Bomb sticker. You can listen to new episodes on Sunday nights at 8pm on Toronto’s 102.1 FM The Edge. Cross was recently interviewed in an article about fighting Internet piracy, which you can read here.

All you club kids out there, get out your glowsticks and prepare your most ridiculous outfits, because the club show to end all club shows is coming to Toronto in April. Ticket prices and whether or not this show is going to be all-ages or not have yet to be officially confirmed, but according to Dim Mak Records’ website, the lineup set to appear (and surely sellout) at The Guvernment on April 9th includes Steve Aoki, Crookers, The Bloody Beetroots and MSTRKRFT. In the words of the immortal Barney Stinson, this show has massive potential to be legen-wait for it-DARY.

Beck has a new B-side off the soon-to-be-released deluxe edition of Modern Guilt, a stripped-down tune called “Necessary Evil”, which reminds me a lot of his little-heard “Mexico”. Listen to the track here.

Here’s a show you don’t want to miss: The CoastThe DiablerosOh No Forest Fires! and Ryan Masters are playing at The Horseshoe this Saturday. Four awesome acts for ten bucks – it doesn’t get much better than that. I have to say I’ve been listening to the new ONFF! album, The War On Geometry lately, and if you want to hear a great garage rock album with pop sensibilities and catchy hooks then I’d seriously recommend it.

Halfway through the week everyone, we can make it!

Cheers,
Max

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Let’s Chat: Julie Doiron

February 25th, 2009 | By: Melody Lau

Julie Doiron

Julie Doiron

The Singing Lamb: Give us a brief summary of what your new album’s like!

Julie Doiron: Oh, you haven’t heard it yet?

I’ve only heard “Consolation Prize” so far!

Julie: Oh okay! Well “Consolation Prize” doesn’t represent the whole album. It’s not a whole pop album or whatever that kind of song would be! I don’t know how to explain it other than I think it’s a really good record. There are some songs on it that are pretty rockin’ and there are three songs on it that are just guitar and voice, but for the most part it’s just really good! I don’t know; I’d rather have other people listen to it instead of me explaining it to them.

Do you think it’s anything like your last album, Woke Myself Up?

Julie: I’d say it’s a continuation of that. It was done the same way, I recorded it with Rick White again but this time I had Fred Squire, who had been touring with me for a couple of years now. He did all the drums and the lead guitar stuff and Rick did all the bass and keyboards. I did the singing and a lot of the main guitar parts but then a few other things too; I played drums on one song! Yeah, I would say it was definitely a continuation from the last album. It feels really different for me and I don’t know how to explain it. All the other ones seemed a little more together, not in a polished sense. Well Woke Myself Up felt a little more, not polished but pretty much perfect to me as an album. This one, for me, seems to be the perfect combination of all the albums I’ve done in the past, leading up to this point. It feels really honest and yet it’s still really rockin’ and it’s very confident sounding to me. I guess it’s kind of similar to Woke Myself Up but with a few hints of what elements from the past.

Speaking of the past, I’ve heard some comparisons to Eric’s Trip and your new material; at least on “Consolation Prize”. I’m not entirely sure about the entire album as you’ve said it doesn’t represent the whole. Do you think you’ve geared back a bit in terms of sound for this record?

Julie: I think I’m at a point where I really love making rock music. I’ve always loved that but for a while it wasn’t possible because I couldn’t afford to have a band or I was just doing a lot of solo shows; yeah mainly for that reason. Then in the last few years, I started touring more with other musicians and I began having a lot of fun rocking out again. That sort of coincided with playing with Eric’s Trip again and it just reminded me of how much I love making music like that. So I think it would be a natural progression to say that the album will probably reflect where I’m at; at least live. I would say half the album is definitely what I’m trying to do live and there’s some mellower stuff that I haven’t really tried to do live that I really like for recordings. I think I’m just at a point where I want to rock out and have fun and I’ve been getting to that point for quite a few years now. That’s what I had tried to do with Woke Myself Up as well; I wanted it to be a rock album. But we ended up treating it a bit differently because there were some songs there that needed to be a lot quieter, needed to just have guitar and voice. I think we did what I pretty much wanted to do and then even more so with this album. I think it turned out exactly the way I kind of anticipated it or hoped it would anyway.

Do you plan on playing any more Eric’s Trip shows in the future?

Julie: Well we did quite a few shows last year. I think we did about 12 shows last year and in 2007 we did quite a few more. We haven’t talked about doing shows anytime soon but it’s always kind of open at this point because we’ve done shows every year since 2006 now. So I don’t know. I would imagine that it would be a possibility. Rick and I talk quite a bit and we talk frequently about doing projects together, whether it be Eric’s Trip or just the two of us, something like that. It’s always open; nobody has said they wouldn’t do it, so…

What is it about playing in Toronto that you like most? Is there anything you like about playing here?

Julie: Well I find that shows in Toronto usually go really well. I like being there because I have a lot of friends in town so it’s always nice to see them. The shows are always fun. There are some cities that are easier to play in and I guess you’re always guaranteed to have someone at your show in Toronto!

True! What are some of your favourite venues in town?

Julie: The Horseshoe is a lot of fun. I find that if you’re playing at the Horseshoe, it’s a lot of fun if you’re in a rock band but not as fun if you’re solo.

You’re playing the Horseshoe again, right?

Julie: Yeah! I played there last year too! Hmmm, other venues…I thought that Mod Club was a lot of fun when I was there with Eric’s Trip, it sounded really good. It made me feel like a rock star with all those fancy light shows! I don’t know what it’s like to see a show there but it sounded amazing on stage and it felt pretty cool. I’ve only played there that one time. I played quite a few churches in 2007 and last year as well. We did a few shows at the Boat and that was pretty cool! I’m trying to think of where I really like to play! We seem to play a lot of shows in Toronto often…

You guys seem to play a lot of in-stores around town as well!

Julie: It’s true, yeah! We do that quite a bit. In-stores are always fun because in every town because it’s a chance to play for a few people before the show. The more you can play while you’re on tour, the better it is because it keeps you kind of ready for the show. So I find in-stores are great because they’re intimate and they’re not as formal as rock shows; it’s just relaxing.

Yeah, I love its intimacy! It has a nice feeling to it.

Julie: I’m really trying to think of where my favourite venues are! There are places that I really like to play and I’ve had amazing shows at but I’m trying to think Toronto specifically…I don’t know, Horseshoe’s fun!

It’s a common answer among Torontonians!

Julie: Well in the past, I haven’t done many shows there. When I was in Eric’s Trip, Lee’s Palace was our favourite place because it was really exciting for us at the time. So it was the classic place; we were really excited. I’m trying to think of a place that I really enjoyed…but for me, as longs as the venue feels okay and the people and audience are really awesome, it’s good. I’m trying to think of a place where I would never play again and I can’t think of one right now. I can’t think of anywhere that I’ve had a really horrible time at. I don’t think I have a favourite venue yet.

That’s good that you haven’t had any shows that were so bad, you wouldn’t return to!

Julie: I think I have, but unfortunately I have a pretty bad memory sometimes. So when I try to think of things on the spot, I can’t think of them right away and then it comes to me the next day. Like “Oh! That’s right, my favourite venue’s that place!” But it’s always way too late. I should just make a list of everything and that way when I get asked at any random time, like when I’m out for a drink or something I can pull out my list and go, “Well actually, my favourite book, blah blah blah!” I can never think about it right away.

Lists can come in handy!

Julie: Totally! It’s like every year when they ask for my top ten of the past year, I can never come up with something on the spot! For a while, I was trying to make a list and find ten that I wouldn’t want to forget; especially in interviews and someone asks you and you can only think of two when you’ve listened to a whole bunch more!

Yeah!

Julie: And you’re on the spot and you feel like a jerk after! For a while, I started making a few lists but I haven’t done that lately.

It really sucks when you list your favourite and you’re always missing one crucial one that you love!

Julie: Yeah, exactly! It’s a horrible feeling when you forget one. Especially if it’s for an interview and they’re going to print, for example: people who you think are really great, and there’s someone that you think is really great and you forgot to mention them and you feel kind of bad.

It’s almost like forgetting to thank someone at an award show.

Julie: Yeah, I’ve never had to do that but it would be really scary!

Okay last question: if you could be a singing animal, what would you be?

Julie: Ooh, singing animal. Gosh, my kids and I would always have discussions like this about which animal we would be in general. I’m trying to think; I used to be really into sea otters but I think if I was a singing animal? I really like rabbits…

I love rabbits!

Julie: Yeah! But singing…rabbits don’t make any noise. The first thing that comes to your mind is birds but only because you hear them sing all the time so it’s easy to imagine. I would probably be uhh…I’m trying to think of what my personality is like. I do a lot of swimming but none of those animals really sing!

Well you can say hypothetically!

Julie: I know! A dolphin. Or a rabbit! It’s a toss-up between a dolphin and a rabbit. Because I like the idea of…ooh, maybe a cow! I love cows too. It’s hard to pick one!

Ooh, you can create a hybrid animal!

Julie: When I draw with my kids and create animals, I tend to do a smaller version of a giraffe or a cow that looks like a giraffe with spots! But I think I’ll go with dolphin. I really love swimming. And I also really like moving around, so maybe I’ll say rabbit too. By day a rabbit, by night a dolphin!

For more Julie Doiron visit her website and/or Myspace! Her new album, I Can Wonder What You Did With Your Day is out on March 10th and she’ll be at the Horseshoe on March 26th, along with Rick White. Tickets are $10.00 and they’re still available so pick them up now!

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News Update!

February 24th, 2009 | By: Melody Lau

Plants and Animals

Plants and Animals

Do you ever reach Tuesday and have the most disturbing desire to buy a Toonie Tuesday meal at KFC? It’s terrible. I didn’t end up getting it but every so often, I just want to take a bite out of those artery-clogging goodness drumsticks. I’m glad I didn’t get it after all.

Okay, enough grossness for today. Here’s some news; that’s yummier than any kind of fast food!

According to Stillepost, Polaris Prize nominees (though I believe they should’ve won), Plants and Animals are back in town at the Mod Club on May 7th. Tickets are $15.00 and it’s an early show (doors 7:00 pm, show 8:00 pm). This show is 19+.

Bonnie Prince Billy will be at the Queen Elizabeth Theatre on Thursday May 14th; tickets are $25.00 and will go on sale this Thursday (10:00 am). And yes, this is all-ages.

Maria Taylor is going to be at El Mocambo on April 17th, tickets will be $10 and will also go on sale this Thursday.

Although a venue hasn’t been announced yet, we do know that Depeche Mode will kick off their upcoming North American tour here in Toronto. Probable choices for venues at the moment are most likely the Air Canada Centre, Molson Amphitheatre or something big like. Read more about the band’s upcoming album (Sounds of the Universe, out April 21st) here!

Atmosphere and P.O.S. will stop by The Phoenix on May 6th.

Ladyhawk return to Toronto for a gig at the Horseshoe on April 23, tickets are $12.50 and are on sale this Thursday.

For those who are still relatively interested, British pop-rockers Keane are back and will be at the Sound Academy with Mat Kearney and The Helio Sequence on May 23rd. The show is 19+ and will cost you a hefty $39.50 ($100.00 if you fancy the VIP balcony seating). They go on sale this Friday.

Nine Inch Nails and the newly reunited Jane’s Addiction will be in town on June 23rd at the Molson Amphitheatre.

The Yeah Yeah Yeahs have not announced any North American dates yet (with the exception of selected music festivals coming up this summer) but they have announced a few UK dates. I’m only letting you guys know this as part of my relentless 24-hour Yeah Yeah Yeahs watch. I will not stop till they announce a Toronto date! Oh, but if you’re tired of waiting, word is that their new album It’s Blitz has finally leaked online. If you feel so inclined to do so, download now. The trio is also on the cover of this month’s Spin Magazine. Now that’s something you can legally pay for in stores right now.

NPR is currently streaming Neko Case’s new album, Middle Cyclone (out March 3rd). Click here to listen! I hope you have your tickets for her upcoming shows at Trinity-St. Paul’s (April 17-18) because it’s been sold out for quite some time now.

Speaking of sold-out gigs, just a reminder that the Born Ruffians and Akron/Family shows at Sneaky Dee’s (March 23-24) have also been sold-out for a while now too. So good luck trying to get tickets; chances are that there may be tickets at the door for these shows. May.

This show is not sold out (mainly because there are no advance tickets; you can only get in with a CMW wristband) but it will surely be insanely packed at the Chart CMW showcases at the Horseshoe. Added to the already fantastic line ups will be Black Hat Brigade on March 13th and Joel Plaskett bandmate, Dave Marsh on March 14th. Both acts will be added onto the end of the showcases, at 3:10 am. It’s going to be an all-nighter, folks.

Laura Barrett is currently spending the month up north, in Yukon. To follow her adventures, read here as she keeps an online account of what she does with Exclaim! Also click here to stream her recent cover of Harry Nilsson’s “Nobody Cares About The Railroads Anymore”!

Happy listening!

Musically,
Melody

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Edgefest Update!

February 23rd, 2009 | By: Melody Lau

Still Life Still

Still Life Still

Hope your week got off on a good start! For those returning from reading week, I hope it was more eventful than mine. For those who have yet to have their reading week, please take advantage of it. I sat at home doing work. I need to go on a trip next year. Anyway, back in the realms of Toronto, we were treated to this fantastic piece of news today.

Edgefest has announced their line up this year. The annual music fest will again take place at Downsview Park (for a second year) on June 20th (here’s a Lamb fact for everyone: it’s also my birthday!). Here’s who we have so far on the bill:

Billy Talent
AFI
Alexisonfire
Metric
k-os
The Stills
The Arkells
Moneen
The Waking Eyes
The Midway State
Beast
Flash Lightnin
Still Life Still
Clothes Make the Man
Dean Lickyer
Dinosaur Bones
La Casa Muerte

*The bolded bands will be performing on the main stage, whereas the rest will perform on the second stage.

Tickets will go on sale on Saturday February 28th at 10:00 am on Ticketmaster, but early bird, discounted tickets ($39.50 as opposed to $49.50) will be available between Tuesday morning and Friday night.

I’ve got to say, I was never a fan of Edgefest but this year’s line up is actually decent enough for me to make it out to! Pending I have the money…BMV trip again? I think so. What can I say, the young teen in me is still screaming over Alexisonfire and Billy Talent.

Speaking of Alexisonfire, according to Chart, the guys are back in the studio for a follow-up to 2006’s Crisis. Fans can follow the production of Young Cardinals through their new studio blog. Read more about it here.

One of the bands off that bill that I’m most excited to see though (well, that’s if I don’t catch them live before June) is East York’s very own Still Life Still. Hailed as “the new Broken Social Scene”, this band has some pretty big expectations to meet – and I believe they may be able to do just that. It’s not hard to see why Still Life Still gets so many comparisons as they possess the same sonically layered, collective indie-rock force that Broken Social Scene is so well-known for but these guys are definitely not Broken Social Scene, in a good way. Kevin Drew can be listed as one of their many fans though; Arts & Crafts Records are even slated to release the band’s highly anticipated debut album this summer. So I suggest you check them out now and try to catch one of their upcoming sets at The Silver Dollar (Feb. 27th – with The Paint Movement and The D’urbervilles) or at Lee’s Palace on March 20th. For music, go to their MySpace now! These guys are going to be big.

Happy listening!

Musically,
Melody

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Weekend Update!

February 22nd, 2009 | By: Max Mertens

Kings of Leon

Kings of Leon

Here are some random show announcements and other musically-related information that I’ve came across recently, that I couldn’t help but share with you. Enjoy!

If you wanted to see Kings of Leon at the Air Canada Centre on April 21st, you’re unfortunately pretty much shit out of luck. Tickets went on sale on Friday, and according to a Ticketmaster representative that I talked to yesterday, they all but sold out within the first half hour. There may be a few single tickets way up in the nosebleeds for upwards of $70 available, but you’ll have to call around immediately. Or if you have a spare hundred or two – or any vital organs you think you might be able to do without, I’m sure there’s a scalper out there willing to be your best friend. Expect a hustle though – they tried to sell me what was originally a $20 ticket to see Lykke Li for $80 at the Phoenix last weekend. As my friend so eloquently put it, “stupid cool music being popular”.

Looking for something to do this Wednesday? PR firm Pink Mafia is presenting Art’d, a series of previews of art exhibits, photography collections and clothing lines over the upcoming weeks. This week, Shark vs Bearphotographer-to-the hipsters Kavin Wong premieres his party portrait gallery at Czehoski on Queen Street West from 9pm – 2am. Plus the event is sponsored by Ketel One vodka, so you know what that means? Cocktails!

Have you ever found yourself listening to The Rapture and you said to yourself, “Gee, these guys know how to make music that gets people dancing. I bet they’d make great DJs.”? If you have than you’re in luck, as the band’s multi-instrumentalist and vocalist Gabriel Andruzzi will be playing a DJ set at Wrongbar this Saturday, with Toronto’s own (and Play De Record owner) Nasty Nav also on the decks. You can find out more details on the event’s Facebook page. Speaking of Nav, here are some upcoming club shows that might be worth your attention:

Red Bull 3Style National Final feat. Jokers of the Scene @ CiRCA (March 12th, TBA)
- Boys Noize + Nasty Nav @ This Is London (March 19th, $15)
- Diplo @ CiRCA (May 8th, TBA)
- CFCF @ Augusta House (March 20th) and Burroughs Building (March 21)

I know the Perez Hiltons and Entertainment Tonights are covering this story more in-depth, but I just thought I’d throw my ten cents in: Chris Brown is a talentless douchebag and whatever he gets is far less than he deserves for what he did to Rihanna.

“New Zealand…Rocks!!!” Diehard Flight of the Conchords fans might recognize this slogan from one of the tourism posters in their band manager Murray’s office. There must be something in the water, as the amount of talented Kiwi bands making it big overseas these days is steadily growing. Expect an article in the near future, but in the meantime, check out the following bands and let me know what you think: Bang! Bang! Eche!Cut Off Your HandsShocking Pinks and my new favourite discovery of 2009, White Swan Black Swan.

So by now you’ve heard the opening track to the Yeah Yeah Yeahs’ new album, It’s Blitz!“Zero”. If you’re digging the track and it’s new refined and danceable sound, you’ll definitely love this new track, “Heads Will Roll”, which can be downloaded via Kanye West’s blog now!

And for those who are rooting/not rooting for M.I.A. tonight at the Oscars (for her nomination with A.R. Rahman for the Slumdog Millionaire track “O…Saya”), here’s a nice treat for you - a cover of “Paper Planes” by Pale Young Gentlemen. Thanks to Chromewaves for mentioning this!

Anyways that’s all I have for today, enjoy the rest of your week!

Cheers,
Max

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News Update!

February 21st, 2009 | By: Melody Lau

Patrick Wolf

Patrick Wolf

Here’s a really brief one for you!

Patrick Wolf will be releasing his follow up to 2007’s The Magic Position, entitled The Bachelor on June 1st. Here’s the tracklisting:

The Bachelor:
01. “Kriegsspiel (Wargames)”
02. “Hard Times”
03. “Oblivion”
04. “The Bachelor”
05. “Damaris”
06. “Thickets”
07. “Count of Casualty”
08. “Who Will?”
09. “Vulture”
10. “Blackdown”
11. “The Sun Is Often Out”
12. “Theseus”
13. “Battle”
14. “The Messenger”

Originally slated as a double album, The Bachelor will only be a single album, with the second one to be released sometime next year. I’ll keep you posted on that! More information on the release can be read here!

In other release news, Montreal native Tiga will be releasing a new album entitled Ciao! on April 20th. For more info go here!

Show Updates:
Mogwai and The Twilight Sad will be at the Phoenix on May 4th
Dan Deacon will be at the Deleon White Gallery on May 10th with Teeth Mountain and Future Islands
Lemonade will open for Sebastien Tellier at the Mod Club on April 8th
Vetiver and Papercuts will be at the Music Gallery on May 15th
Late of the Pier will be at the Kool Haus on April 10th

Looking for something to do on Sunday night? The new March lineup for Sneaky Dee’s Wavelength series is up right now on Stillepost. Exciting shows include great artists such as Steve McKay, We Take Lovers, Pete Samples and Adam and the Amethysts! See it all here!!

I guess I’ll leave you with this lovely duet. ENJOY!

Happy listening!

Musically,
Melody

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Music Venue Report Cards: The Sound Academy

February 21st, 2009 | By: Matthew Braga

The Sound Academy

The Sound Academy

So as you all may know, CBC Radio 3 is running a contest to see what the best venue in Canada is. And honestly, unless you’ve been all over the country, I don’t think anyone is qualified to pick a winner. So I guess that resorts to which venue has gained the most supporters; not a bad alternative. I have not been fortunate enough to travel across Canada (yet), but I have been to my fair share of venues in Toronto. So The Singing Lamb has decided to delve deep into Toronto and analyze some of the city’s best and worst venues. Hope these become helpful in your concert-going experience in the city!

Disclaimer: These features do not reflect the opinions of everyone here at the Singing Lamb. Each feature is uniquely the writer’s feelings as based on personal experiences they have encountered. There is a potential that you will see opposing reviews of venues as this series develops. Just keep that in mind – we value everyone’s freedom of speech!
- The Singing Lamb

Let me make one thing perfectly clear from the beginning: I hate the Sound Academy.

Formerly known as the Docks night club and entertainment complex, the Sound Academy is Toronto’s equivalent of the kid nobody quite liked in elementary school – distant, awkward, and downright weird. It’s a building that was clearly designed for the hot sweaty bodies of drug-riddled euro trash that flocked to the building on a weekly basis, until its ill-fated rebranding. And just like the dwindling attendance of the Docks before it, the current venue will meet its demise due to one simple reason – the Sound Academy is simply a nuisance to get to.

While they may claim the title of being one of Toronto’s few waterfront nightclubs concert halls, they’re mistaken if they think that proves to be a redeeming quality. In actuality, the Sound Academy is simply so far out of the way that, unless you’re driving, expect a long and frustrating commute. Throw out all hopes of arriving early, while you’re at it. As the saying goes, abandon all faith, ye who enter here.

If you’d really like to know, there is a TTC bus that can get you there. Of course, your definition of “there” would probably have to include a fairly irregular departure schedule, and an exit point that is actually a full block away from where you intend to go. That’s right, folks; the Sound Academy is so far out of the way, not even the TTC will go there. There is only one explanation here, and it is that the Sound Academy is in bat country.

Let’s assume for a moment that you actually arrive in one piece – I’ll allow you your moment of bliss and pride before I crush your spirits further. Despite your best attempts to arrive early, you’re going to run into a line. It’s fact. On top of that, you must also deal with a number of pretentious and clearly power-tripped security guards, who will almost assuredly manhandle your camera, take your battery, and throw any food you might have left to eat into a bin of despair and hunger. C’est la vie.

If nothing has deterred you thus far, faithful concert goer, the inside of the Sound Academy almost assuredly will. Most striking is the venue’s similarity with popular Toronto-area alleyways – sans the graffiti. In all seriousness, this is the narrowest venue that I have ever seen. While this may have proved beneficial for the sweaty, drunken twenty-somethings of yesteryear, the result is incredibly claustrophobic in a concert setting.

Of course, the most glaring issue of all is the one that matters most. Quite frankly, it seems like I’d get better sound quality out of a cave, because the Sound Academy’s acoustics are simply horrid. High, cavernous ceilings provide lots of places for bass to disappear, leaving behind a great deal of unwelcome treble. Attempts to compensate only serve to drown out the low end even further, with the voices of certain artists simply disappearing into the mix.

In my opinion, it’s a shame that artists feel the need to keep filling the Sound Academy week after week. While the establishment may be able to hook big name acts and draw crowds for now, its only a matter of time before fans and artists alike begin to realize the venue’s shortcomings and take their business elsewhere. It’s downright frustrating that the Sound Academy is located where it is, and operates as it does; more club than concert hall, and nearly inaccessible to those without a boat, it’s simply a matter of time before the Sound Academy slips into musical obscurity.

When the Sound Academy finally does die, rejoice; hitchhiking to the waterfront will be but a distant memory. If only the same would hold true for U2.

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Let’s Chat: Boys Who Say No

February 21st, 2009 | By: Melody Lau

Boys Who Say No

Boys Who Say No

My sincere apologies to the Luke Corriea Damude for the delay for this interview. This interview was originally done on January 27th, 2009; days prior to the band’s EP release show at the Whippersnapper Gallery on January 31st, 2009. Again, we’re really sorry!

The Singing Lamb: Who are Boys Who Say No? How would you describe the band for someone who may have never heard of you before?

Luke Corriea Damude: I don’t think genre is really a way of describing it; many people have a really hard time describing the kind of music it is. I think its just four friends that play music that we enjoy writing. We have a really great time playing and it’s eclectic, fun, most of the time danceable music.

Yeah, you guys have so many different sounds! Where do you see yourself going in the future with that, especially since you guys are relatively new?

Luke: Yeah, we’re just about a year old and we only really started playing a lot of shows in the last six months or so. Definitely, we want to make a full-length. Money would be the thing because we made our last EP entirely independent. We do want to do a full-length maybe using some of the stuff from this EP because I do think the songs that we have on the EP are strong songs but they don’t necessarily represent the canon of our work. We have lots of different sounds to the songs which is a criticism that some people have but is also a compliment that some people have. But for us, we’re not trying to make anything in particular; we’re just writing music and that’s the music that we’re playing. We’re not really screening the process, we’re just doing what we feel is the best thing we can make together.

Are you excited for the EP release?

Luke: Mhmm! I’m really excited; I think it’ll be really fun. Lots of great musicians are playing. Will Kidman from the Constantines is playing his side project, Wholly Leaves. A really great guy who plays Elvis Mondays a lot [at the Drake Hotel] named the People of Canada is playing. But then we have Provincial Parks who are more poppy so we try to cover our playful side, our poppy side, our country side so the other acts that are playing do cover up some of everything. It’s going to be super fun! And its one of the few times you get to really have your own show; play what you want because it’s your CD release…not that we play things we don’t want! But you can play things your normally won’t play because audiences are kind of fickle or something like that. The people who are here will be here for a reason that night and that’s to see your release so that’s good!

Do you find it easier to book shows since it’s your venue?

Luke: Yeah, well I don’t normally book the shows so it’s great; well I book the shows here at the Whippersnapper but not for the band! We’ve thought about a lot of different places but we used to rehearse here. Once it started getting more serious, we actually moved to a real rehearsal space but we’re really comfortable with this space and I have a lot of fun at music shows here so it just seemed natural. We can also treat the other musicians and ourselves a little better than maybe a normal club could, in terms of drinks and stuff like that.

It’s a really nice place!

Luke: Yeah!

What are some other venues you like in the city?

Luke: I like the Cameron House for certain shows; the back room is fun. I’m not going to say I dislike any venue! We played the Horseshoe last month and that’s always a stepping point in your band’s career; when you play the Horseshoe! There’s like a cast system of playing venues, you know? So things like that are exciting when you’re playing places like that. I go to a lot of shows at the Dakota. I like alternative venues! I like playing and booking shows at the Whippersnapper and there’s an art gallery in the junction called Smash that do music shows sometimes. The whole vibe of alternative venues is really great, like Extermination Music which is a couple of times in the summer; they find an abandoned building and they put on a big art/music show. So that’s exciting. There’s definitely a need for some refreshed venues.

Definitely! Speaking of cast systems though, would you ever see yourself moving up to Kool Haus level?

Luke: Haha, I think there’s a lot more steps before that! I would play there if I was asked, in a second! But I think there’s a lot more focus on before we start trying to fill those venues. We’ll try to fill the Whippersnapper before we try to fill the Kool Haus!

The Whippersnapper does a lot of all-ages shows so I was wondering what your opinion is on all-ages shows in Toronto?

Luke: I don’t think there’s enough and it’s hard because of insurance and licensing and that’s why I’m glad to be offering that at the Whippersnapper. I think there should be more all-ages shows but I think it’s hard for the promoters that do these shows because they get really discouraged because it’s hard for the under-aged kids to figure out where they need to be looking to find cool music because they’re in high school. You’re more into mainstream music when you’re in high school because that’s what you’re hearing on the radio.

Well not all high school kids…

Luke: Oh no, definitely not. We don’t do all-ages shows all the time but we certainly try to do as many as possible. If there were more places in the city! There’s a place out of town called the Ford Plant and they just do all-ages shows.

Do you plan on playing any other shows soon?

Luke: Yeah! We were going to play CMW but there were some complications with the venue so we might not. We want to take some time to write new stuff though. So hopefully we’ll take some time in March and do that.

Oh, I heard that your EP was having issues lately…?

Luke: Yeah, because we’re so DIY we got our good friend Simone at Punchclock Printing to handprint all of our discs and they’re on cardboard. Since we’re trying to pinch every penny and do it as DIY, as cool as possible, we had to glue them all together ourselves. Turns out that one batch, the specific type of glue we used leaked onto a lot of the discs. I think it was only five discs that were actually given out; we destroyed about 60 but I think we only gave out 10, max, before we realized! So if anyone has a glued disc, tells us whenever and they can exchange it for a new, unglued disc.

Okay, one last question: If you were a singing animal, what would you be?

Luke: A singing animal? Let’s say a singing…oh man, I’m trying to be clever now! A singing horse!

Haha, why?

Luke: Because I saw that picture of a horse there! It’s powerful!

For more Boys Who Say No, check out their MySpace! They will also be playing a free show at the Drake Hotel on February 26th with Sports (The Band) and Great Bloomers, as part of the Drake’s 5th anniversary!

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